The Charms and Flaws of Hannah Fidell’s ‘6 Years’

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Back in February of 2015, I got a screening invitation for a movie called 6 Years. Though I was intrigued by the poster, I couldn’t make it to the screening. Months later, I noticed it, while doing the random, late night Netflix search and decided to give it a watch.

While the film is definitely flawed, I found it to be mesmerizing and thought provoking. Produced by the ever-wonderful Duplass brothers and written/directed by Hannah Fidell, 6 Years unflinchingly explores all sorts of relationship issues including adultery and physical abuse. However, to me the film at its core is really about the fact that sometimes, as sad as it is, we outgrow relationships. There’s still love, but a time comes when both parties need to move on and that’s more heartbreaking than anything!

If you’re not familiar, 6 Years follows Melanie (Taissa Farmiga) and Dan (Ben Rosenfield), two halves of a young couple that has been together for six years (title!). Dan is about to graduate college and possibly move away for a job. Melanie still has a year left of school. Thus, they’re in a weird phase of their life and drama ensues.

Here’s why you should watch 6 Years on Netflix ASAP:

The Creative Team

The Duplass Brothers, who directed this film are for real responsible for many of our tv/film obsessions. They’ve produced the much lauded HBO comedy Togetherness (I’m still mourning its cancellation!), The Overnight, and the upcoming sure-to-be-amazing Anna Kendrick film, Table 17. They’re great about supporting indie writers/directors like Hannah Fidell, who previously wrote and directed A Teacher, which was another Sundance gem.

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As my mother would say…they’re very Jewish.

The Cast

The strength of this film rests largely on its two young, intensely talented leads: Taissa Farmiga and Ben Rosenfield. Taissa is the younger sister of acclaimed Bates Motel actress, Vera Farmiga, and she certainly got the acting gene. She’s emotional, yet I never felt like a moment was false.

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What if he was just like, um, no?

Similarly, Ben Rosenfield is a revelation in this film.You might know Ben from his stint on Boardwalk Empire or as one of Logan Lerman’s roommates in the recent indie, Indignation. However, 6 Years is his chance to shine and he does. He’s insanely charming and I’m not just saying that because he has great hair, though of course he DOES. 

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Also, can we talk about his hair PLEASE?

Both of their characters do some pretty awful things and yet, Dan and Melanie are still relatable. That’s called acting chops, people!

The Script/Outline

IMHO, this no-real-script thing is usually a detriment and I do think that this may be one of the film’s major downfalls. However, what the film loses in wit, it gains in verisimilitude. Fidell’s script was apparently an outline which included pictures. Similar to Drake Doremus’s Like Crazy, the outline was more of a jumping off point than anything else. Rosenfield and Farmiga knew what was supposed to happen, but they improvised their actual lines. Though according to my dad the film had one too many curse words, 6 Years presents college age kids the way they really talk and thus, makes the characters feel more genuine.

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BURNNNNN.

The Incredible Indie Soundtrack

I’m not gonna lie – the soundtrack for this film is maybe eighty-five percent of why you should watch it. Literally, the moment it was over, I was pulling up the soundtrack’s playlist on Spotify. It’s seriously amazing. Here’s one of my favorite songs from the film:

The Themes

For all its flaws, I loved the film because of the issues it tackles and the way it tackles them. So many times, especially in regards to serious issues like abuse, we tend to vilify someone in a relationship. From the outside, it’s very easy to do that. This person’s abusive – simple answer, leave them! The film makes you feel like you’re in it with them and as despicable as both of them can be, we relate to both of them and can’t put either of them into a box of the “good guy” or “bad guy.” They both make big mistakes, but ultimately their love for each other is real. It’s just not enough to keep them together.

The film is also about decisions in your early twenties. There’s a scene where Dan is telling his mother that he was offered a job at a record label in New York, but that he’s considering not taking it because Mel still has a year left in school. His mother tells him that the decisions you make at this age affect the course of your life and so, you need to think about yourself, be a little selfish. I love Dan’s answer too, “It’s kinda stressful.” I feel ya, Dan. Decisions are always stressful because you don’t know how they will turn out.

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So sweet. 

It’s emotional and thought provoking

When I see a movie, the thing I’m most hoping for is that it gives me something to think about. For a movie that’s only a little over an hour long, 6 Years packs a lot. While I think the film is far from being perfect or even one of my favorite films, it leaves you with something to think about and to me, that’s one of the major purposes of cinema.

It is an emotional one so only watch this if you’re in the mood to feel ALL the feels – including the bad ones! I think it’s worth it just for the performances by Ben and Taissa, who are sure to go on to big things!

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I’m feeling TOO MANY FEELSSSS.

Trailer below:

Photos and Gifs property of Netflix.

‘Say Anything’ will make you smile no matter what your relationship status

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Okay, so Valentine’s Day is upon us and even though I’m a happily single gal, I’ll take any excuse to talk about my favorite romances. And Say Anything is one of my all-time favorites! I love showing this film to anyone who hasn’t seen it, because, *spoiler alert*, it’s impossible not to love.

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SETTING UNREALISTIC EXPECTATIONS SINCE 1989

If you’re unfamiliar, Say Anything, written and directed by Cameron Crowe, follows Lloyd Dobler (John Cusack), a high school graduate atypically comfortable with the uncertainty of his own future. He doesn’t know what he wants to be necessarily and he’s okay with that. On the other hand, valedictorian Diane Court (Ione Skye) thinks she knows exactly what she wants. Everyone tells Lloyd that he could never make it with Diane, but he believes. He asks her out and they fall deeply for each other. Opposites really do attract. But, as with all teen romances, there are complications. DRAAAAMA ENSUES.

Here are a few reasons why you’ll fall deeply in love with Say Anything:

The Cast

I know I always say this, but the cast in this film is incredible. John Cusack had spent the 80’s playing teenagers, so it’s no surprise that by the time this film came along, Cusack wasn’t exactly ecstatic. However, once he read Crowe’s script, he was in…and what a difference his presence makes. He IS Lloyd Dobler. His charm carries the film.

“He [Lloyd Dobler] isn’t a tunnel-versioned urban teen preoccupied with sex, school, and his job. I realized I would never be 20 again so I might as well cap off that phase of my career on a positive note. I’m glad I took the part.” – John Cusack

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And he can sort of play the guitar…<3

Ione Skye is equally important, but unlike Cusack, she was fairly new to acting at the time. This may be a weird thing to point out, but I appreciated that Skye was not perfect. She was obviously gorgeous, but she had a kind of lisp and I don’t know, she just seemed like a real person. She was genuine and natural and you could understand why Lloyd liked her.

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Girl, I FEEL YOU.

Lili Taylor is also fantastic as Lloyd’s friend, Corey. You might know her from Six Feet Under or American Crime or something else entirely. She’s a big character actress. But, to me, she will always be this character. Her saga with Joe is relatable AF.

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YAS QUEEN.

Paul Mahoney cannot be undervalued either. Another great character actor, his portrayal of James Court, Diane’s father, is layered. In a lot of ways, he’s a bad guy. But, you can’t quite hate him. He loves Diane and in his mind, all the immoral things he’s done, have been for her.

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Just trying to be a good dad…

Bonus: Joan Cusack is wonderful AS ALWAYS. She plays the sister to Lloyd, quite a stretch for her. Ha.

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Her hair is so 80’s.

The Script

Cameron Crowe had written the script for another teen movie eight years earlier: Fast Times at Ridgemont High which Clueless‘ Amy Heckerling directed. Though both scripts are well written, tonally they are very different. Strangely, I feel sort of disconnected from that film. I didn’t see myself in it. Say Anything felt more true to my high school experiences. The characters weren’t stereotypes. They were people.

Diane is ambitious and kind. She thinks the world of her father and ultimately, finds that he doesn’t live up to that. We all get to that point, some earlier than others, where we’re forced to see our parents as people. Her father is far from perfect, but he does love her and that’s worth something.

Lloyd is happy within himself. Once he falls in love with Diane, he finds his post-high school purpose. As a society, we tend to judge people who get into serious relationships too early. We say, they’re too young to know what they really want. And perhaps that’s true. Maybe Diane and Lloyd’s love affair doesn’t last, but this is a movie and I want a happy ending, damnit!

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So sweet!

Crowe based the film on his own heartbreak and it shows. The romance as well as its complications feels genuine. Diane and Lloyd fall hard for one another and it’s sweet and awkward and heartbreaking.

Also, the pen thing. Epic.”I gave her my heart and she gave me a pen.”

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I mean, EPIC, amiright?

The Direction

Believe it or not, Lawrence Kasdan was originally going to direct the film. Prolific producer James L. Brooks had met Crowe when he was researching Broadcast News and hired him to write a script about a girl who finds out her father is a criminal. Once the script was complete, Kasdan told Crowe, “You are that main character. You should direct it” (Interview, Cameron Crowe).

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This relationship always makes me smile.

This was Crowe’s directorial debut and he’s been very candid about the fact that he was learning on the job. I think the first film a director makes is always fascinating because it’s the most pure. They’re really trying, they’re excited. They don’t know what the “right” way to do something is. This was certainly true with Reality Bites and Ben Stiller as well as with Time after Time and Nicholas Meyer.

The Music

Crowe started as music reporter for Rolling Stone, so I think it’s safe to say, the music he chose was important. Beyond the seminal boom box scene which blasted Peter Gabriel’s “In Your Eyes”, the soundtrack for the film also had hits by Depeche Mode, Cheap Trick and Nancy Wilson. The 80’s, man. You’ve gotta love it.

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Honestly, aren’t we all?

The Romance

Again, just, YES. The romance is everything. I have a running joke. I’ve never been on a plane and I keep telling my friends, I’m just waiting for my Lloyd Dobler. When they actually understand the reference (which happens maybe 50 percent of the time), I make them laugh.

But, back to the romance. Just look at these gifs and feel ALL THE FEELS.

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The first time you talk to your crush…the awkwardness!
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PICTURE FUCKING PERFECTION.
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This is her “I’m so messed up” look
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I always watched this scene and was like, “Maybe he should shower first.” Just a thought!
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You just described every great success story. ❤ ❤ ❤

It’s a seminal, heartfelt, old-school, yet modern romance!

Seminal is the key word. If you haven’t seen it, you need to ASAP. Your life will just be better for it. Plus, if you’re single on Valentine’s Day, IMHO, this is a good way to spend your time because it gives us all hope that there is a Lloyd Dobler out there for each and every one of us, or a Diane Court!

Plus, the Peter Gabriel song is just really good.

Vintage trailer below:

Photos and Gifs property of 20th Century Fox Films.

 

 

You should watch ‘Harold and Maude’: an unconventional romance

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Every time I try to explain the concept of Harold and Maude to people, I’m met with skepticism and sometimes, a bit of revulsion. To be fair, it’s not a film which sounds like it should work. When it was originally released in the 70’s, Variety said of the film, “[it] has all the fun and gaiety of a burning orphanage.”

I know, with Valentine’s Day and all that this month, people will be turning to romance. Well, couples will be turning to romance. Single people will be eating a family-size pack of Doritos and wondering where it all went wrong, which is why I think, no matter what your relationship status, Harold and Maude will lift your spirits.

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She kinda looks like little red riding hood.

If you’re unfamiliar, Harold and Maude, made in 1971, follows a young rich teenage boy, Harold (Bud Cort). Though he’s wealthy, he has nothing in common with the Gossip Girl crowd. He’s obsessed with death and has great fun creating upsetting suicide scenes for his mother (Vivian Pickles) to find, though she is unimpressed most of the time. Harold also has another pastime: attending funerals. There, he meets Maude, (Ruth Gordon), a kooky, young at heart seventy-nine year old. Harold is set up on a series of dates by his mother, but he’s disinterested in all of them. Harold’s friendship with Maude grows into love, much to the dismay of literally everyone around them. Drama/BIG LAUGHS ensue obvi…

Here are just a few reasons Harold and Maude should be required viewing this Valentine’s Day:

The Cast

This movie is almost half about the casting. If it had the wrong people in it, the film just wouldn’t work. The part of Harold was written for another young actor/musician, John Rubinstein, a character actor who still guests on shows like Grey’s Anatomy and This is Us. However, Hal Ashby, the film’s director liked Bud Cort, who had recently had a bit part in Robert Altman’s war comedy, M*A*S*H. He was 23 at the time he made Harold and Maude and was already a fantastic actor. His facial expressions ARE EVERYTHING.

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Subtle. Also, am I the only one who thinks he is WAY TOO PALE?

Ruth Gordon was a bit younger than her character was supposed to be, in her mid-60’s during the shoot. She had, just a few years earlier, won an Academy Award for her role in Roman Polanski’s Rosemary’s Baby. She gives life to Maude and makes you understand why Harold is charmed by her. Gordon was a writer early in her career. She actually co-wrote one of Judy Holliday‘s comedies: The Marrying Kind. Her performance as Maude is equal parts hilarious and heartbreaking.

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Maude created #YOLO

Vivien Pickles is also fantastic as Harold’s mother. To me, her shining scene is when she’s filling out Harold’s dating profile.

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Good parenting.

Charles Tyner also has a good turn as Harold’s army uncle, who’s missing an arm. You might recognize Tyner from Cool Hand Luke where he played the sadistic prison guard.

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LOL the Nixon photo…

The Script

Colin Higgins had originally developed the project for his UCLA thesis film. However, after showing the script to his landlady, Mildred Lewis, who was the wife of a Hollywood producer, they formed a production company and began to shop it around to different studios. The script is obviously most often categorized as a dark comedy, which, of course, it is. But, it’s also a drama and a romance and it’s surprising how effective the dramatic moments end up being.

For the time, the way this story is told was so completely original. Since then, I feel like other writers have tried to replicate Higgins style and wit to the point where a current filmgoer might see the film and call it cliched. Higgins was first. The ending will break your heart and uplift you simultaneously.

Higgins went on to direct 9 to 5 and Foul Play and unfortunately died of AIDS in 1988.

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#RealTalk

The Direction

Paramount exec Peter Bart had faith in the story and in Colin, although he didn’t believe Higgins was ready to direct. Bart had seen The Landlord and appreciated the way its director had made the sensitive material funny with satire. Thus, Hal Ashby was brought on to direct Harold and Maude with Higgins blessing. It’s difficult to separate how much was Ashby and how much was Higgins. However, Ashby brought a distinct style to the film. He went on to direct Shampoo, The Last Detail, and Being There.

“In shooting Harold and Maude, Ruth Gordon recalled in her autobiography, Ashby ‘followed the Gertrude Stein theory: chronology has nothing to do with anything. We shot where and when and what Hal said to. Hal is his own man. Do you care about sequence? Not me. We don’t think in sequence, we rarely talk in sequence, we don’t rehearse a play in sequence, so why shoot a script that way?'” – Ruth Gordon, (TCM Article).

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❤ ❤ ❤

The Music

Elton John was originally supposed to provide a score for the film. However, after dropping out, he suggested Cat Stevens. Cat Stevens’ music provides an atmosphere and a perspective from which to see the story from.

Give a listen:

Harold’s Deaths

Basically, they’re hilarious and horrible and these gifs say it all:

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SO MUCH BLOOD.
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Quite normal…or at least, Harold’s mother thinks it is.
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This is when Harold’s mother is filling out his dating profile.
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Dating can be dangerous…lol

The Romance

Some people can’t watch this film without being grossed out. The idea of a teenage boy and an elderly woman falling in love is societally inappropriate. What I think is most fascinating is that their love affair, although consummated offscreen, is more an emotional love affair than a sexual one. Similarly to my favorite film, Brief Encounter, the romance in Harold and Maude is about their souls, about a connection that is more than just sexual attraction.

Harold doesn’t connect with any girls his age. He finds something in Maude; she understands him and she pushes him to live his life. There’s something truly beautiful about that. To those who are still grossed out, well, all I can say, is, at least the film challenged you, made you look at life from a different point of view. I say love is love. Also, there are plenty of May-December romances with an older man and a younger woman and it seems to be more accepted.

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It’s an existential, hilarious, completely unconventional rom-com.

After the film was panned and subsequently, flopped, something amazing happened. College students fell in love with the film. Colin Higgins had a theory on why they related to it when the older generation did not: “We’re all Harold, and we all want to be Maude. We’re all repressed and trying to be free, to be ourselves, to be vitally interested in living, to be everything we want” (Higgins, TCM Article).

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This SONG and MOMENT are EVERYTHING.

Vintage trailer is below:

Gifs and photos property of Paramount Pictures.

Why ‘Somewhere in Time’ is a severely underrated period romance

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It’s difficult for me to remember exactly when I first saw Somewhere in Time. Funnily enough, it was made the year after another time travel favorite of mine, Nicholas Meyer’s Time After Time. However, this one is very different. It’s an old school romance with an intriguing premise that you can’t help but get swept up in (or, at least, I can’t!).

If you’re unfamiliar, Somewhere in Time follows Richard Collier (Christopher Reeve), a playwright suffering from writer’s block. He decides to get out of town for a bit, visiting his old college town and staying at a historic hotel. He sees a photo of an actress, Elise McKenna (Jane Seymour) in the hotel’s hall of history and falls in love with the girl. Only one problem: she’s dead. His obsession turns dramatic. He talks to an old professor, asking if it’s possible to travel through time. He essentially tricks his mind into believing he is back in 1912 (Don’t think too hard about the time travel logistics. It makes no sense obvi). Once back in time, he begins his steamy affair with Elise, much to the dismay of her manager, William Fawcett Robinson (Christopher Plummer). Will it be Robinson who tears them apart or time?? You have to watch the movie to find out!

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I’m OBSESSED with the early 20th century fashion. I WANT A FAN!

Here are just a few reasons Somewhere in Time is SEVERELY underrated:

The Cast

Christopher Reeve was HOT (both physically and in the industry), having already starred in his most popular role of Superman! He turned down several movies around this time, looking for something specific. There’s something about his sincerity that makes this character and this film work. Is it the plot convoluted and nuts? Um, yes. But, for some reason, you look into Mr. Reeve’s eyes and you’re like, Okay, sure. He’s sweet and romantic and very swoon worthy!

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He’s a bit self-assured. I think the message is, time traveling gives you confidence…

Jane Seymour was in her late twenties at the time she made this and was (and still is) absolutely drop dead gorgeous! Seriously, though, she belongs on the cover of romance novels which is probably one reason why she got the part. Additionally, she has the acting chops to back it up – she is tough, but also naive and vulnerable and you fall in love with her (just as Richard does) instantly!

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In the early 20th century, taking your down = SEDUCTION. 

Christopher Plummer is also wonderful as Elise’s manager. He was, of course, known at the time for his role as Baron von Trapp in The Sound of Music. He’s deliciously wicked as the Mr. Robinson, but you sense that there’s more to him than that, a compliment to his nuanced performance!

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What is he really thinking? 

The Score, the score, the SCOREEE!

I’m sorry, did I say the score one too many times? Well, if you had heard even one minute of John Barry’s score, I think you’d probably be screaming too. It’s difficult for me to parcel out how much of my love for this film is related to the score. I believe it elevates every aspect of the film. Apparently, or at least according to the TCM article, Jane Seymour was the one responsible for getting John Barry on board. I can’t imagine this film without this music. They belong to one another. Seriously, just give it a listen:

The Story/Script

Alright, so I know it’s far fetched. And yes, I know it’s cheesy, but for some reason, it really does work. Trust me. Writer Richard Matheson, who wrote both the novel and the screenplay got the idea when he came across photos of a young actress from the early 20th century, Maude Adams. Her biggest claim to fame: she was the first actress to play Peter Pan.

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Quite beautiful, no?

What I love about Matheson’s time travel concept is that it’s all about the mind. It’s a form of hypnosis, not a machine. As a kid, I remember REALLY buying into it. I was like, Sure, you can time travel just by shoving everything modern into a closet and dressing in old timey clothes!

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As a child, this scene both scared me to death and intrigued me beyond belief.

The romance is that Romeo and Juliet, love-at-first-sight type of deal. But, again, somehow, through the performances, you buy it and you root for them!

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A BIT dramatic…but I LOVE IT! ❤ ❤ ❤

The Gorgeous Early 20th Century Costumes

For real, I think I am one of those girls seduced by costume dramas and the thing is, the costumes in this are so pretty, you can’t NOT be obsessed with them!

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So refined and gorgeous. THAT HAT THOUGH!

The beautiful cinematography!

There are many ways to illustrate that the time period has changed. What cinematographer Isidore Mankovsky did was use a sepia-toned filter for all the the 1912 scenes. Mind you, modern audiences apparently didn’t take too well to that. But, I think it was a wonderful choice, almost like being in a picture, in a dream!

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GORGEOUS!!

The Major Flaw: THE WATCH

Alright, so full disclosure, this film does have one major flaw. In the beginning of the film, Christopher Reeve is given a watch by old Elise in the 1970’s. He takes it with him back in time, and (spoiler alert!) leaves it there with Elise. So, the big question is, where does the watch start? Like, seriously, where the fuck did this pocketwatch come from? That seems to be one thing we’ll never know!

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This watch is magical I guess?

It’s a sweeping, underrated, moody period romance! 

Despite its convoluted premise, Somewhere in Time is a severely underrated gem. It was actually a flop when it was originally released and then found its cult audience through repeated cable viewings. Now, there’s actually an annual event at the Grand Hotel honoring the film and you can bet that’s on my list of things to do (once I become a millionaire of course! LOL).

Is it utterly ludicrous? Yes. But, I think that’s where its magic comes from. It epitomizes what I believe all storytelling should set out to do: capture the imagination.

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LOL this scene. 

Vintage trailer below:

Photos and gifs property of Universal Pictures.

 

The Relevance of Judy Holliday and ‘It Should Happen to You’

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It’s fortuitous that just last week I was introduced to this 1954 film. Many people turned to A Face in the Crowd, the 1957 drama starring Andy Griffith in the face of Trump’s inauguration. The film I want to discuss today was made a few years earlier and is considerably less dark, but deals with similar subject matter. It questions what fame is and why society values it, all while Judy Holliday cracks us up.

It Should Happen to You follows Gladys Glover (Judy Holliday), a young woman who’s close to broke and living in the big apple. On a walk, she meets a young photographer, Pete Sheppard (Jack Lemmon) and they start a’courtin’. Later, on her walk, she notices an empty billboard and decides to take what little funds she has to rent it. What, you may ask, does she advertise? Herself, of course! Enter a mega advertising firm and Evan Adams III (Peter Lawford), who will do anything to get the billboard away from her, including leasing several other billboards to Gladys. Pretty soon, Gladys’s name is everywhere and people think, Well, she must be someone if she has her name on a billboard. Her fame soon rises and she secures endorsementsall while Pete just wants to marry her. But, of course, Gladys is oblivious. Obvi, drama ensues because OF COURSE IT DOES.

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THAT LAWFORD THO.

Here are just a few reasons why It Should Happen to You is still relevant:

IMHO, the Casting!

For real, guys. Casting counts for so much, but especially in this film. I’d seen a few of Judy Holliday’s other films, like Born Yesterday and Bells are Ringing!, but I don’t think I really appreciated her until I saw her in this. While she can easily be discounted as a ditzy blonde in the vain of Marilyn Monroe, Holliday was really special. For one, she looked like a real person, which especially in this day and age, I appreciate. Our present movie stars all look like models and as such, there’s sometimes a difficulty in really relating to them.

She had real talent too, in singing and dancing. She was, after all, a broadway star. In this film though, I felt like she really had a chance to shine as an actress. The film is first and foremost a comedy, but she switches from comedy to drama easily, and makes the heavier moments lighter with her ditzy, hilarious charm.

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I wish people still wore hats. I think I have FOMO about the 50’s…

Jack Lemmon was just 29 in this film and it marked his film debut. And let me just say, he was dreamy even then…maybe I should say, especially then! His Lemmon schtick wasn’t completely set in stone yet. You can tell he’s still figuring it out…but he is so appealing, so effortlessly funny, you can’t but fall in love with him. It would be six years till he starred in one of my favorite films of all time, The Apartment.

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I love that eyebrow lift! ❤ ❤ ❤

Although Holliday had just given birth to her son a few months before shooting the film, it’s well known that she and Peter Lawford had an affair on the film. Their love scenes certainly do have a certain chemistry, but I have to say, I’ll aways be team Lemmon!

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Easy on the eyes though, no?

The Script Tho…

Garson Kanin penned the script and looking at his filmography, it almost looks like he was Miss Holliday’s personal screenwriter. He also wrote the screenplay for The Marrying Kind and Born Yesterday. He was also big in the Tracy-Hepburn films. Suffice it to say, he knew how to write a great screwball comedy.

The subject matter for this story wasn’t based on anything or anyone specific, but focuses on something even more relevant today than it was then: celebrity. We all grow up, putting people who are in the public eye on a pedestal. They’re famous, so they must be special, right? That’s what Gladys thinks too. Her yearning for fame has less to do with what fame actually is and more with a longing to be special, to belong. She learns in her journey that fame isn’t all it’s cracked up to be.

In the TCM article for the film, Jeff Stafford, quotes the director of this film, George Cukor as saying:

“The idea of becoming a great celebrity without being able to do anything is a very important notion,” Cukor stated in an interview with author Gavin Lambert. “Publicity can really do it, too. Today it makes Presidents. It’s really the name of the game.”

It’s difficult to read that statement and realize that that has never been more true. Jack Lemmon’s character routinely tells Gladys that fame is nothing if the real person behind it stands for nothing. I’ll just let that sit with you for a moment. *Cough* Trump *Cough*

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We’ve all had that dream…though hopefully we’ve grown out of it.

The Director

I mean, George Cukor is just a legend. He directed too many classics to name, but my favorites are My Fair Lady, Gone with the Wind (where he was one of many directors) and The Philadelphia Story. He knew a thing or two about romance and comedy…

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Case in point: THIS SCENE.

The gowns ❤ ❤ ❤

Jean Louis was a PROLIFIC costume designer and his gowns in this film are the epitome of 1950’s style! Incidentally, costume design was the only category the film received an Oscar nomination for.

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I NEED this outfit. 

The SNAP of the Dialogue

As a writer, I obvi appreciate wit and this one delivers the wit tenfold. Judy Holliday delivers them zingers well!

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GOLD. 

It’s hilarious, romantic, and most importantly, thought provoking!

Celebrity is a huge currency in our society, especially now that the internet has given rise to social media influencers. Last week, the U.S. inaugurated a president who’s famous because of his money. He hasn’t done anything worthy of our recognition. He’s rude and uncouth. His qualifications to be president are zilch.

In a way, we as a society, gave ourselves Trump because we view celebrities as special and worthy of our attention. We give celebrity status to people who shouldn’t have it. This film may not be profound, but it’s a nice reminder that fame for the sake of fame, to quote Jack Lemmon’s character, Pete, means nothing.

Vintage trailer below:

Gifs and photos property of Columbia Pictures/Sony.

 

The Flaws and Charms of ‘Bachelor Mother’ and its remake ‘Bundle of Joy’

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In Hollywood nowadays, remakes are more common than superhero movies and that’s saying something. But, of course, they made remakes even in the good ol’ days and the films I want to discuss are a prime example. Those films are the 1939 screwball comedy, Bachelor Mother, and its 1956 musical remake, Bundle of Joy.

During December, TCM showed all the great holiday movies and these two were included. I had already seen Bachelor Mother a few years ago when I went through my whole Ginger Rogers obsession. Bundle of Joy, on the other hand, was a new discovery. When I started watching it, I didn’t realize it was a straight-up remake with singing.

If you’re unfamiliar, both Bachelor Mother and Bundle of Joy follow Polly Parrish, (Ginger Rogers and Debbie Reynolds, respectively), a department store clerk. On Christmas, she gets fired. While looking for a job, she sees a baby on the doorstep and after picking it up for a moment, is mistaken as its mother. No matter what she does, she can’t seem to convince anyone that it’s not her baby. Then David Merlin (David Niven and Eddie Fisher, respectively), the heir to the department store, gets involved and their screwball romance begins.

So, in honor of Debbie Reynolds and because I can’t get enough of Ginger Rogers, I thought it’d be fun to compare and contrast the two films, both their flaws and their charms:

Casting, Casting, Casting

Polly Parrish

In the original film, Ginger Rogers played the Polly Parrish role. Rogers was apparently unsure when signing on to the film, afraid that the film lacked a “dramatic honesty.” After being assured that was not the case, she took the leap and the film grew on her.

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Her hat! Anyone else obsessed?

Debbie Reynolds was just 24 years old when she took on the part and she was both married and months pregnant. Still, that didn’t stop her from giving the part her all. Her appeal is what makes the remake worthwhile.

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So true! ALWAYS ENCHANTING!

The Young Mr. Merlin

David Niven played the young David Merlin in the 1939 film while Debbie’s beau and famous crooner, Eddie Fisher, took on the part in the remake. For Niven, the film marked his first romantic leading role and he is fantastic in it! His sophisticated British sensibility makes for fun when he’s a bumbling, foolish man in love.

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OH, David Niven. ❤ ❤ ❤

On the other hand, Eddie Fisher is quite unremarkable in the remake. Beyond being a handsome guy and having a great voice, his acting leaves a little something to be desired.

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lol, they couldn’t say much for his acting though…

Additionally, Charles Coburn, who I discussed in my article about The More the Merrier, plays the senior Mr. Merlin and as usual, steals the show!

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You tell ’em, Charles!

The Scripts/Music

So, Bachelor Mother was penned by Robert Krasna, but was actually adapted from a story by Felix Jackson. Although the concept is quite ludicrous, the quippy dialogue is what brings the film to life! You’re willing to go along with it because the characters feel true and you’re too busy laughing to think about how nonsensical it is, not to mention, a bit misogynistic (I mean, c’mon, it’s okay that she keeps the baby because she’s now got a man! Hmph!).

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Ginger’s expressions are also HILARIOUS.

On the other hand, even though Bundle of Joy did have a script penned by Robert Carson and Arthur Sheekman, I wonder that they even went through the effort. Robert Krasna is also given a writing credit, which makes sense, considering it’s the EXACT SAME SCRIPT. I’m not kidding. Beyond adding new musical numbers, this remake did nothing to change the way the story unfolds. The dialogue is verbatim.

But, some of the songs are not bad and this one may be its best.

The Direction

Garson Kanin, who had a hand in great screwball comedies like The More the Merrier and Adam’s Rib, directed Bachelor Mother. Perhaps because of those films, he understood the sensibility better. The film flows and is first and most importantly, an entertaining ride.

Norman Taurug, who directed Bundle of Joy, also had an impressive resume with Mad About Music, which was a Deanna Durbin film, and Girl Crazy. Perhaps the real reason the remake is lesser than the original is because it was conceived as a star-vehicle. Eddie Fisher and Debbie Reynolds had just married and Reynolds gave birth to Carrie around the time of the film’s release. It provided a way to sell the film, but not much seemed to go into creating something original and unique, which Bachelor Mother certainly was.

The Final Report

No question, Bachelor Mother is by far superior. It was made in 1939, which is objectively one of the greatest years in film. Ginger and David carry the film with ease and you go on their journey, buying into it and feeling happy to be there!

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#SWOON

Bundle of Joy, while certainly extremely flawed, is still worth watching, if only to see Debbie Reynolds at 24, singing and dancing and living with grace, poise, and grit. The songs don’t always make sense, but they’re entertaining too.

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There are moments when you’re like, “Aw they’re so cute together.” Then, you remember that two years later Eddie dumped Debbie for Elizabeth Taylor and you’re just MAD.

Vintage Trailers Below:

 

Bachelor Mother and Bundle of Joy Gifs property of RKO Pictures.

Why ‘Other People’ is more than just another Cancer drama

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As the new year was approaching, I saw numerous ‘Best Movies of 2016’ lists by friends on Facebook. The usual suspects were there: La La Land, Edge of Seventeen, Manchester By the Sea, Twentieth Century Women (well, it was on my list. I don’t think many people have seen it yet.). However, there was one movie that kept getting mentioned which I had never heard of, which of course was very distressing. I pride myself on knowing all good movies. So, I did my research and found that the film was on Netflix. I suggested watching the film to my brother, we watched the trailer, and thought, eh, looks a bit depressing.

I watched the film yesterday on a lark and…was a COMPLETE MESS. Some people out there who know me well are reading this and thinking, Lindsay, you cried at the trailer for This Is Us, how can we trust you? And okay, you’d be right. I am a bit emotional…or a lot, whatever. However, what Other People did to me wasn’t like, a sniffle. This was me on the floor of my room balling uncontrollably. Thank god I was alone – it wasn’t pretty.

If you’re unfamiliar, Other People, written and directed by Chris Kelly, is the semi-autobiographical story of David (Jesse Plemons), a NY-based comedy writer who comes home to Sacramento to take care of his dying mother (Molly Shannon). In addition to his grief, he deals with the uncertainty in his own life: his dating life, his work life, and his own mortality.

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LITERALLY SOBBING

I think it’s pretty safe to say the Cancer genre is a bit tired, filled with cliches and manipulative outbursts. However, I think Other People sidesteps those issues for the following reasons:

The Cast

I was familiar with Jesse Plemons from watching Breaking Bad and of course, Friday Night Lights. I always liked him but this was a very different role for him, one in which he was really allowed to show everything he’s got. When he breaks down in the middle of the grocery store, I was a goddamn mess.

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I think we’ve all had a meltdown in a grocery store, right?

But, really, the real shining star of this film is the wonderful Molly Shannon. I was only familiar with her from early 2000’s SNL and I always thought she was funny. Similarly to Plemons, this was a different kind of role than what Shannon has played before. I was impressed at how understated she was, how quickly she could go from comedy to intense drama. Her standout scene for me was when she visits the school she used to work at.

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Molly Shannon deserves an Oscar nod for real.

The supporting cast is made up of some very funny people including Bradley Whitford, (who I discussed in my post on The West Wing), Maude Apatow, Paul Dooley, who I discussed in my post on Breaking Away) and Zach Woods. Sprinkling the cast with such funny people allow a reprieve from the heaviness of the subject matter.

The Script/Direction

I had never heard of Chris Kelly prior to this. He’s worked as a writer/producer for both Broad City and Saturday Night Live, which is a pretty impressive resume, especially considering he’s only thirty-three years old.

I’ve been lucky in my life in so far as I haven’t dealt with these issues yet (KNOCK ON WOOD). However, there were eerie similarities to my life. I grew up in Sacramento, just as Kelly did and my mom is also an elementary school teacher. I’m now living in Los Angeles trying to pursue tv writing.

I think this film resonated because of all those things, but on a deeper level, the script was ultimately about the human experience. It’s a slice-of-life film. We get the sense that we’re not seeing the most important conversations. Instead, we’re experiencing the realness of the situation, the drama and the comedy, the heartbreak, the whole gamet of emotions.

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So sweet! 

Additionally, it’s not directed in a melodramatic way. You don’t feel that you’re being manipulated. After all, we will all ultimately deal with this situation. Maybe not in this way, but still, the character’s journey is universal.

The film is personal, powerful and extremely poignant.

Small films are worth recognizing. And while some could argue that this is far from being a small film (just look at the producers and the CAST!), it obviously wasn’t big budget. It was a quiet film, a personal story, and that’s why it hits in such a big way.

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All about the small moments.

As an aspiring writer, I was inspired by the film. As a filmgoer, I was unbelievably moved. You should all check it out on Netflix, one of the most underrated films of 2016.

Trailer Below:

Other People Gifs property of Park Pictures.

Why I Now Appreciate ‘When Harry Met Sally’

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When people start to rattle off the great romantic comedies, When Harry Met Sally tends to be mentioned a little too often. Even the title feels overexposed. I remember seeing it as a young teenager, but at the time, it didn’t make much of an impression. I’m sad that it took Carrie Fisher’s untimely death for me to re-examine this film, but I am glad I watched it again.

If you have been living under a rock and have never seen When Harry Met Sally, the film follows Harry Burns (Billy Crystal) and Sally Albright (Meg Ryan), two college graduates who road trip to New York to begin their post-collegiate lives. During the ride, they bond and bicker and ultimately leave each other behind. However, their story isn’t over. They keep randomly running into one another at different stages of their lives. Does this mean their destined to be together? I mean it’s a romantic comedy…so what do you think?

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I agree. Sheldon’s not a very sexy name. 

Here are just a few reasons I now appreciate When Harry Met Sally:

Hello, the Cast!

Billy Crystal is not your standard leading man, at least not by today’s standards. However, fitting with my blog, he does fit the mold of a William Powell or a Humphrey Bogart. He’s not a model. He’s a real person. And he’s HILARIOUS. Seriously, he knocks all the one liners out of the park! Is he believable as a 20 year-old college student at the beginning? Of course not, but who cares about that?

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One of the most AWKWARD gifs you will ever see

Meg Ryan was just twenty-eight when she made this film and although she had made films before this and starred in the long-running soap As the World Turns, the role of Sally Albright was very much her breakout performance, the film that made her into the A-list actress she became. She shines brightly – she’s cute, she’s funny, she’s relatable (except for the fact that she’s drop dead gorgeous)!

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She doesn’t look that sorry…just saying!

And then, of course, there is Carrie Fisher, aka Goddess Divine. Although she only has a supporting role in this film, she leaves an indelible mark. In her early thirties at the time, Fisher’s snappy retorts and natural comic timing are a snapshot of her enormous talent!

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#REALTALK

The Ridiculously Witty, Touching, HILARIOUS Script

This is what I was most surprised with during my re-watch. The film was written by the great, late Nora Ephron. Though the film’s concept was conceived by director Rob Reiner, Ephron’s personality was all over the script. It was composed of Reiner’s relationship history and Ephron’s and actually has a Before Sunrise-type vibe. It’s all talking, or as my mother would say, “talky, talky, shit, shit, shit.”

The film tries to answer the question: Can men and women be friends without sex becoming a factor? I’ve had several conversations with various people on the subject. Younger people, my peers, tend to say that men and women can absolutely be friends while older people have told me the opposite. Is it age? Experience? That, I cannot say. But, the film does a good job of showing the complexity in maintaining a non-romantic relationship with someone you’re attracted to.

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I want to slip this one into normal convos.

The film is also about how opposites attract. I think the conversation is especially relevant in the age of dating apps and the like. We all swipe through with a list of things we want for our potential partner: non smoker, nerdy, not a douchebag, perhaps a certain height or attractiveness level, where they went to school, what their job is…the list goes on. But, in actuality, in getting to know a person, you’re never going to find someone who fits that list one-hundred percent. Sally is type-A, Harry is go with the flow. Harry is a pessimist, Sally is an optimist. It seems that their attraction is built from their ability to argue with each other in a healthy way.

I love that when these characters do eventually see that they should be together, you understand why. My biggest pet peeve in romantic comedies is when the characters are given no reason to like each other beyond, “We’re both extremely attractive people. We should get together!”

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A wig makes you look twenty years younger. It’s been medically proven. 

The Direction

The prolific Rob Reiner directed this romantic gem. If you’re unfamiliar, he’s also behind such classics as Stand By Me, This Is Spinal Tap, and The Princess Bride. Again, the list GOES ON. The idea for this film came from Reiner’s own life. He had just gotten divorced and was trying to jump back into the dating world. Once he met with Ephron, they came up with the “he said, she said” dynamic and the script was born.

First and foremost, When Harry Met Sally is a funny movie. You can’t watch it and not crack up. However, its brilliance comes in the more serious moments where Reiner and Ephron tapped into something real and genuine.

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#HAIRGOALS, amiright?

The Big-O Scene

If you know close to nothing about this film, chances are this is the one thing you’ve heard about. Meg Ryan faking an orgasm in Katz’s deli is hands down the most famous scene in the film. The scene was a true collaboration with Meg suggesting she actually fake it as opposed to just talk about it and with Billy suggesting a customer say directly after, “I’ll have what she’s having.” Both worked and Reiner gave the line to his mother, Estelle Reiner, who was visiting set that day.

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In a real restaurant, wouldn’t she be thrown out? 
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The most over-quoted line in film history

The Old-School Soundtrack

Reiner wanted a classic soundtrack, kinda Frank Sinatra standards-type stuff. Harry Connick Jr. was in his early twenties. Somehow Reiner heard him and hired him to re-vamp some old school standards. In that way, it was a bridge between the past and the modern. While I still love Frank Sinatra and Fred Astaire’s renditions more, I enjoy the music, especially Harry’s rendition of the Gershwin classic that Astaire and Rogers popularized, “Let’s Call the Whole Thing Off.”

It’s witty, relevant and truly touching!

I’ll be honest. I watched this on NYE, partially to honor Carrie Fisher, partially because the film ends on New Years Eve. I realized this film is more than its hyped up reputation. There’s a reason it’s revered – it’s because it’s great! Even though its last scene is a bit cheesy, you can’t help but eat it up.

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#NEWYEARSGOALS

In regards to Carrie Fisher, I was deeply saddened by her untimely death. Although this film is but a blip in her career, a sheer sliver of her full talent, it makes me happy to know she lives on through this film and others that she either acted in or wrote.

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RIP Carrie Fisher.

Vintage trailer below:

 

When Harry Met Sally Gifs property of Columbia Pictures.

Star Wars gif property of Disney.

 

 

 

Why Gillian Armstrong’s ‘Little Women’ Adaptation Reigns Supreme

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As a child of the 90’s, there are certain biases I have. When I was in elementary school, I became obsessed with Louisa May Alcott’s Little Women. As such, I watched every adaptation of the book, of which there have been many, seven to be exact. The earliest was made in 1933 and the latest was made in 1994.

Gillian Armstrong’s Little Women was always my favorite. Why, you may well ask? Well, for a number of reasons. Winona Ryder (nuff said). Christian Bale before he was Christian Bale. Claire Danes. Kirsten Dunst. It’s just the greatest, nostalgia and feminism all wrapped up in one big 90’s package.

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The eternal question: Are you a Marmee or an Amy?

If you’re not familiar, Little Women follows the March family: Jo March, the headstrong writer (Winona Ryder), Meg March, the quiet beauty (Trini Alvarado), Beth March, the awkward, sweet one (Claire Danes) and Amy March, the precocious, slightly vapid one (Kirsten Dunst). It’s the story of their coming of age in the time after the Civil War. Be aware: coming of age drama ensues.

Here are a few reasons you need to watch Little Women ASAP:

The Cast

As I’ve discussed before, Winona Ryder is my 90’s spirit animal. She really is such a powerhouse actress and she’s never given a bad performance. As Jo, Ryder really shines. She so easily fits into this world and this character. This was Ryder in her early 20’s prime. She made Reality Bites this same year.

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This was her giving eyes to a young Christian Bale…

Trini Alvarado is also great as Meg. The role of Meg is semi-similar to Jane in Pride and Prejudice. She’s sweet and a bit bland. But, she’s a contrast to the colorful main character. Trini hasn’t done much as of late, but I really enjoyed her in this.

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How gorgeous is she??

Like Ryder, I’m a MAJOR fan of Claire Danes. This film was made the same year she made the one, seminal season of the best teen show ever made (yes, I know. BIG STATEMENT), My So-Called Life. At the time, Claire was just fourteen years old. Funnily enough, she actually beat out Alicia Silverstone for the part of Beth. She also competed against Silverstone for the role of Angela in My So-Called Life.

Lovely and heartbreaking, she plays Beth with poise and vulnerability. I can’t not cry watching her in this.

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I’M NOT CRYING. YOU’RE CRYING. #RealTalk

Ah, and then there’s little Kirsten Dunst. Watching her in this really makes you remember how old you are. She was twelve years old during the filming of this and she’s absolutely wonderful. She’s precocious and sweet and has SO much personality.

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Look at those little ringlets!!

The Christian Bale of the Batman series is not my favorite. But, THIS Christian Bale I can get on board with. He was just twenty when he was in this and there was something very unpolished about him. He had a pronounced lisp in this film that’s just plain adorable.

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Just the HAIR. That is all.

In my research, I found that Olivia Hussey (aka Juliet) expressed interest in playing Marmee. Producers believed she looked too much like Trini Alvarado and so, Susan Sarandon ended up getting the part. And I have to say, all do respect to Olivia Hussey, but Sarandon was meant to play this part. She was everything the character needed to be. Feminist, sweet, tough…Sarandon!

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Aw, the March family…

Gabriel Byrne is also great as the Friedrich, the man who eventually steals Jo’s heart.

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SO CUTE, even though he’s like twenty years older than her…

Oh, and yes, that is Eric Stoltz from Some Kind of Wonderful playing Meg’s love interest, John Brooke.

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I think the beard is what gets me the most. It’s just….eh.

The Script

Robin Swicord penned the adaptation of Louisa May Alcott’s classic novel and somehow, did so while giving the film a modern feel. It’s in the past and we feel that, but it’s also accessible, timeless. Swicord also wrote Matilda and The Curious Case of Benjamin Button.

What’s so wonderful about Alcott’s story is that she paints complex women. They are not one thing, they are many. And that’s specifically true with Jo who feels like a modern woman. The women are not there just for the “male” story. This is their story!

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#GirlPower

The Direction

Gillian Armstrong has mostly directed documentaries and I feel that some of her directorial choices mirror that. The film has a “fly on the wall” perspective at times. We feel like we’re apart of the March girl’s lives.

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Beth!!! 😦

Its themes are ON POINT. 

I learned so much from Little Women as a young girl. It deals with loss and love and friendship and independence. But, what I mostly took away was a line that Marmee says to Jo and Meg:

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Time erodes all such beauty. You tell ’em Marmee!

It’s the only adaptation helmed by an all-female creative team!

This film is from the female perspective. It’s adapted from a book by a woman by a woman. It’s directed by a woman. It’s produced by a woman. This doesn’t negate the value in previous adaptations, but there is something to be said about women telling stories about women. During the studio era, many “women’s films” were directed and written by men. Again, not saying that makes them bad, but it does make them different.

Women still have a hard time getting green-lit as directors.

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This film celebrates women in all aspects!

It’s inspiring, genuine and all kinds of nostalgic.

This is one of my favorite films to watch during the holiday season. It captures so much about growing up and has some wonderful performances. I’m pretty sure I wanted to be a writer because of Jo March (lol, I know I’m not the only one).

If you’ve never seen it, put it on your list. A true modern classic.

 

Pictures and Gifs property of Columbia Pictures.

Girls Gif property of HBO.

An Introduction to Deanna Durbin AKA Judy Garland’s preteen singing nemesis

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Maybe about a year ago, I was introduced to Deanna Durbin. If the name doesn’t ring a bell, that’s understandable. She’s pretty well forgotten. However, in her day, she was one of the highest paid actresses and her popularity actually saved Universal from bankruptcy.

When she was discovered at thirteen, her name was Edna and she was in competition with a young Judy Garland at MGM. They were both great singers and were thought to be answers to the Shirley Temple problem. They made a short subject film together called Every Sunday where they were put side by side and tested. I think they’re both great, but that’s just me!

According to legend, MGM Studio head Louis B. Mayer watched the film and nixed “the fat one.” He apparently meant Garland, but Durbin was the one who lost her contract. Shortly after, she was picked up by Universal and made a string of light musical comedies. The major difference between Durbin and Garland’s career was that Garland was allowed to transition to adult roles while Durbin was kept in juvenile territory.

Still, I was amazed by Durbin’s quiet beauty, her comedic chops and her astoundingly beautiful operatic voice. Though she retired from film at the age of 27, she left a mark on moviegoers and deserves to be remembered.

With that in mind, here are her best performances and films IMHO:

Three Smart Girls (1936)

This film was Durbin’s feature film debut. She was just 15 years old. Directed by Henry Koster and written by Adele Comandini, the film follows three sisters, one of which is played by Durbin who scheme to reunite their divorced parents so their father won’t marry a gold-digger. Sound familiar? Three Smart Girls was remade in the 60’s…a little film called The Parent Trap.

With co-stars Ray Milland, Charles Winniger, and Barbara Read, Three Smart Girls is a fun lighthearted musical and it gave Durbin her first chance to shine.

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Girls will be girls…haha

First Love (1939)

Any Cinderella fans out there will get a kick out of First Love. In this modern re-telling, Durbin plays Constance Harding, an orphan who finishes up school and goes to live with her wealthy uncle (Eugene Pallette) and his family. She even has an evil step-sister to boot, played by Helen Parrish.

The film is often noted for having Deanna’s first on-screen kiss, her beau being played by a twenty year old Robert Stack. Though certainly flawed, this film is one of her best. It’s fun and sweet and has some wonderful songs!

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What a FIRST KISS! #HerDressThough

It’s A Date (1940)

In this one, made just after First Love, Durbin plays Pamela Drake, a young, aspiring actress with a famous actress mother, played by Kay Francis. She gets offered the lead role in a new play only to realize that her mother is competing for the same role. On a boat, she meets John Arlen (Walter Pidgeon), a much older man who she believes is vying for her affection. Pamela soon realizes she may be competing with her mother romantically as well as professionally.

Story-wise, parts of this just don’t work for me, but despite its flaws, it has some wonderful scenes of screwball comedy antics and a great finish where Durbin sings Ave Maria.

It Started With Eve (1941)

This film has a great premise. It follows Anne Terry (Durbin), a hat check girl who is asked to pose as a man’s (Robert Cumming) fiancee because his father (Charles Laughton) is dying. Only problem is after Durbin meets Cumming’s father. He doesn’t die. No great moment to tell your loved one, “Uh, sorry. Just kidding, not my real fiancee. Just thought you were dying, so, uh…” There’s no way for that not to be awkward.

This was the first of Durbin’s films that I saw and it is thought by many to be her best. It is my personal favorite. I feel like it accomplishes telling a coherent story while including the screwball comedy antics and Durbin’s lovely voice! Her chemistry with Robert Cummings doesn’t hurt either!

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I kinda wish hats were still a thing. Just me?

Christmas Holiday (1944)

It’s hard to encapsulate this one. It’s unlike any of her other films. Though her co-star is the lovely musical Gene Kelly and the title sounds like a Hallmark/Lifetime Christmas special, Christmas Holiday is a fairly bleak film noir. Durbin was 23 when she made this film and finally gained script approval, a right she used to graduate to more adult roles.

Christmas Holiday follows Jackie Lamont (Durbin), a singing prostitute (they never say it outright, but that’s what she is) who meets a young lieutenant (Dean Harens). They find solace in one another, telling their tales of how they got to be where they are. Jackie recounts finding out her husband, Robert Manette (Gene Kelly) murdered a girl and explains that even so, she still loves him. It is truly Gene Kelly as you’ve never seen him before. He’s a far cry from Don Lockwood in Singin’ in the Rain.

Though it’s a truly strange film, Durbin proves that she has more than just an amazing voice. And the cinematography is on point!

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The black and white is GORGEOUS!

She was gorgeous, a singing prodigy, and a fantastic actress!

It’s so easy to play the “if/then” game, but I truly believe if Durbin’s talents had really been recognized and utilized, she could’ve become a star on the same level as Judy Garland. But she was different than Garland in many ways – she seemed to have a good head on her shoulders and chose a happy, quiet life over the chaos and absurdity that is Hollywood.

The magic of movies is that we can still appreciate her despite the fact that she stopped acting at 27 and passed away in 2013. I discovered her only recently and for those who, like me, enjoy films of the musical and screwball comedy persuasion, get ready for your new obsession!

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A New Year Ensemble to be proud of. Anyone know where I can get those hair star pins? P&T!

Happy watching!

Gifs and photos property of Universal Pictures.