Back in 2008, a movie came out in theaters, the reviews of which cited the comeback of one Mickey Rourke. That movie was The Wrestler. I remember having a conversation with my dad about it, asking what career he was coming back to. What had this Mickey Rourke been in that was so great? He responded, “Diner.”

Diner, made in 1982, was directed and written by Barry Levinson, follows a group of friends trying to figure out their lives in 1959 Baltimore. Starring Ellen Barkin, Steve Guttenberg, Daniel Stern, Mickey Rourke, Tim Daly, and Paul Reiser, the film easily made their careers.

When Levinson gave the script to his agent, they apparently didn’t know what to do with it. It didn’t fit into stereotypes or a conventional story arc. Really, the movie was essentially about nothing…the first of its kind really in that way. The film was about the in-between moments. Hitchcock is famous for saying, “Drama is life with the dull bits cut out.” Well, that’s Diner – all the dull parts, except they’re not boring!


A huge reason that the film worked was the casting. They were all young actors, fairly inexperienced. Guttenberg was 22, Barkin was 26. Reiser was 24, a young stand up comedian in New York, who wasn’t even trying to audition. Apparently, his improvisations were almost effortless. Levinson apparently would let the camera keep rolling when the scripted scene had ended, though it was sometimes by accident – he would forget to say cut!


Recently, I wrote about Breaking Away, another sleeper classic, which starred Daniel Stern. Just as he stole scenes in that movie, Stern uses his limited plot in Diner and knocks it out of the park! One of his best scenes is between Barkin and Stern. Stern’s character is yelling at his wife for not putting his record back in the right place – it needs to be in alphabetical order and by genre. She can’t understand why he’s yelling at her. I just want to say I’ve heard the exact same conversation between my parents – except it’s about movies, not records.

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There’s also a scene where Guttenberg gives his fiance a football trivia quiz. If she doesn’t pass the test, the wedding is off. Most of the guys come to his house, keeping score outside the room. It’s pure hilarity.

Football Scene.gif

Rourke’s character, Boogie, is really the center story though. He’s a gambler and a smooth talker. He’s always trying to get the guys to take a bet – one involving getting a girl to grab his penis at the movie theater. He somehow accomplishes what he wants to and gets away with it. And yet, despite his character’s asshole-ish antics, he’s likable. When the going gets tough and Boogie’s about to do something horrible, he backs out.


Kevin Bacon, in an early role, is probably at his best. He’s nuts and not too well drawn out, and yet, he’s real. As Fenwick, Bacon is almost manic, not yet having established his heart throb image.


The film is obviously from a very male perspective. The only well drawn female character is Stern’s wife, played by Ellen Barkin. I have to acknowledge that. But, I would also say that, at its core, the film is about friendship and that theme is universal. It’s also about a life transition. These men may be great one day, but they’re still, in many ways, boys. Guttenberg still has his mother making him sandwiches, much to his chagrin.

Film critic Pauline Kael apparently reviewed the film before its release and gave it a rave review. According to Barkin, the studio didn’t want to release the film. They did so mostly cause they thought they would look like even bigger idiots if they didn’t release it.

A few years ago, it was announced that the film was being made into a musical – the music to be written by Sheryl Crow. I’m not sure what’s going on with it, but it did have some sort of a run…here’s a look below at what it was like.


I go back to this film every once in a while because somehow, in its simplicity, it caught something special. Maybe it was the people or the script or the time it was made…I don’t really know. Without a doubt, it’s a special film where the stars just aligned – which is hilarious considered it was made for 5 million dollars and only made 15 million. In a documentary about the film, Levinson and one of the actors pointed out how specific these characters and this place was and how that makes it more timeless. I agree with that. There was something universal and let’s face it, just entertaining.

If you’ve never seen Diner, it’s well worth a watch. I guarantee you’ll relate to something in it.

Vintage trailer below:

3 thoughts on “Barry Levinson’s ‘Diner’: A Sleeper Classic

  1. Great review of a great film! I saw this right after it was released and fell in love with these quirky, funny, yet often cluelessly sexist guys! I had no idea who any of them were, except for Bacon (thanks to Animal House!), but that didn’t matter. They made the diner as magical as Levinson’s “Avalon” would later be, bringing to life another past time, with another group of Americans trying to find happiness.


  2. Great review of a great film! I saw it shortly after its release and fell in love with these quirky, funny yet often clueless and sexist guys. I didn’t know any of the actors except Bacon, due Animal House, but they were captivating. Ellen Barkin stood out too, as the put-upon wife of a music freak (I have one at home!). The Diner did for Baltimore what Avalon would later do for a different group of Americans, struggling with the unknown and the rapid change of that era.


  3. Great review of a great film! I saw Diner when it was first released and fell in love with these quirky, funny yet often clueless and sexist guys. I only knew Kevin Bacon because of Animal House, but it didn’t matter. Ellen Barkin held her own marvelously as the put-upon wife of a music freak (I have one of my own!). 1950’s Baltimaore came alive, just as it would later do in “Avalon”, in which another group of Americans would struggle to adjust to changing times and values. There’s a link between Steve Gutenberg’s sandwich and the cutting of the ‘toikey’ without uncle Gabriel there!


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