“13 Reasons Why,” “The Heart is a Lonely Hunter,” and the Agony of Loneliness

A few months back, I was with my dad at a small Los Angeles cafe. My dad suddenly had a wide grin on his face. He recognized someone. I looked over at an older man holding his laptop. My dad said to him, “Excuse me, but are you Chuck McCann?” He smiled and replied, “I used to be.” We had a lovely twenty-minute conversation with him and afterwards I asked my dad, “Who is Chuck McCann?”

As a result of this unexpected interaction, my dad showed me a small, independent sixties film called The Heart is a Lonely Hunter. McCann has a small, but important role in the film. This was one of those times, just like with Caught, where I felt that click when you discover a forgotten film, when you’re genuinely moved and completely absorbed in the story that’s being told.

If you’re unfamiliar, The Heart is a Lonely Hunter, based on the novel of the same name by Carson McCullers follows John Singer (Alan Arkin), a deaf and mute silverware engraver. He lives a pretty quiet existence. His only real friend is a mentally challenged man named Spiros (Chuck McCann). When Spiros is put in a mental institution a few towns over, Singer uproots his life and moves into a family’s home where he befriends their sixteen year-old daughter, Mick (Sondra Locke). As usual, drama ensues…but this is slightly quieter drama.

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So polite and nice calligraphy, RIGHT?

Here are just a few reasons why you need to see The Heart is a Lonely Hunter:

The Cast

Alan Arkin carries this film. At the time he made this, he was just starting out, having just made the film which made him: The Russians are Coming, the Russians are coming! He was an interesting choice for the part as we usually think of Arkin in a comic and verbal context…or maybe that’s just cause I know him best from Little Miss Sunshine. Either way, Arkin delivers possibly his greatest performance without uttering one word. He was nominated for a Best Actor Oscar for his work in the film, but lost to Cliff Robertson.

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His expression is EVERYTHING

Sondra Locke is also a revelation in this film. At 21 years old, Locke gave Mick a vulnerability and toughness that I daresay, most actresses today don’t have. She was the perfect counterpart to Arkin. They complimented each other. Though she didn’t go on to be a movie star, she’s continued to work in the film industry as an actor and producer. Locke was also nominated for a Best Supporting Actress Oscar, but lost to Ruth Gordon.

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One of my favorite scenes in the film

Chuck McCann’s screen time may be a short, but he certainly makes his mark in the film. He was known for most of his career as a comic actor, but this film showcases his dramatic range. He is also famous for having a relationship with Stan Laurel. He apparently just found his number in the phone book and called him up. Fascinating…

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All Chuck McCann’s character wants to do this in this film is eat and I totally get it. 

Percy Rodrigues, Cicely Tyson, and Stacy Keach also give great supporting performances.

The Story

I had not read McCullers book when I saw the film, but feel compelled now to do so. Similarly to To Kill a Mockingbird, McCullers book discusses the South as well as racism and other social issues. To me, the film is ultimately about what it feels like to be lonely. It’s less about the plot and more how these significantly different people deal with their loneliness.

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No overacting. Arkin, man. He’s great.

In this way, the film reminds me of Netflix’s recent adaptation of the YA bestseller 13 Reasons Why. Everything Arkin’s Singer does is to bring people closer together. Even though ultimately, he’ll never feel that closeness with the people around him, he tries to help people where he can, even when he’s met with derision and anger. In 13 Reasons Why, the real message to take away is that our actions matter, both in positive and negative ways. We never know what anguish and pain the people around us are going through, but in our small way, we can do our part to make their lives a little brighter.

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“We have to do better.” – Clay

The Direction

In true indie style, you’ve probably never heard of the director of this film. I hadn’t. His name was Robert Ellis Miller and he actually passed away in January of this year. He directed the film very much like a play. He let moments play out organically. You never felt like you were being manipulated. It all felt genuine and real.

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So sweet

Carson McCullers

I think it’s amazing that Carson McCullers got this published at the age of 22. Her life was filled with pain. She attempted suicide, but was not successful. Carson had a tumultuous childhood and a rough adulthood, which was cut short when she died of a brain hemorrhage, just before filming began for The Heart is a Lonely Hunter.

As such, I think there’s a melancholy nature to all her works, but especially this novel. She took her pain and turned it into something meaningful, art that serves as a reminder that we all experience loneliness and that feeling that way is part of the human experience.

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She’s also famous for “The Ballad of the Sad Cafe.”

The Heart is a Lonely Hunter is a poignant portrait of what it’s like to feel lonely.

It’s completely forgotten, but I don’t find its themes any less relevant than those expressed in Netflix’s 13 Reasons Why. We all get lonely to different degrees and we truly can all do our part to reach out and connect with the people around us. In this strange age we’re in, I think this film’s message is of the utmost importance.

 

Gifs and photos property of Warner Bros.

 

The insanity of Kirk Douglas in “Detective Story”

As most of you know, I don’t think of myself as someone who loves film noir. I’m generally turned off by the words as I associate them with films about angry men and murder. There are great movies often put in the category of film noir which subvert these stereotypes. And don’t get me wrong, I know I’m being unfair – some of those gangster, angry men films about murder are really good!

All this to say, I wasn’t over-the-moon excited to see Detective Story at this year’s TCM Film Festival. However, this was on my dad’s must list, so it was required viewing for me, just like Bye Bye Birdie was required viewing for him. Surprisingly, I was so mesmerized by Detective Story and Kirk Douglas’s insane performance that I ended up counting it as one of my favorite experiences from this year’s festival.

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He’s a little nutty.

If you’ve never seen Detective Story, (which, y’know, no judgement), it follows Detective Jim McLeod (Kirk Douglas), a hardworking guy in love with his beautiful wife, Mary (Eleanor Parker). We see a day in his life at the police station, where he fights for justice. However, when one of his cases ends up connecting to Mary and a secret in her past, James is not exactly levelheaded. Also at the station that day are a cast of crazy characters including a shoplifter (Lee Grant) and 

Here are just a few reasons you should give Detective Story a watch:

The Cast

Kirk Douglas has been crazy in many of his performances, but Detective Story was when he graduated to straight up CRAY. He also made Billy Wilder’s acclaimed satire, Ace in the Hole, the same year. I almost feel like Kirk’s acting style was ahead of his time. Although the film is basically a filmed play, Kirk’s intense performance makes you feel like he was really trying to “live” his role. He apparently did follow around New York City police detectives to prepare for the role.

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TBH he seems a little more than annoyed…

At the festival, Actress Lee Grant was interviewed about her experience working on the film and how she dealt with being on the Hollywood blacklist for more than a decade. She really is quite the revelation in this film. Lee plays the “shoplifter,” a part she desperately wanted. She was originally offered the part of the ingenue in the stage play, but thought it was a boring part and so fought for this one. She was 24 at the time and just after she was nominated for a best supporting actress Oscar, Grant was blacklisted for speaking at a known Communist’s funeral. She lost several years of her film career, but filled her time working on the stage. Now, she’s an accomplished writer and director who aims to represent the people who can’t speak for themselves.

Lee is so incredibly funny in Detective Story and she literally steals every scene she’s in.

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A totally natural way to leave a police station. Gotta say goodbye. Just good manners…

Eleanor Parker is also wonderful as Kirk’s wife with a secret past. She’s feminist and speaks truth to stupid. #TheFutureIsFemale

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Don’t you love old trailers? SO EPIC.

The supporting players are also wonderful – William Bendix, Cathy O’Donnell, George MacReady, and Horace McHanon.

The Script

Pulitzer prize-winning playwright Sidney Knight wrote the stage play of Detective Story, which was adapted for the screen by Robert Wyler. I love plays so to me, it’s no shocker why this film hit with me. It’s, in my mom’s coined phrase, “talky, talky, shit, shit, shit.” I love it though because it’s all about the character development, about the small moments. Also, as heavy as the film can be, there’s a lot of humor which I always appreciate.

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Seriously, WTF does this even mean? DUMP THIS GUY!

The Direction

William Wyler was no stranger to adapting stage plays for the screen. In fact, one such adaptation, The Heiress, I’ve already discussed on this blog and it’s one of my favorite films. Wyler was wonderful with actors and in a film so dependent on performances, he certainly deserves credit.

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Intense, NO?

The Cinematography

Lee Garmes of Scarface and Duel in the Sun took a filmed play and added new dimensions, using deep focus. He makes it feel cinematic.

The Production Code

This film was obviously made while the production code was in effect and the Breen office had several problems with Kingsley’s play as it was. Most specifically, they took issue with the play having an abortionist character. In the film, the dialogue is vague, but looking at it today, it’s pretty easy to see that’s what they’re talking about. Additionally, they had a problem with any law enforcement officer being killed, but they made an exception for this film.

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My favorite line in the film. Look at his eyes. LOL.

It’s a thought-provoking, emotional, hilarious crime drama

And it’s one-hundred percent worth your time, mostly for the outstanding performances by Kirk Douglas and a very young Lee Grant. Times have changed and there are moments of this film that feel very outdated, but that to me, is the magic of film. It’s a snapshot of a time and a place and specifically, in this film, how the country addressed difficult issues such as abortion.

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CC: my mother

Vintage trailer below:

Photos and Gifs property of Paramount Pictures.

Revelations about and because of James L. Brooks’ ‘Broadcast News’

First things first – so sorry I have been MIA over the last month! The movie watching has not stopped (if it had you know something would have to be SERIOUSLY wrong). I have been watching ’em and making my list of movies to discuss and over the next several weeks, I’m finally going to get to it!

Okay, now that we’ve gotten that out of the way, let’s talk about the brilliant, hilarious and extremely relevant film Broadcast News. This was a movie I had seen several years ago, as a young teenager. Although I remember liking the film a lot, this second viewing at this year’s TCM Classic Film Festival, was surprising. Some films just have to be seen as an older person to be appreciated and I think Broadcast News is definitely one of them.

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TBH…their conversation was straight-up hilarious. 

Prolific producer/writer/director James L. Brooks’ Broadcast News follows Jane Craig (Holly Hunter), a quickly rising tv news producer. She’s smart as a whip and literally thinks twelve steps ahead of everyone else around her. Her best friend is the hilarious, smart and IMHO very cute Aaron Altman (Albert Brooks). He’s one-hundred percent in love with Jane, something you can see five minutes into watching their relationship. A new anchor, Tom Grunick (William Hurt) comes onto the scene, pulling both at Jane’s heartstrings and encroaching on Aaron’s professional territory. In other words…DRAMA ENSUESSSSSSS.

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Burrrrrrrn. Really, though. I told you there’d be some drama. 

Here are just a few reasons Broadcast News is a movie you honestly should’ve put on your rundown (bad news pun)…like years ago!

The Cast

As I’ve said a bajillion times on this blog, casting is so important to how a movie turns out. If you cast people that are fun and relatable and just plain entertaining to watch, the characters can grow beyond just some lines of dialogue on a piece of paper. This film is a classic example of quite honestly, perfect casting.

One of the revelations from the TCM fest panel with James L. Brooks and Albert Brooks (no relation, guys, I swear) was that Holly Hunter was cast at the last minute and another unnamed actress almost got the part. Hunter was a virtual unknown at the time. She had just filmed Raising Arizona, a film which was only released a few months before Broadcast News. Hunter is the true anchor of the film, a confusing choice of words because she plays the executive producer of the news show in the film.

As a young woman, I find her portrayal of Jane to be so relatable. She’s so human and so complicated and filled with contradictions and you could never watch her and feel disconnected to her struggles.

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#RealTalk…I cry at least once a day.

Albert Brooks is so completely underrated. In the Q&A between Albert Brooks and James L. Brooks which was helmed by Ben Mankiewicz, Albert said he felt that Jane was never going to ultimately get with Aaron. Watching the film again, which was after the Q&A, I was like outrageously angry at Jane. If you were Jane, WHY WOULDN’T YOU GET WITH AARON? I mean, he’s intelligent, he’s funny, he’s self deprecating. He’s cute and a good person. I mean, come on, really though! I think this really goes to the heart of two arguments for me: one is attraction is about MORE than looks. The other is that I’m tired of movies never letting the actual good guy, the “underdog” get the girl. I mean, this is another Pretty in Pink scenario, guys. She belonged with Duckie, not that rich asshole.

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I flinch every time I watch this scene…

Whew, thanks for letting me get out, y’all. Back to Albert Brooks being awesome. He, separate from his character, is smart and literally hilarious. If you need some proof, just watch this clip from The Tonight Show back in the 70’s.

Now, I know what you’re thinking – I just wrote a literal lovefest about Albert Brooks. How am I possibly going to sing William Hurt’s praises too? Well, you’re about to find out. I do understand Jane’s attraction to Hurt’s Tom Grunick. Grunick is charming and obviously adorable. And, the thing is, Hurt is extremely intelligent so his portrayal of a dunce is actually quite funny. He’s also a fantastic actor who was already an Academy Award winner at the time they filmed Broadcast News.

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He’s a little freaked out…but his hair looks amazing!

The supporting players are also fantastic – Robert Prosky, a wonderful character actor plays the head of the news division. Jack Nicholson plays Bill Rorish, the top news anchor with an ego, quite a stretch for Nicholson! Cough, cough.

The real supporting MVP of the film though is one Joan Cusack. I’ve heard people refer to her as John Cusack’s sister which, is, of course, true but also infuriating. Do you think people refer to John Cusack as Joan Cusack’s brother? I think not! Okay, now I’m getting off topic. The upshot of it is she is a star in her own right and she is fantastic in this film. For real though, she delivers my favorite line in the film which she says to Holly Hunter’s Jane in tears: “Except for socially, you’re my role model.” Laugh-cry are the only words that can describe that moment.

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JOAN CUSACK IS EVERYTHING. 

The Script

Beyond the cast, the other essential piece of this film is the script. It is so wildly funny while also being relatable, relevant and moving. James L. Brooks wrote this as a romantic comedy which kind of cracks me up considering how the film ends.

Still, what movie being made today covers the same ground as Broadcast News? It’s essentially about people, but it’s also about the current (at the time obvi) state of television news, the ethics in telling a story, the moral obligation to be truthful. In this way, it’s an obvious precursor to Sorkin’s The Newsroom. His characters, too, are very preoccupied with the ethics of being a news reporter.

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Hmmm…I don’t know about that. #Rationalization

I especially liked the focus on the three main characters since they were all so different, but still human and likable.

Tom is the handsome idiot, except he isn’t. Tom has a skill set that both Aaron and Jane are missing. He knows how to present information in a trustworthy, confident way.

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Even his hair is trustworthy…lol

Jane is a career girl and I think the real reason she struggles socially is not because she’s incapable, but because she believes the only way to excel in her career is to block out everything else.

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Lesson learned: DO NOT MESS WITH HOLLY HUNTER

Aaron, on the other hand, is intensely smart but also neurotic, which is what ultimately is blocking him. He can’t stop thinking for a minute…which of course, I don’t relate to at all.

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The FUNNIEST scene in the movie, but it’s also a bit hard to watch. 

The Romance

As you all know from reading my movie musings, I’m a fan of the romance. Whether the romance is a fan of me is another story…lol. But, seriously, the romance in this film is wonderful because like some of my other all time favorites, this film covers mature romantic struggles.

With Aaron and Jane, we are presented with one of the most used stereotypes from romcoms: the best friend who’s in love with the main character. I think they both want to love each other in that way, but the timing gets in the way. Jane’s not ready to let someone in while Aaron is more than ready.

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That flinch THO. #RealityBites

 

And then Tom enters their lives and catches Jane’s attention. He’s attractive and confident and interested…and they do actually feel real things for each other. But, again, Jane lets her walls get in the way, because, timing-wise, she’s just not ready.

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He’s so TALL.

I think this is something not generally discussed in romantic films, the idea of not being ready for someone when they come into your life. There’s a reality there, so much so that when you see these three characters meet each other again at the end of the film, it doesn’t feel forced.

Because it’s still relevant, absolutely hilarious, and filled with brilliant dialogue and fantastic performances!

If you’ve never seen Broadcast News, you need to watch ASAP. If you have seen it, I guarantee it warrants another look, if only to realize just how much you relate to Holly Hunter’s character…or maybe that’s just me. I don’t think so…lol.

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Vintage trailer below:

Gifs property of Twentieth Century Fox.

Pushing the pre-code envelope: “Torch Singer”

As anyone who’s read my movie musings knows, I love Claudette Colbert as evidenced by my posts on It Happened One Night and Midnight. There’s another favorite of mine (heck, I love most of her films) called Torch Singer. This one has become a particular favorite of mine partially because it was my introduction to pre-code cinema.

If you’re unfamiliar with the term pre-code, it describes the period between roughly 1930-1934 when censorship was not enforced in Hollywood. As such, the storylines, characters, and innuendo they got away with seem outrageous considering the rules which did end up being enforced from 1934-1968.

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lol her underwear is pants, guys!

Some of those rules included not allowing couples to be shown in the same bed, at the same time, banned curse words, as well as not making any sort of immoral behavior look attractive or beautiful. Now, obviously filmmakers found a way to get around those rules to a certain extent, but there is something fascinating about films made during the pre-code era.

If you’re unfamiliar, Torch Singer, made in 1933, follows Sally Trent (Claudette Colbert), a woman who finds herself in a difficult situation when she becomes pregnant. She has the child and even raises her for a time, before realizing she’s just not making enough money. Ultimately, she gives up the baby for adoption. Meanwhile, the father of the child, Mike (David Manners) leaves the country, not having known about the baby in the first place. Sally changes her name to Mimi Benton and becomes a successful torch singer, drinking and partying in excess. Mimi then gets hired as the host of a radio talk show for kids and soon realizes she can use the show as a means for finding her daughter and as always…DRAMA ENSUESSSS.

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Welcome to pre-code cinema, guys!

Here are just a few reasons you need to check out Torch Singer!

The Cast

This movie, to me, is all about Claudette Colbert. It’s a fairly short film and she carries it. She finds a way to have you like her character, despite some of the bad choices she makes. This was still a year off from It Happened One Night, and obviously much more “out there,” but it’s still our same Claudette, sassy as ever!

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I can’t help but look at this gif and be like, what is that guy doing? #NeedsSomeDancingLessons?

David Manners, who was famous for his roles in horror films like Dracula and The Mummy, plays Sally/Mimi’s love interest, Mike. I’d like to say he plays a big part and you feel so much when they’re reunited, but honestly, he’s okay. It’s Claudette’s movie.

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He’s trying to be sassy, but he can’t pull it off. #RealTalk

The Script

Here we get to the fun that is pre-code. The lines are hilarious and pushing boundaries. The screenplay based on the story “Mike” by Grace Perkins, was adapted by two women, Lenore J. Coffee and Lynn Starling. As such, there’s a sensitivity to the script that I think sets it apart from other “women’s pictures” which were written by men. The story itself was tabboo just in showing an unwed woman becoming pregnant in the first place, not to mention the real doubts she has as to what kind of mother she will be. It definitely feels like it’s from a female point of view.

Additionally, I love that the star of this film is not the romance, but the reuniting of a mother and her child. That is where the emotional weight lies in this film, not with her ex-lover, but with her daughter. For a film that’s only a little over an hour, Torch Singer and Colbert’s performance has a lot to it.

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I’M
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NOT
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CRYINNNNG.

The Lines:

Okay, there’s just too many good ones not to share a few:

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or:

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and this one where Mike tells Mimi she’s become hard:

 

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The Singing

I’m also a musical fanatic as most people who know me know and as such, I get a kick out of seeing Claudette sing her torch songs with her raspy, yet still beautiful, voice.

It’s a sweet, feminist melodrama and a great introduction to pre-code cinema!

Written by two women, starring a woman, and about a woman’s struggles, this film is definitely a #FeministClassic and it’s great way into pre-code cinema, where women really got their chance to shine, in shades of grey as all different kinds of people. There’s no trailer for the film unfortunately, but take my advice, go out and buy the Pre-Code Hollywood Collection set from Universal. It’s one-hundred percent worth it and I promise, you’ll be a pre-code convert after devouring those films!

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A mother’s advice. Maybe a bit soon for a seven year-old, but whatever…

Gifs and photos property of Paramount Pictures.

Why it’s important to remember a movie is not old if you’ve never seen it

Yesterday, film historian and TCM host Robert Osborne passed away. While some of you who read my blog may not be familiar with his name or even his face, his death is one of the “celebrity” deaths which has hit me the hardest. I’ve spoken about TCM a lot on this blog as well as the experiences I’ve had attending the TCM Film Festival the last seven years (omg how has that much time passed?!), but I haven’t said much about Osborne himself.

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My favorite quote…

To be fair, most people who meet me wouldn’t think I had much in common with Osborne. I grew up in the age of social media and smartphones. Many friends and acquaintances think my classic film obsession is strange…even though they don’t say it. They don’t quite understand it. Some of my favorites reactions…”They [classic films] just don’t hold my attention” or “they’re too slow” or “Ugh, they’re in black & white”or “the acting was not real enough.”

So, to put it mildly, I spend a good deal of time defending classic film. Nevertheless, I take pride in introducing my favorites to friends/random people I meet on the street. I feel that I’m one of the lucky ones. I was indoctrinated with a love for classic film through my dad. His encyclopedic knowledge and love of film had a huge impact on me. We would routinely spend nights together watching a movie on TCM and so, I got used to Mr. Osborne and his intros. He was a part of the family, in our living room, almost every night.

Osborne, who died at the age of 84 was the host of TCM was for over twenty years. But, he had had a career before that. He started as an actor in the fifties, knew all the greats, and was first and foremost, a film fan. There’s a reason he was so believable in his intros – he knew this stuff forward and back, and genuinely LOVED IT.

In college, I had to do a fake campaign about an issue I cared about. So, of course, what did I choose? Classic film. My campaign poster is below. This is really the crux of why I started this blog in the first place. The only way to keep these films alive is through new, young audiences. After reading an obit article about Robert yesterday, I realized that my brilliant marketing slogan was low-key stolen from Robert’s mouth.

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such good movies! 

I was lucky enough to meet Robert at the first TCM Festival when I was just seventeen years old. Though our interaction was brief, his kindness, openness, and passion was apparent. I think he really enjoyed that we’d attended the festival as a family, something that was rare the first year. My brothers routinely made fun of my dad’s adoration for Osborne, but it was all in good fun.

Though he may not have realized it, he was just as important as the people he interviewed. Literally, he would get a standing ovation at every TCM Festival event he hosted. People cared about him, they felt like they knew him. I felt like I knew him. The best way to honor him is to continuing to pass on the gift that is classic film. Keep introducing classic film to the next generation because really, when you think about it, is a movie old if you’ve never seen it?

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Ignore how truly awful I look in this photo. #Oy #Braces

RIP Robert Osborne. You’ll be missed.

Featured photo: Beauty and the Boss, pre-code movie

The Charms and Flaws of Hannah Fidell’s ‘6 Years’

Back in February of 2015, I got a screening invitation for a movie called 6 Years. Though I was intrigued by the poster, I couldn’t make it to the screening. Months later, I noticed it, while doing the random, late night Netflix search and decided to give it a watch.

While the film is definitely flawed, I found it to be mesmerizing and thought provoking. Produced by the ever-wonderful Duplass brothers and written/directed by Hannah Fidell, 6 Years unflinchingly explores all sorts of relationship issues including adultery and physical abuse. However, to me the film at its core is really about the fact that sometimes, as sad as it is, we outgrow relationships. There’s still love, but a time comes when both parties need to move on and that’s more heartbreaking than anything!

If you’re not familiar, 6 Years follows Melanie (Taissa Farmiga) and Dan (Ben Rosenfield), two halves of a young couple that has been together for six years (title!). Dan is about to graduate college and possibly move away for a job. Melanie still has a year left of school. Thus, they’re in a weird phase of their life and drama ensues.

Here’s why you should watch 6 Years on Netflix ASAP:

The Creative Team

The Duplass Brothers, who directed this film are for real responsible for many of our tv/film obsessions. They’ve produced the much lauded HBO comedy Togetherness (I’m still mourning its cancellation!), The Overnight, and the upcoming sure-to-be-amazing Anna Kendrick film, Table 17. They’re great about supporting indie writers/directors like Hannah Fidell, who previously wrote and directed A Teacher, which was another Sundance gem.

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As my mother would say…they’re very Jewish.

The Cast

The strength of this film rests largely on its two young, intensely talented leads: Taissa Farmiga and Ben Rosenfield. Taissa is the younger sister of acclaimed Bates Motel actress, Vera Farmiga, and she certainly got the acting gene. She’s emotional, yet I never felt like a moment was false.

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What if he was just like, um, no?

Similarly, Ben Rosenfield is a revelation in this film.You might know Ben from his stint on Boardwalk Empire or as one of Logan Lerman’s roommates in the recent indie, Indignation. However, 6 Years is his chance to shine and he does. He’s insanely charming and I’m not just saying that because he has great hair, though of course he DOES. 

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Also, can we talk about his hair PLEASE?

Both of their characters do some pretty awful things and yet, Dan and Melanie are still relatable. That’s called acting chops, people!

The Script/Outline

IMHO, this no-real-script thing is usually a detriment and I do think that this may be one of the film’s major downfalls. However, what the film loses in wit, it gains in verisimilitude. Fidell’s script was apparently an outline which included pictures. Similar to Drake Doremus’s Like Crazy, the outline was more of a jumping off point than anything else. Rosenfield and Farmiga knew what was supposed to happen, but they improvised their actual lines. Though according to my dad the film had one too many curse words, 6 Years presents college age kids the way they really talk and thus, makes the characters feel more genuine.

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BURNNNNN.

The Incredible Indie Soundtrack

I’m not gonna lie – the soundtrack for this film is maybe eighty-five percent of why you should watch it. Literally, the moment it was over, I was pulling up the soundtrack’s playlist on Spotify. It’s seriously amazing. Here’s one of my favorite songs from the film:

The Themes

For all its flaws, I loved the film because of the issues it tackles and the way it tackles them. So many times, especially in regards to serious issues like abuse, we tend to vilify someone in a relationship. From the outside, it’s very easy to do that. This person’s abusive – simple answer, leave them! The film makes you feel like you’re in it with them and as despicable as both of them can be, we relate to both of them and can’t put either of them into a box of the “good guy” or “bad guy.” They both make big mistakes, but ultimately their love for each other is real. It’s just not enough to keep them together.

The film is also about decisions in your early twenties. There’s a scene where Dan is telling his mother that he was offered a job at a record label in New York, but that he’s considering not taking it because Mel still has a year left in school. His mother tells him that the decisions you make at this age affect the course of your life and so, you need to think about yourself, be a little selfish. I love Dan’s answer too, “It’s kinda stressful.” I feel ya, Dan. Decisions are always stressful because you don’t know how they will turn out.

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So sweet. 

It’s emotional and thought provoking

When I see a movie, the thing I’m most hoping for is that it gives me something to think about. For a movie that’s only a little over an hour long, 6 Years packs a lot. While I think the film is far from being perfect or even one of my favorite films, it leaves you with something to think about and to me, that’s one of the major purposes of cinema.

It is an emotional one so only watch this if you’re in the mood to feel ALL the feels – including the bad ones! I think it’s worth it just for the performances by Ben and Taissa, who are sure to go on to big things!

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I’m feeling TOO MANY FEELSSSS.

Trailer below:

Photos and Gifs property of Netflix.

‘Say Anything’ will make you smile no matter what your relationship status

Okay, so Valentine’s Day is upon us and even though I’m a happily single gal, I’ll take any excuse to talk about my favorite romances. And Say Anything is one of my all-time favorites! I love showing this film to anyone who hasn’t seen it, because, *spoiler alert*, it’s impossible not to love.

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SETTING UNREALISTIC EXPECTATIONS SINCE 1989

If you’re unfamiliar, Say Anything, written and directed by Cameron Crowe, follows Lloyd Dobler (John Cusack), a high school graduate atypically comfortable with the uncertainty of his own future. He doesn’t know what he wants to be necessarily and he’s okay with that. On the other hand, valedictorian Diane Court (Ione Skye) thinks she knows exactly what she wants. Everyone tells Lloyd that he could never make it with Diane, but he believes. He asks her out and they fall deeply for each other. Opposites really do attract. But, as with all teen romances, there are complications. DRAAAAMA ENSUES.

Here are a few reasons why you’ll fall deeply in love with Say Anything:

The Cast

I know I always say this, but the cast in this film is incredible. John Cusack had spent the 80’s playing teenagers, so it’s no surprise that by the time this film came along, Cusack wasn’t exactly ecstatic. However, once he read Crowe’s script, he was in…and what a difference his presence makes. He IS Lloyd Dobler. His charm carries the film.

“He [Lloyd Dobler] isn’t a tunnel-versioned urban teen preoccupied with sex, school, and his job. I realized I would never be 20 again so I might as well cap off that phase of my career on a positive note. I’m glad I took the part.” – John Cusack

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And he can sort of play the guitar…<3

Ione Skye is equally important, but unlike Cusack, she was fairly new to acting at the time. This may be a weird thing to point out, but I appreciated that Skye was not perfect. She was obviously gorgeous, but she had a kind of lisp and I don’t know, she just seemed like a real person. She was genuine and natural and you could understand why Lloyd liked her.

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Girl, I FEEL YOU.

Lili Taylor is also fantastic as Lloyd’s friend, Corey. You might know her from Six Feet Under or American Crime or something else entirely. She’s a big character actress. But, to me, she will always be this character. Her saga with Joe is relatable AF.

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YAS QUEEN.

Paul Mahoney cannot be undervalued either. Another great character actor, his portrayal of James Court, Diane’s father, is layered. In a lot of ways, he’s a bad guy. But, you can’t quite hate him. He loves Diane and in his mind, all the immoral things he’s done, have been for her.

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Just trying to be a good dad…

Bonus: Joan Cusack is wonderful AS ALWAYS. She plays the sister to Lloyd, quite a stretch for her. Ha.

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Her hair is so 80’s.

The Script

Cameron Crowe had written the script for another teen movie eight years earlier: Fast Times at Ridgemont High which Clueless‘ Amy Heckerling directed. Though both scripts are well written, tonally they are very different. Strangely, I feel sort of disconnected from that film. I didn’t see myself in it. Say Anything felt more true to my high school experiences. The characters weren’t stereotypes. They were people.

Diane is ambitious and kind. She thinks the world of her father and ultimately, finds that he doesn’t live up to that. We all get to that point, some earlier than others, where we’re forced to see our parents as people. Her father is far from perfect, but he does love her and that’s worth something.

Lloyd is happy within himself. Once he falls in love with Diane, he finds his post-high school purpose. As a society, we tend to judge people who get into serious relationships too early. We say, they’re too young to know what they really want. And perhaps that’s true. Maybe Diane and Lloyd’s love affair doesn’t last, but this is a movie and I want a happy ending, damnit!

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So sweet!

Crowe based the film on his own heartbreak and it shows. The romance as well as its complications feels genuine. Diane and Lloyd fall hard for one another and it’s sweet and awkward and heartbreaking.

Also, the pen thing. Epic.”I gave her my heart and she gave me a pen.”

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I mean, EPIC, amiright?

The Direction

Believe it or not, Lawrence Kasdan was originally going to direct the film. Prolific producer James L. Brooks had met Crowe when he was researching Broadcast News and hired him to write a script about a girl who finds out her father is a criminal. Once the script was complete, Kasdan told Crowe, “You are that main character. You should direct it” (Interview, Cameron Crowe).

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This relationship always makes me smile.

This was Crowe’s directorial debut and he’s been very candid about the fact that he was learning on the job. I think the first film a director makes is always fascinating because it’s the most pure. They’re really trying, they’re excited. They don’t know what the “right” way to do something is. This was certainly true with Reality Bites and Ben Stiller as well as with Time after Time and Nicholas Meyer.

The Music

Crowe started as music reporter for Rolling Stone, so I think it’s safe to say, the music he chose was important. Beyond the seminal boom box scene which blasted Peter Gabriel’s “In Your Eyes”, the soundtrack for the film also had hits by Depeche Mode, Cheap Trick and Nancy Wilson. The 80’s, man. You’ve gotta love it.

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Honestly, aren’t we all?

The Romance

Again, just, YES. The romance is everything. I have a running joke. I’ve never been on a plane and I keep telling my friends, I’m just waiting for my Lloyd Dobler. When they actually understand the reference (which happens maybe 50 percent of the time), I make them laugh.

But, back to the romance. Just look at these gifs and feel ALL THE FEELS.

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The first time you talk to your crush…the awkwardness!
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PICTURE FUCKING PERFECTION.
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This is her “I’m so messed up” look
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I always watched this scene and was like, “Maybe he should shower first.” Just a thought!
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You just described every great success story. ❤ ❤ ❤

It’s a seminal, heartfelt, old-school, yet modern romance!

Seminal is the key word. If you haven’t seen it, you need to ASAP. Your life will just be better for it. Plus, if you’re single on Valentine’s Day, IMHO, this is a good way to spend your time because it gives us all hope that there is a Lloyd Dobler out there for each and every one of us, or a Diane Court!

Plus, the Peter Gabriel song is just really good.

Vintage trailer below:

Photos and Gifs property of 20th Century Fox Films.

 

 

You should watch ‘Harold and Maude’: an unconventional romance

Every time I try to explain the concept of Harold and Maude to people, I’m met with skepticism and sometimes, a bit of revulsion. To be fair, it’s not a film which sounds like it should work. When it was originally released in the 70’s, Variety said of the film, “[it] has all the fun and gaiety of a burning orphanage.”

I know, with Valentine’s Day and all that this month, people will be turning to romance. Well, couples will be turning to romance. Single people will be eating a family-size pack of Doritos and wondering where it all went wrong, which is why I think, no matter what your relationship status, Harold and Maude will lift your spirits.

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She kinda looks like little red riding hood.

If you’re unfamiliar, Harold and Maude, made in 1971, follows a young rich teenage boy, Harold (Bud Cort). Though he’s wealthy, he has nothing in common with the Gossip Girl crowd. He’s obsessed with death and has great fun creating upsetting suicide scenes for his mother (Vivian Pickles) to find, though she is unimpressed most of the time. Harold also has another pastime: attending funerals. There, he meets Maude, (Ruth Gordon), a kooky, young at heart seventy-nine year old. Harold is set up on a series of dates by his mother, but he’s disinterested in all of them. Harold’s friendship with Maude grows into love, much to the dismay of literally everyone around them. Drama/BIG LAUGHS ensue obvi…

Here are just a few reasons Harold and Maude should be required viewing this Valentine’s Day:

The Cast

This movie is almost half about the casting. If it had the wrong people in it, the film just wouldn’t work. The part of Harold was written for another young actor/musician, John Rubinstein, a character actor who still guests on shows like Grey’s Anatomy and This is Us. However, Hal Ashby, the film’s director liked Bud Cort, who had recently had a bit part in Robert Altman’s war comedy, M*A*S*H. He was 23 at the time he made Harold and Maude and was already a fantastic actor. His facial expressions ARE EVERYTHING.

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Subtle. Also, am I the only one who thinks he is WAY TOO PALE?

Ruth Gordon was a bit younger than her character was supposed to be, in her mid-60’s during the shoot. She had, just a few years earlier, won an Academy Award for her role in Roman Polanski’s Rosemary’s Baby. She gives life to Maude and makes you understand why Harold is charmed by her. Gordon was a writer early in her career. She actually co-wrote one of Judy Holliday‘s comedies: The Marrying Kind. Her performance as Maude is equal parts hilarious and heartbreaking.

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Maude created #YOLO

Vivien Pickles is also fantastic as Harold’s mother. To me, her shining scene is when she’s filling out Harold’s dating profile.

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Good parenting.

Charles Tyner also has a good turn as Harold’s army uncle, who’s missing an arm. You might recognize Tyner from Cool Hand Luke where he played the sadistic prison guard.

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LOL the Nixon photo…

The Script

Colin Higgins had originally developed the project for his UCLA thesis film. However, after showing the script to his landlady, Mildred Lewis, who was the wife of a Hollywood producer, they formed a production company and began to shop it around to different studios. The script is obviously most often categorized as a dark comedy, which, of course, it is. But, it’s also a drama and a romance and it’s surprising how effective the dramatic moments end up being.

For the time, the way this story is told was so completely original. Since then, I feel like other writers have tried to replicate Higgins style and wit to the point where a current filmgoer might see the film and call it cliched. Higgins was first. The ending will break your heart and uplift you simultaneously.

Higgins went on to direct 9 to 5 and Foul Play and unfortunately died of AIDS in 1988.

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#RealTalk

The Direction

Paramount exec Peter Bart had faith in the story and in Colin, although he didn’t believe Higgins was ready to direct. Bart had seen The Landlord and appreciated the way its director had made the sensitive material funny with satire. Thus, Hal Ashby was brought on to direct Harold and Maude with Higgins blessing. It’s difficult to separate how much was Ashby and how much was Higgins. However, Ashby brought a distinct style to the film. He went on to direct Shampoo, The Last Detail, and Being There.

“In shooting Harold and Maude, Ruth Gordon recalled in her autobiography, Ashby ‘followed the Gertrude Stein theory: chronology has nothing to do with anything. We shot where and when and what Hal said to. Hal is his own man. Do you care about sequence? Not me. We don’t think in sequence, we rarely talk in sequence, we don’t rehearse a play in sequence, so why shoot a script that way?'” – Ruth Gordon, (TCM Article).

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❤ ❤ ❤

The Music

Elton John was originally supposed to provide a score for the film. However, after dropping out, he suggested Cat Stevens. Cat Stevens’ music provides an atmosphere and a perspective from which to see the story from.

Give a listen:

Harold’s Deaths

Basically, they’re hilarious and horrible and these gifs say it all:

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SO MUCH BLOOD.
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Quite normal…or at least, Harold’s mother thinks it is.
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This is when Harold’s mother is filling out his dating profile.
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Dating can be dangerous…lol

The Romance

Some people can’t watch this film without being grossed out. The idea of a teenage boy and an elderly woman falling in love is societally inappropriate. What I think is most fascinating is that their love affair, although consummated offscreen, is more an emotional love affair than a sexual one. Similarly to my favorite film, Brief Encounter, the romance in Harold and Maude is about their souls, about a connection that is more than just sexual attraction.

Harold doesn’t connect with any girls his age. He finds something in Maude; she understands him and she pushes him to live his life. There’s something truly beautiful about that. To those who are still grossed out, well, all I can say, is, at least the film challenged you, made you look at life from a different point of view. I say love is love. Also, there are plenty of May-December romances with an older man and a younger woman and it seems to be more accepted.

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It’s an existential, hilarious, completely unconventional rom-com.

After the film was panned and subsequently, flopped, something amazing happened. College students fell in love with the film. Colin Higgins had a theory on why they related to it when the older generation did not: “We’re all Harold, and we all want to be Maude. We’re all repressed and trying to be free, to be ourselves, to be vitally interested in living, to be everything we want” (Higgins, TCM Article).

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This SONG and MOMENT are EVERYTHING.

Vintage trailer is below:

Gifs and photos property of Paramount Pictures.

Why ‘Somewhere in Time’ is a severely underrated period romance

It’s difficult for me to remember exactly when I first saw Somewhere in Time. Funnily enough, it was made the year after another time travel favorite of mine, Nicholas Meyer’s Time After Time. However, this one is very different. It’s an old school romance with an intriguing premise that you can’t help but get swept up in (or, at least, I can’t!).

If you’re unfamiliar, Somewhere in Time follows Richard Collier (Christopher Reeve), a playwright suffering from writer’s block. He decides to get out of town for a bit, visiting his old college town and staying at a historic hotel. He sees a photo of an actress, Elise McKenna (Jane Seymour) in the hotel’s hall of history and falls in love with the girl. Only one problem: she’s dead. His obsession turns dramatic. He talks to an old professor, asking if it’s possible to travel through time. He essentially tricks his mind into believing he is back in 1912 (Don’t think too hard about the time travel logistics. It makes no sense obvi). Once back in time, he begins his steamy affair with Elise, much to the dismay of her manager, William Fawcett Robinson (Christopher Plummer). Will it be Robinson who tears them apart or time?? You have to watch the movie to find out!

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I’m OBSESSED with the early 20th century fashion. I WANT A FAN!

Here are just a few reasons Somewhere in Time is SEVERELY underrated:

The Cast

Christopher Reeve was HOT (both physically and in the industry), having already starred in his most popular role of Superman! He turned down several movies around this time, looking for something specific. There’s something about his sincerity that makes this character and this film work. Is it the plot convoluted and nuts? Um, yes. But, for some reason, you look into Mr. Reeve’s eyes and you’re like, Okay, sure. He’s sweet and romantic and very swoon worthy!

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He’s a bit self-assured. I think the message is, time traveling gives you confidence…

Jane Seymour was in her late twenties at the time she made this and was (and still is) absolutely drop dead gorgeous! Seriously, though, she belongs on the cover of romance novels which is probably one reason why she got the part. Additionally, she has the acting chops to back it up – she is tough, but also naive and vulnerable and you fall in love with her (just as Richard does) instantly!

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In the early 20th century, taking your down = SEDUCTION. 

Christopher Plummer is also wonderful as Elise’s manager. He was, of course, known at the time for his role as Baron von Trapp in The Sound of Music. He’s deliciously wicked as the Mr. Robinson, but you sense that there’s more to him than that, a compliment to his nuanced performance!

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What is he really thinking? 

The Score, the score, the SCOREEE!

I’m sorry, did I say the score one too many times? Well, if you had heard even one minute of John Barry’s score, I think you’d probably be screaming too. It’s difficult for me to parcel out how much of my love for this film is related to the score. I believe it elevates every aspect of the film. Apparently, or at least according to the TCM article, Jane Seymour was the one responsible for getting John Barry on board. I can’t imagine this film without this music. They belong to one another. Seriously, just give it a listen:

The Story/Script

Alright, so I know it’s far fetched. And yes, I know it’s cheesy, but for some reason, it really does work. Trust me. Writer Richard Matheson, who wrote both the novel and the screenplay got the idea when he came across photos of a young actress from the early 20th century, Maude Adams. Her biggest claim to fame: she was the first actress to play Peter Pan.

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Quite beautiful, no?

What I love about Matheson’s time travel concept is that it’s all about the mind. It’s a form of hypnosis, not a machine. As a kid, I remember REALLY buying into it. I was like, Sure, you can time travel just by shoving everything modern into a closet and dressing in old timey clothes!

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As a child, this scene both scared me to death and intrigued me beyond belief.

The romance is that Romeo and Juliet, love-at-first-sight type of deal. But, again, somehow, through the performances, you buy it and you root for them!

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A BIT dramatic…but I LOVE IT! ❤ ❤ ❤

The Gorgeous Early 20th Century Costumes

For real, I think I am one of those girls seduced by costume dramas and the thing is, the costumes in this are so pretty, you can’t NOT be obsessed with them!

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So refined and gorgeous. THAT HAT THOUGH!

The beautiful cinematography!

There are many ways to illustrate that the time period has changed. What cinematographer Isidore Mankovsky did was use a sepia-toned filter for all the the 1912 scenes. Mind you, modern audiences apparently didn’t take too well to that. But, I think it was a wonderful choice, almost like being in a picture, in a dream!

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GORGEOUS!!

The Major Flaw: THE WATCH

Alright, so full disclosure, this film does have one major flaw. In the beginning of the film, Christopher Reeve is given a watch by old Elise in the 1970’s. He takes it with him back in time, and (spoiler alert!) leaves it there with Elise. So, the big question is, where does the watch start? Like, seriously, where the fuck did this pocketwatch come from? That seems to be one thing we’ll never know!

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This watch is magical I guess?

It’s a sweeping, underrated, moody period romance! 

Despite its convoluted premise, Somewhere in Time is a severely underrated gem. It was actually a flop when it was originally released and then found its cult audience through repeated cable viewings. Now, there’s actually an annual event at the Grand Hotel honoring the film and you can bet that’s on my list of things to do (once I become a millionaire of course! LOL).

Is it utterly ludicrous? Yes. But, I think that’s where its magic comes from. It epitomizes what I believe all storytelling should set out to do: capture the imagination.

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LOL this scene. 

Vintage trailer below:

Photos and gifs property of Universal Pictures.

 

The Relevance of Judy Holliday and ‘It Should Happen to You’

It’s fortuitous that just last week I was introduced to this 1954 film. Many people turned to A Face in the Crowd, the 1957 drama starring Andy Griffith in the face of Trump’s inauguration. The film I want to discuss today was made a few years earlier and is considerably less dark, but deals with similar subject matter. It questions what fame is and why society values it, all while Judy Holliday cracks us up.

It Should Happen to You follows Gladys Glover (Judy Holliday), a young woman who’s close to broke and living in the big apple. On a walk, she meets a young photographer, Pete Sheppard (Jack Lemmon) and they start a’courtin’. Later, on her walk, she notices an empty billboard and decides to take what little funds she has to rent it. What, you may ask, does she advertise? Herself, of course! Enter a mega advertising firm and Evan Adams III (Peter Lawford), who will do anything to get the billboard away from her, including leasing several other billboards to Gladys. Pretty soon, Gladys’s name is everywhere and people think, Well, she must be someone if she has her name on a billboard. Her fame soon rises and she secures endorsementsall while Pete just wants to marry her. But, of course, Gladys is oblivious. Obvi, drama ensues because OF COURSE IT DOES.

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THAT LAWFORD THO.

Here are just a few reasons why It Should Happen to You is still relevant:

IMHO, the Casting!

For real, guys. Casting counts for so much, but especially in this film. I’d seen a few of Judy Holliday’s other films, like Born Yesterday and Bells are Ringing!, but I don’t think I really appreciated her until I saw her in this. While she can easily be discounted as a ditzy blonde in the vain of Marilyn Monroe, Holliday was really special. For one, she looked like a real person, which especially in this day and age, I appreciate. Our present movie stars all look like models and as such, there’s sometimes a difficulty in really relating to them.

She had real talent too, in singing and dancing. She was, after all, a broadway star. In this film though, I felt like she really had a chance to shine as an actress. The film is first and foremost a comedy, but she switches from comedy to drama easily, and makes the heavier moments lighter with her ditzy, hilarious charm.

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I wish people still wore hats. I think I have FOMO about the 50’s…

Jack Lemmon was just 29 in this film and it marked his film debut. And let me just say, he was dreamy even then…maybe I should say, especially then! His Lemmon schtick wasn’t completely set in stone yet. You can tell he’s still figuring it out…but he is so appealing, so effortlessly funny, you can’t but fall in love with him. It would be six years till he starred in one of my favorite films of all time, The Apartment.

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I love that eyebrow lift! ❤ ❤ ❤

Although Holliday had just given birth to her son a few months before shooting the film, it’s well known that she and Peter Lawford had an affair on the film. Their love scenes certainly do have a certain chemistry, but I have to say, I’ll aways be team Lemmon!

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Easy on the eyes though, no?

The Script Tho…

Garson Kanin penned the script and looking at his filmography, it almost looks like he was Miss Holliday’s personal screenwriter. He also wrote the screenplay for The Marrying Kind and Born Yesterday. He was also big in the Tracy-Hepburn films. Suffice it to say, he knew how to write a great screwball comedy.

The subject matter for this story wasn’t based on anything or anyone specific, but focuses on something even more relevant today than it was then: celebrity. We all grow up, putting people who are in the public eye on a pedestal. They’re famous, so they must be special, right? That’s what Gladys thinks too. Her yearning for fame has less to do with what fame actually is and more with a longing to be special, to belong. She learns in her journey that fame isn’t all it’s cracked up to be.

In the TCM article for the film, Jeff Stafford, quotes the director of this film, George Cukor as saying:

“The idea of becoming a great celebrity without being able to do anything is a very important notion,” Cukor stated in an interview with author Gavin Lambert. “Publicity can really do it, too. Today it makes Presidents. It’s really the name of the game.”

It’s difficult to read that statement and realize that that has never been more true. Jack Lemmon’s character routinely tells Gladys that fame is nothing if the real person behind it stands for nothing. I’ll just let that sit with you for a moment. *Cough* Trump *Cough*

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We’ve all had that dream…though hopefully we’ve grown out of it.

The Director

I mean, George Cukor is just a legend. He directed too many classics to name, but my favorites are My Fair Lady, Gone with the Wind (where he was one of many directors) and The Philadelphia Story. He knew a thing or two about romance and comedy…

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Case in point: THIS SCENE.

The gowns ❤ ❤ ❤

Jean Louis was a PROLIFIC costume designer and his gowns in this film are the epitome of 1950’s style! Incidentally, costume design was the only category the film received an Oscar nomination for.

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I NEED this outfit. 

The SNAP of the Dialogue

As a writer, I obvi appreciate wit and this one delivers the wit tenfold. Judy Holliday delivers them zingers well!

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GOLD. 

It’s hilarious, romantic, and most importantly, thought provoking!

Celebrity is a huge currency in our society, especially now that the internet has given rise to social media influencers. Last week, the U.S. inaugurated a president who’s famous because of his money. He hasn’t done anything worthy of our recognition. He’s rude and uncouth. His qualifications to be president are zilch.

In a way, we as a society, gave ourselves Trump because we view celebrities as special and worthy of our attention. We give celebrity status to people who shouldn’t have it. This film may not be profound, but it’s a nice reminder that fame for the sake of fame, to quote Jack Lemmon’s character, Pete, means nothing.

Vintage trailer below:

Gifs and photos property of Columbia Pictures/Sony.