It’s “a matter of life and death” that you watch this movie ASAP!

As a movie snob, it can sometimes feel like I’ve seen all the good movies out there. A ridiculous notion, I know. Still, when I do randomly come upon a spectacular film that I had yet to see, I can’t help but feel like I’ve uncovered treasure.

One of the reasons I started this blog in the first place was to introduce classic films to a new generation; to appeal to my peers and give them a reason to give a movie made before 2000 a second look. The movie I want to discuss today is one that I feel should be required viewing for anyone who says they’re interested in film.

A Matter of Life and Death, also known by the name Stairway to Heaven , was made in 1946 by Michael Powell and Emeric Pressburger. I’ve discussed another Powell/Pressburger film on this blog, one of my favorites, The Red Shoes. Strangely, I had yet to see many of their others films.

The film follows Peter D. Carter (David Niven), a British wartime aviator who we meet as he’s hurling towards the earth. Knowing he’s going to die, he spends what he believes to be his last minutes talking to June (Kim Hunter), an American radio operator. He wakes up on a beach and happens upon June, who’s cycling home. You could call it love at first sight – it doesn’t matter how it happens, they fall in love. The only problem is Conductor 71 (Marius Goring), a French – like, of the French revolution – angel who tells Peter he was meant to die. In love, Peter fights him on it, asking for an appeal before the celestial court…and he gets one!

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I love Technicolor SO MUCH

Here’s why you need to watch A Matter of Life and Death ASAP!

The Cast

Guys, David Niven. Can we just talk about how amazing he truly is?! The plot in this movie is truly bonkers, but somehow, David Niven sells it. He makes you feel every emotion.

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Am I the only one in love with this guy?!

Kim Hunter, who’s most famous for her role as Stella in A Streetcar Named Desire, is completely relatable in this film. She makes June special enough that you understand why Peter would do anything to stay with her, even after only knowing her for, like, 20 hours.

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Lipstick ON POINT

Marius Goring was so multi-talented. He’s wonderful in The Red Shoes, but his comedic chops are on display in this movie and he delivers! Agh, he was just fantastic.

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when your friend can’t make up their mind…

And Raymond Massey adds some much fun humor as Abraham Farlan, the prosecutor for…heaven, I guess.

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Boy. This guy would be depressed to see the stats today.

The Cinematography

Jack Cardiff. Jack Cardiff. Jack Cardiff. ❤️ 💛 💚

I mean, technicolor was on his side, but man, have you ever seen cinematography this gorgeous?

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Creepily mesmerizing…
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The feeling of being lost in a dream…
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so creepy

The Story

Many films have danced around the afterlife, or heaven, or as in the case of A Matter of Life and Death, the next world. It’s a fantastical imagining of what might happen when your time comes. In this movie, heaven is black & white and its angels have some real interesting personalities.

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Also, young Richard Attenborough

Powell and Pressburger were clearly trying to comment on the time period they were living in as well as the relations between countries. This movie came out in 1946 when tensions in the world were high.

In the court scenes, the prosecutor for heaven tries to prejudice the jury against Peter for being British. The prosecutor’s American. Peter’s lawyer, Dr. Frank Reeves (Roger Livesey) makes a case stating that the jury then should be made up of Americans – he still thinks the jury will find in favor of Peter!

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Good point, counselor. 

It’s a comical scene but there’s real sentiment behind it. When you put relations between governments and different nationalities into the context of an afterlife, it makes you realize how ridiculous our differences are, a lesson we still could take a page from today.

The Romance

If you’ve followed my blog, you know I’m a fan of the romance. Like Mindy Kaling, I don’t know where this obsession of watching people fall in love came from, but nevertheless, it’s there. And this movie delivers on the romance front by showing just how simple it can be.

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SWOON 💚 💙 💜

They’re both put on trial by the celestial court and asked to prove their love for the other. How do you prove love? Peter says, “Well give me time, sir. Fifty years.” They’re asked if they would die for the other. Indeed, is there any other question that matters.

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Truer words were never spoken.

Also, they’re played by David Niven and Kim Hunter – that helps…obviously!

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literal meet-cute

It’s a beautiful, original, thought-provoking, fantastical love story!

It’s rare to see a movie so willing to take chances, to tell a story in a non-conventional way. Thelma Schoonmaker, Martin Scorsese’s personal editor, was married to Michael Powell in his later years. In a feaurette of the film, Schoonmaker said this was Powell’s favorite movie that he made because he just got to play, like in the silent days.

I was taken by this quote from Roger Ebert’s 1995 review of the film, “Today’s movies are infatuated with special effects, but often they’re used to create the sight of things we can easily imagine: crashes, explosions, battles in space. The special effects in “Stairway to Heaven” show a universe that never existed until this movie was made, and the vision is breathtaking in its originality.”

A Matter of life and Death is an example of what makes the art of movie-making so special. It makes you feel through images and dares to imagine a world that does not exist. I was blown away watching it a few days ago. It became an instant favorite. Just…watch it and I swear you’ll understand!

Trailer below:

 

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The Film that won Olivia De Havilland her first Academy Award

A few weeks back, I saw a new film in theaters which is surprising considering this has been such a bad year for movies. That film was called A Light Between Oceans. The film was not bad nor was it very good. But, it did make me think about a movie I saw a while back called To Each His Own, mostly because the plot was, like, ninety percent the same.

I’ve spoken about Olivia De Havilland twice before on this blog when I wrote about Gone With the Wind and The Heiress, which makes me laugh because I’ve only recently started watching the bulk of her films. I came across To Each His Own when TCM was honoring De Havilland for her 100th birthday. It’s not remembered as a standout classic film, but more just remembered as the film which won Olivia her first Oscar.

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Wasn’t she gorgeous? #FASHIONGOALS // Courtesy of Culturalist.com

I, however, really enjoyed it. If you’re not familiar, To Each His Own is a small character drama about a middle-aged woman named Jody Norris (De Havilland), who’s looking back on her youth when she lived in a small town and had a baby out of wedlock. Because the town is so small, she concocts a plan to keep the baby without anyone knowing it’s hers.

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The foolproof plan…#UMMM

However, the plan goes awry. The baby is adopted by a friend of hers (whose own baby just died). Jody plans to tell them everything and take her baby back, but her father stops her, telling her she’d ruin her baby’s life (really meaning his reputation). Later, after her father passes, she tries to get her baby back and does but the child doesn’t want her. He wants his “real parents.” Dejected, she sends the child back to live with the adoptive parents. DRAMMMMMMA.

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Some baby MAMA drama. #ImSoFunny

Here are just a few reasons you should check out To Each His Own:

The Cast

Obviously, this was the role than won Olivia De Havilland her first Oscar and her performance is certainly worthy. Not only does she convincingly play her character as a middle-aged woman and a young ingenue, but she also gives us the big emotional moments in a quiet, understated, authentic way. Director Mitchell Leisen was so convinced De Havilland would win an Oscar for her performance that at the end of shooting, he gave her a charm bracelet with a mini Oscar on it.

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If Oscars could be won for BEST HAIR…

Broadway actor John Lund had his theatrical debut with this film. He played Captain Bart Cosgrove, Olivia’s love interest, and also played their son whom she meets in her middle age. He’s quite remarkable because even though you can tell it’s the same actor playing both roles, his mannerisms are completely different.

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He’s singing to her here by the way…

The Direction

The script was by Olivia’s own admission, a “conventional soap opera (TCM Article).” She believed the only person who could make it more than that would be Director Mitchell Leisen, whom she had been directed by in the film which won her her first Oscar nom, Hold Back the Dawn. He was unenthusiastic about directing this particular film, but Olivia insisted and so, he worked to improve the script as much as possible and went all in.

As production went on, he apparently did become more enthusiastic and Olivia credits Leisen’s direction with her Oscar win. In reading about the film, what stands out about his direction is how detail-oriented he was. Whether it was about something out of place for the time period or a slight tweak to Olivia’s performance, he was a perfectionist. He didn’t want to be a hired hand; he was more than that.

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An example of the small moments Leisen captured…

The Story

This is really what it’s all about. Now, it’s true that this story has some soap-operatic elements. However, what I love is that the film is rich in character development and emotional moments. It’s not an original story – there are several variations on this concept including two of my favorite films, The Torch Singer and Bachelor Mother. 

Much of this film surrounds the drama between Jody and the family that is raising her child. It’s a contentious situation. The other family is not willing to give him up and Jody eventually blackmails them into getting him back only to come to the realization that her son doesn’t want to be with her.

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Her eyes are crazy THOUGH…#Amiright?

This is a theme which is shown again in the film I mentioned at the beginning of this article, The Light Between Oceans. That film is dramatically much darker, but it does also cover the heartbreak that occurs when the parent is reunited with their child, only to be ultimately rejected.

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Having to watch your child grow up without you…

To me, this story is really pondering the question, “What makes someone a parent?” Is it simply the biological component or is it being there for the child, as a parent would be? Obviously, in ideal situations it’s both. But, many aren’t that lucky. As a child, having a present adult in your life who loves you and cares about your well-being means more than what it biologically means to be a parent.

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HEART BREAKING…

That’s really what makes the tale so heartbreaking. In both films, it’s not the biological parent’s fault that their child grew up with another family. But, that doesn’t change the reality that the child doesn’t see their biological parent as their “real” one.

It’s a sincere and moving melodrama

In the hands of less talented people, this film could have been a sappy, annoying soap opera. But because of Leisen and De Havilland’s brilliant performance, the material is lifted into being a emotional and earnest story about the love between a mother and her child. I don’t want to ruin the film’s ending, but I will say it’s a beautiful one. Any mothers out there will probably tear up. Who am I kidding? I’m not a mother and I teared up. All of you will be tearing up…or maybe I’ll say, you should be.

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Olivia De Havilland is EVERYTHING. 

Below is a link to the full movie, on Youtube. Enjoy the feels. 😭

Main Photo and Gifs – Copyright of Paramount Pictures