Judy Holliday and ‘Born Yesterday’ aka the movie that made glasses sexy!

Every year, when I tell people I’m paying 600+ dollars for a four-day classic film festival, I’m met with wide eyes and general confusion. The reason I do it, besides the fact that it’s a good father-daughter bonding activity, is to remind myself why movies are important and less pretentiously, to experience that indescribable feeling when you discover something incredible for the first time.

That was my experience watching Born Yesterday for the first time. If you’re unfamiliar, Born Yesterday follows Billie Dawn (Judy Holliday), the seven-years engaged, uncouth girlfriend of Harry Brock (Broderick Crawford), a Trump-like tycoon. They move to Washington for Harry to follow some political ambitions. There’s only one problem: Billie. In a turn taken out of Pygmalion, Harry hires Billie a tutor, one Paul Verrall (William Holden) and as with all my reviews, chaos ensues and a lot of laughter.

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LOVE THIS MOMENT

Here are a few reasons Born Yesterday needs to be added to your watch list NOW:

The Writing 

Sometimes, I get myself in trouble by saying that the writing in old movies is better than the writing for movies today. And while I concede that there are a lot of great writers working in film today, one thing the old films had was time. They would take the time to really rehearse something and make sure it was right before even turning the cameras on.

Now, in the case of Born Yesterday, it was a broadway play before it was made into a film so the original script by Garson Kanin was well-tested, a lost art IMHO. The dialogue is sharp and witty and the timing is always on point.

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Paul Verrall for President!

The Cast

Is there a better cast out there? It’d be hard to find one, especially with actors like Judy Holliday and William Holden. Judy Holliday was a great discovery for me and after watching her in this film, I feel confident in saying there was no else like her. She was so unique and hilarious and this movie IS her.

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Me late at night listening to pop songs

William Holden was never someone I thought much about. I associated him mostly with Billy Wilder’s Sunset Boulevard. In this film, he is well-spoken and nerdy and beautiful and a great contrast to Holliday’s character.

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Making glasses sexy since 1950 🤓

But, as with most old movies, it’s not just the leads that carry the film. Born Yesterday was blessed with wonderful characters including Broderick Crawford and Howard St. John. 

The Romanceeeeeeeee

Are you detecting a theme on this blog? Why, yes, I am a fan of the romance. I believe I’ve said that before. Before the wonderful Aaron Sorkin came in and made politics sexy again (i.e. The American President and The West Wing), movies like Mr. Smith Goes to Washington and Born Yesterday held that mantle.

Very much in turn with a 90s romcom, Paul Verrall tries to make Billie Dawn over again, teaching her about the world and how it works, the simple pleasure in a well constructed sentence and what’s really important.

It’s a bevy of swoon-inducing memes. Want proof? Okayyyyyy.

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The Message

This film’s message is just as timely today as it was in 1950. We all have the power to be whoever we want to be, no matter our station in life or what we’ve been told we can achieve. Billie Dawn thinks her lot in life is set and through her “study sessions” with Paul, learns that her wants, needs and desires are important. Empowered Billie Dawn in 1950 must have been quite a sight for audiences. A complicated, beautiful, funny, curious heroine…what a concept!

Additionally, I love the idea that knowledge is power. None of us come into the world knowing everything. Not even the smartest people in the world know everything. In my opinion, the smartest people know that and are always interested in learning more about the world around them. 💖

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My favorite line in the movie

Judy’s Only Oscar Win

Judy won her only Oscar for her performance in this film and it’s more than well-deserved. She went on to be blacklisted and a few years after that, she died at the age of 43 from breast cancer.

It’s an awe-inspiring classic film that should be required viewing for everyone!

If you’re still looking for reasons to watch this movie, let me put it to you like this. We give our time to so many useless things. Spend two hours watching something that will (a) make you laugh (b) make you swoon and (c) make you think.

If you do not enjoy using your brain, you can skip it! 😉

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Reading is SEXY 📚

 

Vintage trailer below:

Gifs property of Columbia Pictures.

 

 

 

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The timeliness of Ida Lupino’s ‘Outrage’

Ida Lupino was a very special person. As you know if you read my blog, I only recently discovered Ida and in my last post I covered Ida’s acting, which was stupendous in its own right. However, she was a female director in a time when that was basically unheard of and the most incredible thing is that she didn’t just make fluff. Like one of her female predecessors, Lois Weber, Ida wanted to make films about social issues, things that mattered and she did.

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These old film cameras are everything!

I saw Outrage at the TCM Film Festival this year and was blown away by how modern it feels. Yes, there are certain period things that make you remember it’s an old movie, but the subject matter and how Lupino deals with it, are more topical than ever today.

Outrage follows Ann Walton (Mala Powers), a young woman recently engaged to a man she loves.

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Happy Ann 

Everything seems to be going well, except for one slightly annoying thing: a man who runs the food cart at her work verbally harasses her on an almost daily basis. Like most women, Ann deals with it because what else could she do?

However, one night, when walking to her car, that man goes from verbal harassment to rape, leaving Ann shameful and confused. The rest of the film finds Anne running from her shame, unable to come to terms with what’s happened to her.

Here are a few reasons you need to check out this film!

 

Ida Lupino, Ida Lupino, um did I mention Ida Lupino?

As a young woman trying to make it in this business, I bow down to the goddess that is Ida Lupino. I’m currently in the midst of reading a biography of her life and am so fascinated at the way she carried herself, despite the heartache and the struggle she endured.

She found her way into directing when the director of one of the film’s she was producing fell ill early into the shoot. Ida simply took over to save the film and the rest is history. She wanted to make films outside the studio system, what we would now call independent film. Thus, her films were filled with unknown actors.

Ida tackled difficult subject matter with patience and didn’t believe in traditional happy endings, one of the many things I love her movies for.

This tribute is a great introduction to Ida. 🙂

Mala Powers

This film hinged on whether or not you believed in Ann’s distress, her psychological trauma. Many dramatic moments in Outrage simply focus on Ann’s face. Mala Powers is exceptional in the role; she almost feels like a stand-in for Lupino had she acted the part. You feel Ida in Mala Power’s performance. And quite honestly, she moved me to tears.

She didn’t go on to many other projects of note, but continued to work well into her 70s.

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Literally bawling 😭

The Direction and Cinematography

I know I already said Ida Lupino, but for a film not shot in the studio system, with a very low budget, the direction and noir-esque shots are gorgeous and suspenseful.

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Terrifying!

Sadly, it’s just as relevant today as it was then. Even, more so. 

This movie doesn’t preach to its audience. It doesn’t tell women how to feel or how to cope or even that you ever really heal from an experience like this. However, I feel like one message the movie sends loud and clear is that victims of sexual assault should not feel shameful. They didn’t bring it on themselves by wearing too short a skirt or being too nice or leading someone on. The blame lies with the person who assaulted them and I think that for 1950, when no one was paying attention to this issue, that message is radical.

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Get ready to be emotional

Just in the past year, we’ve finally seen some strides being taken in society to not only discuss this issue but say clear and unequivocally that harassment is wrong and will no longer be tolerated. I’m an idealistic person and I’d like to believe things will change, but too often, movements fade and people forget the fervor that incited it.

Ida Lupino made this film seventy years ago, because even then, sexual harassment and assault was an unspoken thing many women had to deal with, often with shame and secrecy. I hope in another seventy years this status quo will not exist.

I was gonna link the trailer below, but the whole film is on youtube. You’re welcome. 🙂

If you watch the film and like it, drop me a comment or send me an email at thegirlwhoknewtoomuch46@gmail.com!