‘Say Anything’ will make you smile no matter what your relationship status

Okay, so Valentine’s Day is upon us and even though I’m a happily single gal, I’ll take any excuse to talk about my favorite romances. And Say Anything is one of my all-time favorites! I love showing this film to anyone who hasn’t seen it, because, *spoiler alert*, it’s impossible not to love.

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SETTING UNREALISTIC EXPECTATIONS SINCE 1989

If you’re unfamiliar, Say Anything, written and directed by Cameron Crowe, follows Lloyd Dobler (John Cusack), a high school graduate atypically comfortable with the uncertainty of his own future. He doesn’t know what he wants to be necessarily and he’s okay with that. On the other hand, valedictorian Diane Court (Ione Skye) thinks she knows exactly what she wants. Everyone tells Lloyd that he could never make it with Diane, but he believes. He asks her out and they fall deeply for each other. Opposites really do attract. But, as with all teen romances, there are complications. DRAAAAMA ENSUES.

Here are a few reasons why you’ll fall deeply in love with Say Anything:

The Cast

I know I always say this, but the cast in this film is incredible. John Cusack had spent the 80’s playing teenagers, so it’s no surprise that by the time this film came along, Cusack wasn’t exactly ecstatic. However, once he read Crowe’s script, he was in…and what a difference his presence makes. He IS Lloyd Dobler. His charm carries the film.

“He [Lloyd Dobler] isn’t a tunnel-versioned urban teen preoccupied with sex, school, and his job. I realized I would never be 20 again so I might as well cap off that phase of my career on a positive note. I’m glad I took the part.” – John Cusack

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And he can sort of play the guitar…<3

Ione Skye is equally important, but unlike Cusack, she was fairly new to acting at the time. This may be a weird thing to point out, but I appreciated that Skye was not perfect. She was obviously gorgeous, but she had a kind of lisp and I don’t know, she just seemed like a real person. She was genuine and natural and you could understand why Lloyd liked her.

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Girl, I FEEL YOU.

Lili Taylor is also fantastic as Lloyd’s friend, Corey. You might know her from Six Feet Under or American Crime or something else entirely. She’s a big character actress. But, to me, she will always be this character. Her saga with Joe is relatable AF.

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YAS QUEEN.

Paul Mahoney cannot be undervalued either. Another great character actor, his portrayal of James Court, Diane’s father, is layered. In a lot of ways, he’s a bad guy. But, you can’t quite hate him. He loves Diane and in his mind, all the immoral things he’s done, have been for her.

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Just trying to be a good dad…

Bonus: Joan Cusack is wonderful AS ALWAYS. She plays the sister to Lloyd, quite a stretch for her. Ha.

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Her hair is so 80’s.

The Script

Cameron Crowe had written the script for another teen movie eight years earlier: Fast Times at Ridgemont High which Clueless‘ Amy Heckerling directed. Though both scripts are well written, tonally they are very different. Strangely, I feel sort of disconnected from that film. I didn’t see myself in it. Say Anything felt more true to my high school experiences. The characters weren’t stereotypes. They were people.

Diane is ambitious and kind. She thinks the world of her father and ultimately, finds that he doesn’t live up to that. We all get to that point, some earlier than others, where we’re forced to see our parents as people. Her father is far from perfect, but he does love her and that’s worth something.

Lloyd is happy within himself. Once he falls in love with Diane, he finds his post-high school purpose. As a society, we tend to judge people who get into serious relationships too early. We say, they’re too young to know what they really want. And perhaps that’s true. Maybe Diane and Lloyd’s love affair doesn’t last, but this is a movie and I want a happy ending, damnit!

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So sweet!

Crowe based the film on his own heartbreak and it shows. The romance as well as its complications feels genuine. Diane and Lloyd fall hard for one another and it’s sweet and awkward and heartbreaking.

Also, the pen thing. Epic.”I gave her my heart and she gave me a pen.”

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I mean, EPIC, amiright?

The Direction

Believe it or not, Lawrence Kasdan was originally going to direct the film. Prolific producer James L. Brooks had met Crowe when he was researching Broadcast News and hired him to write a script about a girl who finds out her father is a criminal. Once the script was complete, Kasdan told Crowe, “You are that main character. You should direct it” (Interview, Cameron Crowe).

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This relationship always makes me smile.

This was Crowe’s directorial debut and he’s been very candid about the fact that he was learning on the job. I think the first film a director makes is always fascinating because it’s the most pure. They’re really trying, they’re excited. They don’t know what the “right” way to do something is. This was certainly true with Reality Bites and Ben Stiller as well as with Time after Time and Nicholas Meyer.

The Music

Crowe started as music reporter for Rolling Stone, so I think it’s safe to say, the music he chose was important. Beyond the seminal boom box scene which blasted Peter Gabriel’s “In Your Eyes”, the soundtrack for the film also had hits by Depeche Mode, Cheap Trick and Nancy Wilson. The 80’s, man. You’ve gotta love it.

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Honestly, aren’t we all?

The Romance

Again, just, YES. The romance is everything. I have a running joke. I’ve never been on a plane and I keep telling my friends, I’m just waiting for my Lloyd Dobler. When they actually understand the reference (which happens maybe 50 percent of the time), I make them laugh.

But, back to the romance. Just look at these gifs and feel ALL THE FEELS.

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The first time you talk to your crush…the awkwardness!
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PICTURE FUCKING PERFECTION.
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This is her “I’m so messed up” look
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I always watched this scene and was like, “Maybe he should shower first.” Just a thought!
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You just described every great success story. ❤ ❤ ❤

It’s a seminal, heartfelt, old-school, yet modern romance!

Seminal is the key word. If you haven’t seen it, you need to ASAP. Your life will just be better for it. Plus, if you’re single on Valentine’s Day, IMHO, this is a good way to spend your time because it gives us all hope that there is a Lloyd Dobler out there for each and every one of us, or a Diane Court!

Plus, the Peter Gabriel song is just really good.

Vintage trailer below:

Photos and Gifs property of 20th Century Fox Films.

 

 

An Introduction to Deanna Durbin AKA Judy Garland’s preteen singing nemesis

Maybe about a year ago, I was introduced to Deanna Durbin. If the name doesn’t ring a bell, that’s understandable. She’s pretty well forgotten. However, in her day, she was one of the highest paid actresses and her popularity actually saved Universal from bankruptcy.

When she was discovered at thirteen, her name was Edna and she was in competition with a young Judy Garland at MGM. They were both great singers and were thought to be answers to the Shirley Temple problem. They made a short subject film together called Every Sunday where they were put side by side and tested. I think they’re both great, but that’s just me!

According to legend, MGM Studio head Louis B. Mayer watched the film and nixed “the fat one.” He apparently meant Garland, but Durbin was the one who lost her contract. Shortly after, she was picked up by Universal and made a string of light musical comedies. The major difference between Durbin and Garland’s career was that Garland was allowed to transition to adult roles while Durbin was kept in juvenile territory.

Still, I was amazed by Durbin’s quiet beauty, her comedic chops and her astoundingly beautiful operatic voice. Though she retired from film at the age of 27, she left a mark on moviegoers and deserves to be remembered.

With that in mind, here are her best performances and films IMHO:

Three Smart Girls (1936)

This film was Durbin’s feature film debut. She was just 15 years old. Directed by Henry Koster and written by Adele Comandini, the film follows three sisters, one of which is played by Durbin who scheme to reunite their divorced parents so their father won’t marry a gold-digger. Sound familiar? Three Smart Girls was remade in the 60’s…a little film called The Parent Trap.

With co-stars Ray Milland, Charles Winniger, and Barbara Read, Three Smart Girls is a fun lighthearted musical and it gave Durbin her first chance to shine.

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Girls will be girls…haha

First Love (1939)

Any Cinderella fans out there will get a kick out of First Love. In this modern re-telling, Durbin plays Constance Harding, an orphan who finishes up school and goes to live with her wealthy uncle (Eugene Pallette) and his family. She even has an evil step-sister to boot, played by Helen Parrish.

The film is often noted for having Deanna’s first on-screen kiss, her beau being played by a twenty year old Robert Stack. Though certainly flawed, this film is one of her best. It’s fun and sweet and has some wonderful songs!

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What a FIRST KISS! #HerDressThough

It’s A Date (1940)

In this one, made just after First Love, Durbin plays Pamela Drake, a young, aspiring actress with a famous actress mother, played by Kay Francis. She gets offered the lead role in a new play only to realize that her mother is competing for the same role. On a boat, she meets John Arlen (Walter Pidgeon), a much older man who she believes is vying for her affection. Pamela soon realizes she may be competing with her mother romantically as well as professionally.

Story-wise, parts of this just don’t work for me, but despite its flaws, it has some wonderful scenes of screwball comedy antics and a great finish where Durbin sings Ave Maria.

It Started With Eve (1941)

This film has a great premise. It follows Anne Terry (Durbin), a hat check girl who is asked to pose as a man’s (Robert Cumming) fiancee because his father (Charles Laughton) is dying. Only problem is after Durbin meets Cumming’s father. He doesn’t die. No great moment to tell your loved one, “Uh, sorry. Just kidding, not my real fiancee. Just thought you were dying, so, uh…” There’s no way for that not to be awkward.

This was the first of Durbin’s films that I saw and it is thought by many to be her best. It is my personal favorite. I feel like it accomplishes telling a coherent story while including the screwball comedy antics and Durbin’s lovely voice! Her chemistry with Robert Cummings doesn’t hurt either!

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I kinda wish hats were still a thing. Just me?

Christmas Holiday (1944)

It’s hard to encapsulate this one. It’s unlike any of her other films. Though her co-star is the lovely musical Gene Kelly and the title sounds like a Hallmark/Lifetime Christmas special, Christmas Holiday is a fairly bleak film noir. Durbin was 23 when she made this film and finally gained script approval, a right she used to graduate to more adult roles.

Christmas Holiday follows Jackie Lamont (Durbin), a singing prostitute (they never say it outright, but that’s what she is) who meets a young lieutenant (Dean Harens). They find solace in one another, telling their tales of how they got to be where they are. Jackie recounts finding out her husband, Robert Manette (Gene Kelly) murdered a girl and explains that even so, she still loves him. It is truly Gene Kelly as you’ve never seen him before. He’s a far cry from Don Lockwood in Singin’ in the Rain.

Though it’s a truly strange film, Durbin proves that she has more than just an amazing voice. And the cinematography is on point!

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The black and white is GORGEOUS!

She was gorgeous, a singing prodigy, and a fantastic actress!

It’s so easy to play the “if/then” game, but I truly believe if Durbin’s talents had really been recognized and utilized, she could’ve become a star on the same level as Judy Garland. But she was different than Garland in many ways – she seemed to have a good head on her shoulders and chose a happy, quiet life over the chaos and absurdity that is Hollywood.

The magic of movies is that we can still appreciate her despite the fact that she stopped acting at 27 and passed away in 2013. I discovered her only recently and for those who, like me, enjoy films of the musical and screwball comedy persuasion, get ready for your new obsession!

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A New Year Ensemble to be proud of. Anyone know where I can get those hair star pins? P&T!

Happy watching!

Gifs and photos property of Universal Pictures.