Revelations about and because of James L. Brooks’ ‘Broadcast News’

First things first – so sorry I have been MIA over the last month! The movie watching has not stopped (if it had you know something would have to be SERIOUSLY wrong). I have been watching ’em and making my list of movies to discuss and over the next several weeks, I’m finally going to get to it!

Okay, now that we’ve gotten that out of the way, let’s talk about the brilliant, hilarious and extremely relevant film Broadcast News. This was a movie I had seen several years ago, as a young teenager. Although I remember liking the film a lot, this second viewing at this year’s TCM Classic Film Festival, was surprising. Some films just have to be seen as an older person to be appreciated and I think Broadcast News is definitely one of them.

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TBH…their conversation was straight-up hilarious. 

Prolific producer/writer/director James L. Brooks’ Broadcast News follows Jane Craig (Holly Hunter), a quickly rising tv news producer. She’s smart as a whip and literally thinks twelve steps ahead of everyone else around her. Her best friend is the hilarious, smart and IMHO very cute Aaron Altman (Albert Brooks). He’s one-hundred percent in love with Jane, something you can see five minutes into watching their relationship. A new anchor, Tom Grunick (William Hurt) comes onto the scene, pulling both at Jane’s heartstrings and encroaching on Aaron’s professional territory. In other words…DRAMA ENSUESSSSSSS.

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Burrrrrrrn. Really, though. I told you there’d be some drama. 

Here are just a few reasons Broadcast News is a movie you honestly should’ve put on your rundown (bad news pun)…like years ago!

The Cast

As I’ve said a bajillion times on this blog, casting is so important to how a movie turns out. If you cast people that are fun and relatable and just plain entertaining to watch, the characters can grow beyond just some lines of dialogue on a piece of paper. This film is a classic example of quite honestly, perfect casting.

One of the revelations from the TCM fest panel with James L. Brooks and Albert Brooks (no relation, guys, I swear) was that Holly Hunter was cast at the last minute and another unnamed actress almost got the part. Hunter was a virtual unknown at the time. She had just filmed Raising Arizona, a film which was only released a few months before Broadcast News. Hunter is the true anchor of the film, a confusing choice of words because she plays the executive producer of the news show in the film.

As a young woman, I find her portrayal of Jane to be so relatable. She’s so human and so complicated and filled with contradictions and you could never watch her and feel disconnected to her struggles.

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#RealTalk…I cry at least once a day.

Albert Brooks is so completely underrated. In the Q&A between Albert Brooks and James L. Brooks which was helmed by Ben Mankiewicz, Albert said he felt that Jane was never going to ultimately get with Aaron. Watching the film again, which was after the Q&A, I was like outrageously angry at Jane. If you were Jane, WHY WOULDN’T YOU GET WITH AARON? I mean, he’s intelligent, he’s funny, he’s self deprecating. He’s cute and a good person. I mean, come on, really though! I think this really goes to the heart of two arguments for me: one is attraction is about MORE than looks. The other is that I’m tired of movies never letting the actual good guy, the “underdog” get the girl. I mean, this is another Pretty in Pink scenario, guys. She belonged with Duckie, not that rich asshole.

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I flinch every time I watch this scene…

Whew, thanks for letting me get out, y’all. Back to Albert Brooks being awesome. He, separate from his character, is smart and literally hilarious. If you need some proof, just watch this clip from The Tonight Show back in the 70’s.

Now, I know what you’re thinking – I just wrote a literal lovefest about Albert Brooks. How am I possibly going to sing William Hurt’s praises too? Well, you’re about to find out. I do understand Jane’s attraction to Hurt’s Tom Grunick. Grunick is charming and obviously adorable. And, the thing is, Hurt is extremely intelligent so his portrayal of a dunce is actually quite funny. He’s also a fantastic actor who was already an Academy Award winner at the time they filmed Broadcast News.

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He’s a little freaked out…but his hair looks amazing!

The supporting players are also fantastic – Robert Prosky, a wonderful character actor plays the head of the news division. Jack Nicholson plays Bill Rorish, the top news anchor with an ego, quite a stretch for Nicholson! Cough, cough.

The real supporting MVP of the film though is one Joan Cusack. I’ve heard people refer to her as John Cusack’s sister which, is, of course, true but also infuriating. Do you think people refer to John Cusack as Joan Cusack’s brother? I think not! Okay, now I’m getting off topic. The upshot of it is she is a star in her own right and she is fantastic in this film. For real though, she delivers my favorite line in the film which she says to Holly Hunter’s Jane in tears: “Except for socially, you’re my role model.” Laugh-cry are the only words that can describe that moment.

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JOAN CUSACK IS EVERYTHING. 

The Script

Beyond the cast, the other essential piece of this film is the script. It is so wildly funny while also being relatable, relevant and moving. James L. Brooks wrote this as a romantic comedy which kind of cracks me up considering how the film ends.

Still, what movie being made today covers the same ground as Broadcast News? It’s essentially about people, but it’s also about the current (at the time obvi) state of television news, the ethics in telling a story, the moral obligation to be truthful. In this way, it’s an obvious precursor to Sorkin’s The Newsroom. His characters, too, are very preoccupied with the ethics of being a news reporter.

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Hmmm…I don’t know about that. #Rationalization

I especially liked the focus on the three main characters since they were all so different, but still human and likable.

Tom is the handsome idiot, except he isn’t. Tom has a skill set that both Aaron and Jane are missing. He knows how to present information in a trustworthy, confident way.

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Even his hair is trustworthy…lol

Jane is a career girl and I think the real reason she struggles socially is not because she’s incapable, but because she believes the only way to excel in her career is to block out everything else.

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Lesson learned: DO NOT MESS WITH HOLLY HUNTER

Aaron, on the other hand, is intensely smart but also neurotic, which is what ultimately is blocking him. He can’t stop thinking for a minute…which of course, I don’t relate to at all.

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The FUNNIEST scene in the movie, but it’s also a bit hard to watch. 

The Romance

As you all know from reading my movie musings, I’m a fan of the romance. Whether the romance is a fan of me is another story…lol. But, seriously, the romance in this film is wonderful because like some of my other all time favorites, this film covers mature romantic struggles.

With Aaron and Jane, we are presented with one of the most used stereotypes from romcoms: the best friend who’s in love with the main character. I think they both want to love each other in that way, but the timing gets in the way. Jane’s not ready to let someone in while Aaron is more than ready.

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That flinch THO. #RealityBites

 

And then Tom enters their lives and catches Jane’s attention. He’s attractive and confident and interested…and they do actually feel real things for each other. But, again, Jane lets her walls get in the way, because, timing-wise, she’s just not ready.

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He’s so TALL.

I think this is something not generally discussed in romantic films, the idea of not being ready for someone when they come into your life. There’s a reality there, so much so that when you see these three characters meet each other again at the end of the film, it doesn’t feel forced.

Because it’s still relevant, absolutely hilarious, and filled with brilliant dialogue and fantastic performances!

If you’ve never seen Broadcast News, you need to watch ASAP. If you have seen it, I guarantee it warrants another look, if only to realize just how much you relate to Holly Hunter’s character…or maybe that’s just me. I don’t think so…lol.

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Vintage trailer below:

Gifs property of Twentieth Century Fox.

Why I Now Appreciate Mike Nichol’s “Working Girl”

Now, this is not a joke. I grew up making fun of Mike Nichol’s 1988 film, Working Girl. As I’ve mentioned before in this blog, my mom and I don’t always see eye to eye, movie taste-wise. And as a kid, I saw this film over and over and over again. My brothers and dad routinely poked fun at the film, much to my mom’s chagrin.

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I didn’t understand why my mom would keep coming back to it. She knew what was going to happen. She knew where the bony ass line was…even though she could never correctly quote it. When I was in my last semester of college, I came across the film while searching for something to watch – procrastination at its finest. I almost went past it, but, looking for something I could watch while pretending to study, I thought Working Girl would be just innocuous enough to work.

I. WAS. WRONG. I got absolutely no studying done that day – not even pretend studying. I was too busy watching Working Girl, really watching it for the first time and I found myself relating to it….A LOT. That semester, I had been interning at a company and essentially been an assistant to the assistants working there. I know it’s not the only reason I saw the film in a new light, but it certainly helped. I was Melanie Griffith’s character Tess McGill, ultra driven and a little bit naive. I don’t think I’d ever have the gumption to go where she goes in the film, but I could certainly see why she made the choices she made.

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For those who don’t know the film, Working Girl follows Tess McGill (Melanie Griffith), a driven secretary who thinks she’s found the perfect position. Her boss is a woman, Katherine Parker (Sigourney Weaver) who says she wants Tess’s ideas and that she wants to help her get where she wants to go. However, when Katherine breaks her leg in a skiing accident, Tess finds out that Katherine intends to purport one of Tess’s ideas as her own. As such, Tess takes matters into her own hands, pretending to have her boss’s job. She meets Jack Trainer (Harrison Ford) who helps her start to make the deal and also maybe falls in love with her…

The film is interesting in the lens of the current discussion of feminism in this country, of the wage gap and truly equal rights for women. Tess McGill’s predicament is still relevant today, sadly. The film is really about her empowerment and her realization that if you want something, you sometimes have to take it without being asked. She has to work to be taken seriously and her boyfriend at the beginning of the film, played by Alec Baldwin, doesn’t seem to understand that.

There are many reasons I love this film as just pure entertainment. The performances are wonderful. Whoever got Harrison Ford involved, kudos to you! He is truly at his swoon worthiest – equal parts tough and lovably vulnerable. If you need evidence…

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I was never Melanie Griffith’s biggest fan, but I’ve since come around to her in this film. As Tess McGill, she is all of us.

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Sigourney Weaver should really get an award for being such a lovable bitch in this film. She makes you laugh and pisses you off at the same time. Quite a feat.

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And not many people mention her, but Joan Cusack is also fabulous. She plays Tess’s friend and though she wears WAY TOO MUCH makeup, she’s still the Joan we all know and love!

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Side note – Kevin Spacey is in one scene as a coke addled wall street guy trying to take advantage of Tess. Let’s just say he makes the most of it.

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Additionally, I love the music of this film. I used to be turned off by how 80’s it all was, but now I can’t help feeling elated, listening to “Let the River Run” by Carly Simon. I don’t want to give away the end of the film if you’ve never seen it, but let me just say, you’ll feel good. Check out Carly’s music video for the film:

If you’ve never seen this film or you’ve just discounted it as I did for many years, I’d consider giving it another chance. I think this film does require some experience and maturity to fully appreciate. It’s become a favorite of mine and now, years later, I can apologize to my mom and finally say, I understand why you watched it to death. And now, we can watch it together.

The only criticism I might make of the film is that they made Jack Trainor way too perfect. He set unrealistic standards for all men everywhere. Not that I didn’t love it…

Vintage trailer below: