Judy Holliday and ‘Born Yesterday’ aka the movie that made glasses sexy!

Every year, when I tell people I’m paying 600+ dollars for a four-day classic film festival, I’m met with wide eyes and general confusion. The reason I do it, besides the fact that it’s a good father-daughter bonding activity, is to remind myself why movies are important and less pretentiously, to experience that indescribable feeling when you discover something incredible for the first time.

That was my experience watching Born Yesterday for the first time. If you’re unfamiliar, Born Yesterday follows Billie Dawn (Judy Holliday), the seven-years engaged, uncouth girlfriend of Harry Brock (Broderick Crawford), a Trump-like tycoon. They move to Washington for Harry to follow some political ambitions. There’s only one problem: Billie. In a turn taken out of Pygmalion, Harry hires Billie a tutor, one Paul Verrall (William Holden) and as with all my reviews, chaos ensues and a lot of laughter.

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LOVE THIS MOMENT

Here are a few reasons Born Yesterday needs to be added to your watch list NOW:

The Writing 

Sometimes, I get myself in trouble by saying that the writing in old movies is better than the writing for movies today. And while I concede that there are a lot of great writers working in film today, one thing the old films had was time. They would take the time to really rehearse something and make sure it was right before even turning the cameras on.

Now, in the case of Born Yesterday, it was a broadway play before it was made into a film so the original script by Garson Kanin was well-tested, a lost art IMHO. The dialogue is sharp and witty and the timing is always on point.

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Paul Verrall for President!

The Cast

Is there a better cast out there? It’d be hard to find one, especially with actors like Judy Holliday and William Holden. Judy Holliday was a great discovery for me and after watching her in this film, I feel confident in saying there was no else like her. She was so unique and hilarious and this movie IS her.

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Me late at night listening to pop songs

William Holden was never someone I thought much about. I associated him mostly with Billy Wilder’s Sunset Boulevard. In this film, he is well-spoken and nerdy and beautiful and a great contrast to Holliday’s character.

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Making glasses sexy since 1950 🤓

But, as with most old movies, it’s not just the leads that carry the film. Born Yesterday was blessed with wonderful characters including Broderick Crawford and Howard St. John. 

The Romanceeeeeeeee

Are you detecting a theme on this blog? Why, yes, I am a fan of the romance. I believe I’ve said that before. Before the wonderful Aaron Sorkin came in and made politics sexy again (i.e. The American President and The West Wing), movies like Mr. Smith Goes to Washington and Born Yesterday held that mantle.

Very much in turn with a 90s romcom, Paul Verrall tries to make Billie Dawn over again, teaching her about the world and how it works, the simple pleasure in a well constructed sentence and what’s really important.

It’s a bevy of swoon-inducing memes. Want proof? Okayyyyyy.

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The Message

This film’s message is just as timely today as it was in 1950. We all have the power to be whoever we want to be, no matter our station in life or what we’ve been told we can achieve. Billie Dawn thinks her lot in life is set and through her “study sessions” with Paul, learns that her wants, needs and desires are important. Empowered Billie Dawn in 1950 must have been quite a sight for audiences. A complicated, beautiful, funny, curious heroine…what a concept!

Additionally, I love the idea that knowledge is power. None of us come into the world knowing everything. Not even the smartest people in the world know everything. In my opinion, the smartest people know that and are always interested in learning more about the world around them. 💖

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My favorite line in the movie

Judy’s Only Oscar Win

Judy won her only Oscar for her performance in this film and it’s more than well-deserved. She went on to be blacklisted and a few years after that, she died at the age of 43 from breast cancer.

It’s an awe-inspiring classic film that should be required viewing for everyone!

If you’re still looking for reasons to watch this movie, let me put it to you like this. We give our time to so many useless things. Spend two hours watching something that will (a) make you laugh (b) make you swoon and (c) make you think.

If you do not enjoy using your brain, you can skip it! 😉

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Reading is SEXY 📚

 

Vintage trailer below:

Gifs property of Columbia Pictures.

 

 

 

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The Relevance of Judy Holliday and ‘It Should Happen to You’

It’s fortuitous that just last week I was introduced to this 1954 film. Many people turned to A Face in the Crowd, the 1957 drama starring Andy Griffith in the face of Trump’s inauguration. The film I want to discuss today was made a few years earlier and is considerably less dark, but deals with similar subject matter. It questions what fame is and why society values it, all while Judy Holliday cracks us up.

It Should Happen to You follows Gladys Glover (Judy Holliday), a young woman who’s close to broke and living in the big apple. On a walk, she meets a young photographer, Pete Sheppard (Jack Lemmon) and they start a’courtin’. Later, on her walk, she notices an empty billboard and decides to take what little funds she has to rent it. What, you may ask, does she advertise? Herself, of course! Enter a mega advertising firm and Evan Adams III (Peter Lawford), who will do anything to get the billboard away from her, including leasing several other billboards to Gladys. Pretty soon, Gladys’s name is everywhere and people think, Well, she must be someone if she has her name on a billboard. Her fame soon rises and she secures endorsementsall while Pete just wants to marry her. But, of course, Gladys is oblivious. Obvi, drama ensues because OF COURSE IT DOES.

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THAT LAWFORD THO.

Here are just a few reasons why It Should Happen to You is still relevant:

IMHO, the Casting!

For real, guys. Casting counts for so much, but especially in this film. I’d seen a few of Judy Holliday’s other films, like Born Yesterday and Bells are Ringing!, but I don’t think I really appreciated her until I saw her in this. While she can easily be discounted as a ditzy blonde in the vain of Marilyn Monroe, Holliday was really special. For one, she looked like a real person, which especially in this day and age, I appreciate. Our present movie stars all look like models and as such, there’s sometimes a difficulty in really relating to them.

She had real talent too, in singing and dancing. She was, after all, a broadway star. In this film though, I felt like she really had a chance to shine as an actress. The film is first and foremost a comedy, but she switches from comedy to drama easily, and makes the heavier moments lighter with her ditzy, hilarious charm.

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I wish people still wore hats. I think I have FOMO about the 50’s…

Jack Lemmon was just 29 in this film and it marked his film debut. And let me just say, he was dreamy even then…maybe I should say, especially then! His Lemmon schtick wasn’t completely set in stone yet. You can tell he’s still figuring it out…but he is so appealing, so effortlessly funny, you can’t but fall in love with him. It would be six years till he starred in one of my favorite films of all time, The Apartment.

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I love that eyebrow lift! ❤ ❤ ❤

Although Holliday had just given birth to her son a few months before shooting the film, it’s well known that she and Peter Lawford had an affair on the film. Their love scenes certainly do have a certain chemistry, but I have to say, I’ll aways be team Lemmon!

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Easy on the eyes though, no?

The Script Tho…

Garson Kanin penned the script and looking at his filmography, it almost looks like he was Miss Holliday’s personal screenwriter. He also wrote the screenplay for The Marrying Kind and Born Yesterday. He was also big in the Tracy-Hepburn films. Suffice it to say, he knew how to write a great screwball comedy.

The subject matter for this story wasn’t based on anything or anyone specific, but focuses on something even more relevant today than it was then: celebrity. We all grow up, putting people who are in the public eye on a pedestal. They’re famous, so they must be special, right? That’s what Gladys thinks too. Her yearning for fame has less to do with what fame actually is and more with a longing to be special, to belong. She learns in her journey that fame isn’t all it’s cracked up to be.

In the TCM article for the film, Jeff Stafford, quotes the director of this film, George Cukor as saying:

“The idea of becoming a great celebrity without being able to do anything is a very important notion,” Cukor stated in an interview with author Gavin Lambert. “Publicity can really do it, too. Today it makes Presidents. It’s really the name of the game.”

It’s difficult to read that statement and realize that that has never been more true. Jack Lemmon’s character routinely tells Gladys that fame is nothing if the real person behind it stands for nothing. I’ll just let that sit with you for a moment. *Cough* Trump *Cough*

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We’ve all had that dream…though hopefully we’ve grown out of it.

The Director

I mean, George Cukor is just a legend. He directed too many classics to name, but my favorites are My Fair Lady, Gone with the Wind (where he was one of many directors) and The Philadelphia Story. He knew a thing or two about romance and comedy…

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Case in point: THIS SCENE.

The gowns ❤ ❤ ❤

Jean Louis was a PROLIFIC costume designer and his gowns in this film are the epitome of 1950’s style! Incidentally, costume design was the only category the film received an Oscar nomination for.

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I NEED this outfit. 

The SNAP of the Dialogue

As a writer, I obvi appreciate wit and this one delivers the wit tenfold. Judy Holliday delivers them zingers well!

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GOLD. 

It’s hilarious, romantic, and most importantly, thought provoking!

Celebrity is a huge currency in our society, especially now that the internet has given rise to social media influencers. Last week, the U.S. inaugurated a president who’s famous because of his money. He hasn’t done anything worthy of our recognition. He’s rude and uncouth. His qualifications to be president are zilch.

In a way, we as a society, gave ourselves Trump because we view celebrities as special and worthy of our attention. We give celebrity status to people who shouldn’t have it. This film may not be profound, but it’s a nice reminder that fame for the sake of fame, to quote Jack Lemmon’s character, Pete, means nothing.

Vintage trailer below:

Gifs and photos property of Columbia Pictures/Sony.