‘Finishing School’: A Female Narrative in 1934

Whenever I talk about classic movies, I tend to hear from women that they’re not interested because there are no female-told, female-driven stories. And it’s true, that after sound came in, women were no longer prominent behind the camera. Female writers and directors were scarce. Only a small handful were really successful and even then, many of them were remain uncredited on films they wrote or directed.

Finishing School, made in 1934, is astoundingly a female-driven, female-written, and female co-directed studio film. There are only two prominent male parts and they’re supporting roles!

The pre-code film follows Virginia (Frances Dee), a teenager untainted by all the bad things teenagers get involved with, starts at a finishing school for girls called Crocket Hall. There, she meets Pony (Ginger Rogers) and quickly begins to do all the bad-girl things, drinking, smoking, lying, and *gasp* having premarital sex. On a girl’s outing to New York city, Virginia meets Mac (Bruce Cabot), a hospital intern who moonlights at a hotel to make ends meet. But, of course, her wealthy parents couldn’t possibly approve and the school, which pretends to be helping young women is more like a prison, keeping the girls they deem insubordinate hostage.

Here are just a few reasons why you need to add Finishing School to your watchlist!

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I love the lettering – I know that’s beside the point

You get to see an early, pre-partnership with Fred Astaire, Ginger Rogers

Ginger was just 23 in Finishing School and hadn’t quite perfected what would become her signature schtick. But the sass we all love and expect from Ginger was there and it’s fascinating to see her when she was that young and green.

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Her pal! Can you believe Ginger wasn’t the star??

Frances Dee Shines as Virginia!

Frances Dee may not be a familiar name to you. It certainly wasn’t to me before this film. She was extremely popular during the early 1930’s, but now she’s best known for having been Joel McCrea’s wife. She was also 23 at the time she made this and is very appealing. It’s fun to watch her journey from sweet and sheltered to tough and assertive.

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I love that she’s called “the girl.” LOL.

Billie Burke and John Halliday are cliche, but hilarious as Virginia’s uber wealthy parents.

Finishing School’s tropes are by no means new and many modern moviegoers will watch this film and recognize the cliches, especially when it comes to Bille Burke and John Halliday. Burke played the absentee rich mother who disapproves in Virginia’s choice of beau – he’s just a lowly waiter/doctor-in-training.

Meanwhile, Halliday plays the sympathetic father who actually listens to his daughter and maybe thinks his wife is crazy and kind of annoying.

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SNOBBISH, BUT STYLISH
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LOOK AT THOSE SYMPATHETIC FATHER EYES. AND THE MUSTACHE, OF COURSE

And, of course, Virginia’s confident beau, Mac, played by Bruce Cabot. Best known for his role in the original King Kong, Cabot is all but forgotten at this point. He has great charisma in this film and it makes you wonder why he didn’t became a popular romantic lead.

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Love the bow tie. Why his hair is slicked back though eludes me.

Finishing School was condemned by the Catholic Legion of Decency

The fact that this film was set for release in May 1934 is important as the code was not actually enforced until June 1934. Thus, this film with its condemnation of the rich, its depiction of drinking and smoking (aka un-ladylike behavior), and it’s thinly veiled almost abortion would not have passed the censors if it had been released one month later.

The pre-code films are always interesting for this reason. They got away with a lot more and it’s sort of seemed like a tiny form of rebellion. Film was still (and still is) a young medium and the rules were still being written. It’s kind of comforting to know that these issues that still plague our society today, people cared about then. It’s just that after June 1934, they were no longer allowed to make a film about it.

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Pony telling Virginia how to deal with boys.

It’s a female-driven, female-written and female-directed miracle

Okay, perhaps I’m being bombastic but I think, that in 1934 it’s pretty incredible that a woman wrote and directed a film ABOUT WOMEN. What a concept. The sadness is this is Wanda Tuchock’s only directing credit apart from a TV credit in the 50s. She contributed to many films over the years including Little Women, Frances Marion’s The Champ, and Little Orphan Annie.

Although Tuchock continued to write after the pre-code era, it’s clear that her opportunities diminished after that as they did for many women behind the camera. Finishing School is by no means a perfect film, but in an industry currently going through a feminist revolution, it’s important to remember the all-but-forgotten women who paved the way.

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Wanda Tuchock, Circa 1930s
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The wit!

The film is available through the WB archive collection.

Gifs and photos property of Warner Bros.

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‘Say Anything’ will make you smile no matter what your relationship status

Okay, so Valentine’s Day is upon us and even though I’m a happily single gal, I’ll take any excuse to talk about my favorite romances. And Say Anything is one of my all-time favorites! I love showing this film to anyone who hasn’t seen it, because, *spoiler alert*, it’s impossible not to love.

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SETTING UNREALISTIC EXPECTATIONS SINCE 1989

If you’re unfamiliar, Say Anything, written and directed by Cameron Crowe, follows Lloyd Dobler (John Cusack), a high school graduate atypically comfortable with the uncertainty of his own future. He doesn’t know what he wants to be necessarily and he’s okay with that. On the other hand, valedictorian Diane Court (Ione Skye) thinks she knows exactly what she wants. Everyone tells Lloyd that he could never make it with Diane, but he believes. He asks her out and they fall deeply for each other. Opposites really do attract. But, as with all teen romances, there are complications. DRAAAAMA ENSUES.

Here are a few reasons why you’ll fall deeply in love with Say Anything:

The Cast

I know I always say this, but the cast in this film is incredible. John Cusack had spent the 80’s playing teenagers, so it’s no surprise that by the time this film came along, Cusack wasn’t exactly ecstatic. However, once he read Crowe’s script, he was in…and what a difference his presence makes. He IS Lloyd Dobler. His charm carries the film.

“He [Lloyd Dobler] isn’t a tunnel-versioned urban teen preoccupied with sex, school, and his job. I realized I would never be 20 again so I might as well cap off that phase of my career on a positive note. I’m glad I took the part.” – John Cusack

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And he can sort of play the guitar…<3

Ione Skye is equally important, but unlike Cusack, she was fairly new to acting at the time. This may be a weird thing to point out, but I appreciated that Skye was not perfect. She was obviously gorgeous, but she had a kind of lisp and I don’t know, she just seemed like a real person. She was genuine and natural and you could understand why Lloyd liked her.

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Girl, I FEEL YOU.

Lili Taylor is also fantastic as Lloyd’s friend, Corey. You might know her from Six Feet Under or American Crime or something else entirely. She’s a big character actress. But, to me, she will always be this character. Her saga with Joe is relatable AF.

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YAS QUEEN.

Paul Mahoney cannot be undervalued either. Another great character actor, his portrayal of James Court, Diane’s father, is layered. In a lot of ways, he’s a bad guy. But, you can’t quite hate him. He loves Diane and in his mind, all the immoral things he’s done, have been for her.

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Just trying to be a good dad…

Bonus: Joan Cusack is wonderful AS ALWAYS. She plays the sister to Lloyd, quite a stretch for her. Ha.

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Her hair is so 80’s.

The Script

Cameron Crowe had written the script for another teen movie eight years earlier: Fast Times at Ridgemont High which Clueless‘ Amy Heckerling directed. Though both scripts are well written, tonally they are very different. Strangely, I feel sort of disconnected from that film. I didn’t see myself in it. Say Anything felt more true to my high school experiences. The characters weren’t stereotypes. They were people.

Diane is ambitious and kind. She thinks the world of her father and ultimately, finds that he doesn’t live up to that. We all get to that point, some earlier than others, where we’re forced to see our parents as people. Her father is far from perfect, but he does love her and that’s worth something.

Lloyd is happy within himself. Once he falls in love with Diane, he finds his post-high school purpose. As a society, we tend to judge people who get into serious relationships too early. We say, they’re too young to know what they really want. And perhaps that’s true. Maybe Diane and Lloyd’s love affair doesn’t last, but this is a movie and I want a happy ending, damnit!

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So sweet!

Crowe based the film on his own heartbreak and it shows. The romance as well as its complications feels genuine. Diane and Lloyd fall hard for one another and it’s sweet and awkward and heartbreaking.

Also, the pen thing. Epic.”I gave her my heart and she gave me a pen.”

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I mean, EPIC, amiright?

The Direction

Believe it or not, Lawrence Kasdan was originally going to direct the film. Prolific producer James L. Brooks had met Crowe when he was researching Broadcast News and hired him to write a script about a girl who finds out her father is a criminal. Once the script was complete, Kasdan told Crowe, “You are that main character. You should direct it” (Interview, Cameron Crowe).

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This relationship always makes me smile.

This was Crowe’s directorial debut and he’s been very candid about the fact that he was learning on the job. I think the first film a director makes is always fascinating because it’s the most pure. They’re really trying, they’re excited. They don’t know what the “right” way to do something is. This was certainly true with Reality Bites and Ben Stiller as well as with Time after Time and Nicholas Meyer.

The Music

Crowe started as music reporter for Rolling Stone, so I think it’s safe to say, the music he chose was important. Beyond the seminal boom box scene which blasted Peter Gabriel’s “In Your Eyes”, the soundtrack for the film also had hits by Depeche Mode, Cheap Trick and Nancy Wilson. The 80’s, man. You’ve gotta love it.

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Honestly, aren’t we all?

The Romance

Again, just, YES. The romance is everything. I have a running joke. I’ve never been on a plane and I keep telling my friends, I’m just waiting for my Lloyd Dobler. When they actually understand the reference (which happens maybe 50 percent of the time), I make them laugh.

But, back to the romance. Just look at these gifs and feel ALL THE FEELS.

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The first time you talk to your crush…the awkwardness!
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PICTURE FUCKING PERFECTION.
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This is her “I’m so messed up” look
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I always watched this scene and was like, “Maybe he should shower first.” Just a thought!
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You just described every great success story. ❤ ❤ ❤

It’s a seminal, heartfelt, old-school, yet modern romance!

Seminal is the key word. If you haven’t seen it, you need to ASAP. Your life will just be better for it. Plus, if you’re single on Valentine’s Day, IMHO, this is a good way to spend your time because it gives us all hope that there is a Lloyd Dobler out there for each and every one of us, or a Diane Court!

Plus, the Peter Gabriel song is just really good.

Vintage trailer below:

Photos and Gifs property of 20th Century Fox Films.

 

 

You should watch ‘Harold and Maude’: an unconventional romance

Every time I try to explain the concept of Harold and Maude to people, I’m met with skepticism and sometimes, a bit of revulsion. To be fair, it’s not a film which sounds like it should work. When it was originally released in the 70’s, Variety said of the film, “[it] has all the fun and gaiety of a burning orphanage.”

I know, with Valentine’s Day and all that this month, people will be turning to romance. Well, couples will be turning to romance. Single people will be eating a family-size pack of Doritos and wondering where it all went wrong, which is why I think, no matter what your relationship status, Harold and Maude will lift your spirits.

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She kinda looks like little red riding hood.

If you’re unfamiliar, Harold and Maude, made in 1971, follows a young rich teenage boy, Harold (Bud Cort). Though he’s wealthy, he has nothing in common with the Gossip Girl crowd. He’s obsessed with death and has great fun creating upsetting suicide scenes for his mother (Vivian Pickles) to find, though she is unimpressed most of the time. Harold also has another pastime: attending funerals. There, he meets Maude, (Ruth Gordon), a kooky, young at heart seventy-nine year old. Harold is set up on a series of dates by his mother, but he’s disinterested in all of them. Harold’s friendship with Maude grows into love, much to the dismay of literally everyone around them. Drama/BIG LAUGHS ensue obvi…

Here are just a few reasons Harold and Maude should be required viewing this Valentine’s Day:

The Cast

This movie is almost half about the casting. If it had the wrong people in it, the film just wouldn’t work. The part of Harold was written for another young actor/musician, John Rubinstein, a character actor who still guests on shows like Grey’s Anatomy and This is Us. However, Hal Ashby, the film’s director liked Bud Cort, who had recently had a bit part in Robert Altman’s war comedy, M*A*S*H. He was 23 at the time he made Harold and Maude and was already a fantastic actor. His facial expressions ARE EVERYTHING.

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Subtle. Also, am I the only one who thinks he is WAY TOO PALE?

Ruth Gordon was a bit younger than her character was supposed to be, in her mid-60’s during the shoot. She had, just a few years earlier, won an Academy Award for her role in Roman Polanski’s Rosemary’s Baby. She gives life to Maude and makes you understand why Harold is charmed by her. Gordon was a writer early in her career. She actually co-wrote one of Judy Holliday‘s comedies: The Marrying Kind. Her performance as Maude is equal parts hilarious and heartbreaking.

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Maude created #YOLO

Vivien Pickles is also fantastic as Harold’s mother. To me, her shining scene is when she’s filling out Harold’s dating profile.

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Good parenting.

Charles Tyner also has a good turn as Harold’s army uncle, who’s missing an arm. You might recognize Tyner from Cool Hand Luke where he played the sadistic prison guard.

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LOL the Nixon photo…

The Script

Colin Higgins had originally developed the project for his UCLA thesis film. However, after showing the script to his landlady, Mildred Lewis, who was the wife of a Hollywood producer, they formed a production company and began to shop it around to different studios. The script is obviously most often categorized as a dark comedy, which, of course, it is. But, it’s also a drama and a romance and it’s surprising how effective the dramatic moments end up being.

For the time, the way this story is told was so completely original. Since then, I feel like other writers have tried to replicate Higgins style and wit to the point where a current filmgoer might see the film and call it cliched. Higgins was first. The ending will break your heart and uplift you simultaneously.

Higgins went on to direct 9 to 5 and Foul Play and unfortunately died of AIDS in 1988.

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#RealTalk

The Direction

Paramount exec Peter Bart had faith in the story and in Colin, although he didn’t believe Higgins was ready to direct. Bart had seen The Landlord and appreciated the way its director had made the sensitive material funny with satire. Thus, Hal Ashby was brought on to direct Harold and Maude with Higgins blessing. It’s difficult to separate how much was Ashby and how much was Higgins. However, Ashby brought a distinct style to the film. He went on to direct Shampoo, The Last Detail, and Being There.

“In shooting Harold and Maude, Ruth Gordon recalled in her autobiography, Ashby ‘followed the Gertrude Stein theory: chronology has nothing to do with anything. We shot where and when and what Hal said to. Hal is his own man. Do you care about sequence? Not me. We don’t think in sequence, we rarely talk in sequence, we don’t rehearse a play in sequence, so why shoot a script that way?'” – Ruth Gordon, (TCM Article).

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❤ ❤ ❤

The Music

Elton John was originally supposed to provide a score for the film. However, after dropping out, he suggested Cat Stevens. Cat Stevens’ music provides an atmosphere and a perspective from which to see the story from.

Give a listen:

Harold’s Deaths

Basically, they’re hilarious and horrible and these gifs say it all:

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SO MUCH BLOOD.
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Quite normal…or at least, Harold’s mother thinks it is.
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This is when Harold’s mother is filling out his dating profile.
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Dating can be dangerous…lol

The Romance

Some people can’t watch this film without being grossed out. The idea of a teenage boy and an elderly woman falling in love is societally inappropriate. What I think is most fascinating is that their love affair, although consummated offscreen, is more an emotional love affair than a sexual one. Similarly to my favorite film, Brief Encounter, the romance in Harold and Maude is about their souls, about a connection that is more than just sexual attraction.

Harold doesn’t connect with any girls his age. He finds something in Maude; she understands him and she pushes him to live his life. There’s something truly beautiful about that. To those who are still grossed out, well, all I can say, is, at least the film challenged you, made you look at life from a different point of view. I say love is love. Also, there are plenty of May-December romances with an older man and a younger woman and it seems to be more accepted.

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It’s an existential, hilarious, completely unconventional rom-com.

After the film was panned and subsequently, flopped, something amazing happened. College students fell in love with the film. Colin Higgins had a theory on why they related to it when the older generation did not: “We’re all Harold, and we all want to be Maude. We’re all repressed and trying to be free, to be ourselves, to be vitally interested in living, to be everything we want” (Higgins, TCM Article).

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This SONG and MOMENT are EVERYTHING.

Vintage trailer is below:

Gifs and photos property of Paramount Pictures.

Why ‘Somewhere in Time’ is a severely underrated period romance

It’s difficult for me to remember exactly when I first saw Somewhere in Time. Funnily enough, it was made the year after another time travel favorite of mine, Nicholas Meyer’s Time After Time. However, this one is very different. It’s an old school romance with an intriguing premise that you can’t help but get swept up in (or, at least, I can’t!).

If you’re unfamiliar, Somewhere in Time follows Richard Collier (Christopher Reeve), a playwright suffering from writer’s block. He decides to get out of town for a bit, visiting his old college town and staying at a historic hotel. He sees a photo of an actress, Elise McKenna (Jane Seymour) in the hotel’s hall of history and falls in love with the girl. Only one problem: she’s dead. His obsession turns dramatic. He talks to an old professor, asking if it’s possible to travel through time. He essentially tricks his mind into believing he is back in 1912 (Don’t think too hard about the time travel logistics. It makes no sense obvi). Once back in time, he begins his steamy affair with Elise, much to the dismay of her manager, William Fawcett Robinson (Christopher Plummer). Will it be Robinson who tears them apart or time?? You have to watch the movie to find out!

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I’m OBSESSED with the early 20th century fashion. I WANT A FAN!

Here are just a few reasons Somewhere in Time is SEVERELY underrated:

The Cast

Christopher Reeve was HOT (both physically and in the industry), having already starred in his most popular role of Superman! He turned down several movies around this time, looking for something specific. There’s something about his sincerity that makes this character and this film work. Is it the plot convoluted and nuts? Um, yes. But, for some reason, you look into Mr. Reeve’s eyes and you’re like, Okay, sure. He’s sweet and romantic and very swoon worthy!

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He’s a bit self-assured. I think the message is, time traveling gives you confidence…

Jane Seymour was in her late twenties at the time she made this and was (and still is) absolutely drop dead gorgeous! Seriously, though, she belongs on the cover of romance novels which is probably one reason why she got the part. Additionally, she has the acting chops to back it up – she is tough, but also naive and vulnerable and you fall in love with her (just as Richard does) instantly!

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In the early 20th century, taking your down = SEDUCTION. 

Christopher Plummer is also wonderful as Elise’s manager. He was, of course, known at the time for his role as Baron von Trapp in The Sound of Music. He’s deliciously wicked as the Mr. Robinson, but you sense that there’s more to him than that, a compliment to his nuanced performance!

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What is he really thinking? 

The Score, the score, the SCOREEE!

I’m sorry, did I say the score one too many times? Well, if you had heard even one minute of John Barry’s score, I think you’d probably be screaming too. It’s difficult for me to parcel out how much of my love for this film is related to the score. I believe it elevates every aspect of the film. Apparently, or at least according to the TCM article, Jane Seymour was the one responsible for getting John Barry on board. I can’t imagine this film without this music. They belong to one another. Seriously, just give it a listen:

The Story/Script

Alright, so I know it’s far fetched. And yes, I know it’s cheesy, but for some reason, it really does work. Trust me. Writer Richard Matheson, who wrote both the novel and the screenplay got the idea when he came across photos of a young actress from the early 20th century, Maude Adams. Her biggest claim to fame: she was the first actress to play Peter Pan.

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Quite beautiful, no?

What I love about Matheson’s time travel concept is that it’s all about the mind. It’s a form of hypnosis, not a machine. As a kid, I remember REALLY buying into it. I was like, Sure, you can time travel just by shoving everything modern into a closet and dressing in old timey clothes!

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As a child, this scene both scared me to death and intrigued me beyond belief.

The romance is that Romeo and Juliet, love-at-first-sight type of deal. But, again, somehow, through the performances, you buy it and you root for them!

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A BIT dramatic…but I LOVE IT! ❤ ❤ ❤

The Gorgeous Early 20th Century Costumes

For real, I think I am one of those girls seduced by costume dramas and the thing is, the costumes in this are so pretty, you can’t NOT be obsessed with them!

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So refined and gorgeous. THAT HAT THOUGH!

The beautiful cinematography!

There are many ways to illustrate that the time period has changed. What cinematographer Isidore Mankovsky did was use a sepia-toned filter for all the the 1912 scenes. Mind you, modern audiences apparently didn’t take too well to that. But, I think it was a wonderful choice, almost like being in a picture, in a dream!

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GORGEOUS!!

The Major Flaw: THE WATCH

Alright, so full disclosure, this film does have one major flaw. In the beginning of the film, Christopher Reeve is given a watch by old Elise in the 1970’s. He takes it with him back in time, and (spoiler alert!) leaves it there with Elise. So, the big question is, where does the watch start? Like, seriously, where the fuck did this pocketwatch come from? That seems to be one thing we’ll never know!

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This watch is magical I guess?

It’s a sweeping, underrated, moody period romance! 

Despite its convoluted premise, Somewhere in Time is a severely underrated gem. It was actually a flop when it was originally released and then found its cult audience through repeated cable viewings. Now, there’s actually an annual event at the Grand Hotel honoring the film and you can bet that’s on my list of things to do (once I become a millionaire of course! LOL).

Is it utterly ludicrous? Yes. But, I think that’s where its magic comes from. It epitomizes what I believe all storytelling should set out to do: capture the imagination.

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LOL this scene. 

Vintage trailer below:

Photos and gifs property of Universal Pictures.

 

The Relevance of Judy Holliday and ‘It Should Happen to You’

It’s fortuitous that just last week I was introduced to this 1954 film. Many people turned to A Face in the Crowd, the 1957 drama starring Andy Griffith in the face of Trump’s inauguration. The film I want to discuss today was made a few years earlier and is considerably less dark, but deals with similar subject matter. It questions what fame is and why society values it, all while Judy Holliday cracks us up.

It Should Happen to You follows Gladys Glover (Judy Holliday), a young woman who’s close to broke and living in the big apple. On a walk, she meets a young photographer, Pete Sheppard (Jack Lemmon) and they start a’courtin’. Later, on her walk, she notices an empty billboard and decides to take what little funds she has to rent it. What, you may ask, does she advertise? Herself, of course! Enter a mega advertising firm and Evan Adams III (Peter Lawford), who will do anything to get the billboard away from her, including leasing several other billboards to Gladys. Pretty soon, Gladys’s name is everywhere and people think, Well, she must be someone if she has her name on a billboard. Her fame soon rises and she secures endorsementsall while Pete just wants to marry her. But, of course, Gladys is oblivious. Obvi, drama ensues because OF COURSE IT DOES.

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THAT LAWFORD THO.

Here are just a few reasons why It Should Happen to You is still relevant:

IMHO, the Casting!

For real, guys. Casting counts for so much, but especially in this film. I’d seen a few of Judy Holliday’s other films, like Born Yesterday and Bells are Ringing!, but I don’t think I really appreciated her until I saw her in this. While she can easily be discounted as a ditzy blonde in the vain of Marilyn Monroe, Holliday was really special. For one, she looked like a real person, which especially in this day and age, I appreciate. Our present movie stars all look like models and as such, there’s sometimes a difficulty in really relating to them.

She had real talent too, in singing and dancing. She was, after all, a broadway star. In this film though, I felt like she really had a chance to shine as an actress. The film is first and foremost a comedy, but she switches from comedy to drama easily, and makes the heavier moments lighter with her ditzy, hilarious charm.

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I wish people still wore hats. I think I have FOMO about the 50’s…

Jack Lemmon was just 29 in this film and it marked his film debut. And let me just say, he was dreamy even then…maybe I should say, especially then! His Lemmon schtick wasn’t completely set in stone yet. You can tell he’s still figuring it out…but he is so appealing, so effortlessly funny, you can’t but fall in love with him. It would be six years till he starred in one of my favorite films of all time, The Apartment.

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I love that eyebrow lift! ❤ ❤ ❤

Although Holliday had just given birth to her son a few months before shooting the film, it’s well known that she and Peter Lawford had an affair on the film. Their love scenes certainly do have a certain chemistry, but I have to say, I’ll aways be team Lemmon!

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Easy on the eyes though, no?

The Script Tho…

Garson Kanin penned the script and looking at his filmography, it almost looks like he was Miss Holliday’s personal screenwriter. He also wrote the screenplay for The Marrying Kind and Born Yesterday. He was also big in the Tracy-Hepburn films. Suffice it to say, he knew how to write a great screwball comedy.

The subject matter for this story wasn’t based on anything or anyone specific, but focuses on something even more relevant today than it was then: celebrity. We all grow up, putting people who are in the public eye on a pedestal. They’re famous, so they must be special, right? That’s what Gladys thinks too. Her yearning for fame has less to do with what fame actually is and more with a longing to be special, to belong. She learns in her journey that fame isn’t all it’s cracked up to be.

In the TCM article for the film, Jeff Stafford, quotes the director of this film, George Cukor as saying:

“The idea of becoming a great celebrity without being able to do anything is a very important notion,” Cukor stated in an interview with author Gavin Lambert. “Publicity can really do it, too. Today it makes Presidents. It’s really the name of the game.”

It’s difficult to read that statement and realize that that has never been more true. Jack Lemmon’s character routinely tells Gladys that fame is nothing if the real person behind it stands for nothing. I’ll just let that sit with you for a moment. *Cough* Trump *Cough*

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We’ve all had that dream…though hopefully we’ve grown out of it.

The Director

I mean, George Cukor is just a legend. He directed too many classics to name, but my favorites are My Fair Lady, Gone with the Wind (where he was one of many directors) and The Philadelphia Story. He knew a thing or two about romance and comedy…

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Case in point: THIS SCENE.

The gowns ❤ ❤ ❤

Jean Louis was a PROLIFIC costume designer and his gowns in this film are the epitome of 1950’s style! Incidentally, costume design was the only category the film received an Oscar nomination for.

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I NEED this outfit. 

The SNAP of the Dialogue

As a writer, I obvi appreciate wit and this one delivers the wit tenfold. Judy Holliday delivers them zingers well!

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GOLD. 

It’s hilarious, romantic, and most importantly, thought provoking!

Celebrity is a huge currency in our society, especially now that the internet has given rise to social media influencers. Last week, the U.S. inaugurated a president who’s famous because of his money. He hasn’t done anything worthy of our recognition. He’s rude and uncouth. His qualifications to be president are zilch.

In a way, we as a society, gave ourselves Trump because we view celebrities as special and worthy of our attention. We give celebrity status to people who shouldn’t have it. This film may not be profound, but it’s a nice reminder that fame for the sake of fame, to quote Jack Lemmon’s character, Pete, means nothing.

Vintage trailer below:

Gifs and photos property of Columbia Pictures/Sony.

 

Why I Now Appreciate ‘When Harry Met Sally’

When people start to rattle off the great romantic comedies, When Harry Met Sally tends to be mentioned a little too often. Even the title feels overexposed. I remember seeing it as a young teenager, but at the time, it didn’t make much of an impression. I’m sad that it took Carrie Fisher’s untimely death for me to re-examine this film, but I am glad I watched it again.

If you have been living under a rock and have never seen When Harry Met Sally, the film follows Harry Burns (Billy Crystal) and Sally Albright (Meg Ryan), two college graduates who road trip to New York to begin their post-collegiate lives. During the ride, they bond and bicker and ultimately leave each other behind. However, their story isn’t over. They keep randomly running into one another at different stages of their lives. Does this mean their destined to be together? I mean it’s a romantic comedy…so what do you think?

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I agree. Sheldon’s not a very sexy name. 

Here are just a few reasons I now appreciate When Harry Met Sally:

Hello, the Cast!

Billy Crystal is not your standard leading man, at least not by today’s standards. However, fitting with my blog, he does fit the mold of a William Powell or a Humphrey Bogart. He’s not a model. He’s a real person. And he’s HILARIOUS. Seriously, he knocks all the one liners out of the park! Is he believable as a 20 year-old college student at the beginning? Of course not, but who cares about that?

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One of the most AWKWARD gifs you will ever see

Meg Ryan was just twenty-eight when she made this film and although she had made films before this and starred in the long-running soap As the World Turns, the role of Sally Albright was very much her breakout performance, the film that made her into the A-list actress she became. She shines brightly – she’s cute, she’s funny, she’s relatable (except for the fact that she’s drop dead gorgeous)!

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She doesn’t look that sorry…just saying!

And then, of course, there is Carrie Fisher, aka Goddess Divine. Although she only has a supporting role in this film, she leaves an indelible mark. In her early thirties at the time, Fisher’s snappy retorts and natural comic timing are a snapshot of her enormous talent!

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#REALTALK

The Ridiculously Witty, Touching, HILARIOUS Script

This is what I was most surprised with during my re-watch. The film was written by the great, late Nora Ephron. Though the film’s concept was conceived by director Rob Reiner, Ephron’s personality was all over the script. It was composed of Reiner’s relationship history and Ephron’s and actually has a Before Sunrise-type vibe. It’s all talking, or as my mother would say, “talky, talky, shit, shit, shit.”

The film tries to answer the question: Can men and women be friends without sex becoming a factor? I’ve had several conversations with various people on the subject. Younger people, my peers, tend to say that men and women can absolutely be friends while older people have told me the opposite. Is it age? Experience? That, I cannot say. But, the film does a good job of showing the complexity in maintaining a non-romantic relationship with someone you’re attracted to.

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I want to slip this one into normal convos.

The film is also about how opposites attract. I think the conversation is especially relevant in the age of dating apps and the like. We all swipe through with a list of things we want for our potential partner: non smoker, nerdy, not a douchebag, perhaps a certain height or attractiveness level, where they went to school, what their job is…the list goes on. But, in actuality, in getting to know a person, you’re never going to find someone who fits that list one-hundred percent. Sally is type-A, Harry is go with the flow. Harry is a pessimist, Sally is an optimist. It seems that their attraction is built from their ability to argue with each other in a healthy way.

I love that when these characters do eventually see that they should be together, you understand why. My biggest pet peeve in romantic comedies is when the characters are given no reason to like each other beyond, “We’re both extremely attractive people. We should get together!”

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A wig makes you look twenty years younger. It’s been medically proven. 

The Direction

The prolific Rob Reiner directed this romantic gem. If you’re unfamiliar, he’s also behind such classics as Stand By Me, This Is Spinal Tap, and The Princess Bride. Again, the list GOES ON. The idea for this film came from Reiner’s own life. He had just gotten divorced and was trying to jump back into the dating world. Once he met with Ephron, they came up with the “he said, she said” dynamic and the script was born.

First and foremost, When Harry Met Sally is a funny movie. You can’t watch it and not crack up. However, its brilliance comes in the more serious moments where Reiner and Ephron tapped into something real and genuine.

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#HAIRGOALS, amiright?

The Big-O Scene

If you know close to nothing about this film, chances are this is the one thing you’ve heard about. Meg Ryan faking an orgasm in Katz’s deli is hands down the most famous scene in the film. The scene was a true collaboration with Meg suggesting she actually fake it as opposed to just talk about it and with Billy suggesting a customer say directly after, “I’ll have what she’s having.” Both worked and Reiner gave the line to his mother, Estelle Reiner, who was visiting set that day.

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In a real restaurant, wouldn’t she be thrown out? 
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The most over-quoted line in film history

The Old-School Soundtrack

Reiner wanted a classic soundtrack, kinda Frank Sinatra standards-type stuff. Harry Connick Jr. was in his early twenties. Somehow Reiner heard him and hired him to re-vamp some old school standards. In that way, it was a bridge between the past and the modern. While I still love Frank Sinatra and Fred Astaire’s renditions more, I enjoy the music, especially Harry’s rendition of the Gershwin classic that Astaire and Rogers popularized, “Let’s Call the Whole Thing Off.”

It’s witty, relevant and truly touching!

I’ll be honest. I watched this on NYE, partially to honor Carrie Fisher, partially because the film ends on New Years Eve. I realized this film is more than its hyped up reputation. There’s a reason it’s revered – it’s because it’s great! Even though its last scene is a bit cheesy, you can’t help but eat it up.

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#NEWYEARSGOALS

In regards to Carrie Fisher, I was deeply saddened by her untimely death. Although this film is but a blip in her career, a sheer sliver of her full talent, it makes me happy to know she lives on through this film and others that she either acted in or wrote.

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RIP Carrie Fisher.

Vintage trailer below:

 

When Harry Met Sally Gifs property of Columbia Pictures.

Star Wars gif property of Disney.

 

 

 

Before Robby Benson was the Beast, he was a nerdy Jewish boy in “Jeremy”

Okay, show of hands – who knows who Robby Benson is? Though his name is far from being outrageously famous, I’m sure some cinephiles automatically go, “Oh, yeah. Wasn’t he the voice of the Beast?” And, yes, he was…but he also had a career long before that.

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ICYMI…that’s Robby Benson.

At the start of his career, he was actually most known for playing the romantic lead in Ice Castles, a cliched but fun love story with figure skating. And it had that overplayed, but still great Melissa Manchester song.

If you’re not familiar (which is most likely), Jeremy, made in 1973, follows Jeremy Jones (Robby Benson), a teenage Cellist with a crush on the new girl, Susan Rollins (Glynnis O’Connor). They have an awkward and sweet chemistry and fall quickly for each other only to have the fates intervene and tear them apart.

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BEST MOMENT EVER.

Here are just a few reasons you should watch Jeremy:

The Cast

For me, the cast is the major reason to watch this film. Every other element wouldn’t work without Robby Benson and Glynnis O’Connor. At the time, they were just fifteen years old, creating controversy over a very tasteful love scene.

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His voice breaks at the end of the sentence. 
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No, he doesn’t understand, Glynnis!

Both were fairly new to the business – this was Glynnis’s debut – and that showed in the best way possible. They weren’t trying to act. They were natural. They were believable. Their on-screen chemistry sparked an off-screen romance that lasted a couple of years. They even made another romantic drama together, Ode to Billy Joe.

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So quiet and sweet.

The Direction/Writing

Writer/director Arthur Barron was a screenwriting professor at the time. He adapted his friend, John Minahan’s novel and got Elliot Kastner (who produced The Long Goodbye) and George Pappas on board as producers.

These coming of age romance films have become a dime, a dozen. I, of course, am still watching them, but most are cliched and tired, having covered the same ground a million times over. This film came a few years after the success of Love Story. But while that film went glossy, Jeremy felt real. There’s real awkwardness in the way these teenagers talk to each other and they don’t sound like adults (Hello Dawson’s Creek!).

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This scene always gets me. It’s so honest.

Beyond the style, I loved the ending. I don’t want to give too much away but I will say it doesn’t end happily. I think I have a tendency to love impossible love stories (see: Brief Encounter).

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His surprise is great…

The Music

This was a major element of the film which I made fun of as a kid. “The Blue Balloon Song” which is sung by Robby Benson, is very seventies (my dad rolls his eyes). But, it’s sweet and awkward just like the film’s couple. It’s fun to listen to next to Robby singing as the beast and be like, “Wow, that’s the same guy.”

It’s genuine, unpolished, and awkward. 

Jeremy is far from being a perfect film. As a young person, my brothers and I used to make fun of it and my dad’s affection for it. But, looking at it as an older person, it has something that too many films lack today: sincerity.

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Oh, the awkwardness…

I know it meant a lot to my dad. He was a nerdy Jewish teenager at the time this came out.

In lieu of the trailer, here’s the whole film:

Beauty and the Beast Gif property of Disney.

Jeremy photos and gifs property of United Artists.

Veronica Lake is my #WCW in ‘I Married A Witch’

Well, October is here and you all know what that means? Yes, that’s right. Halloween! I’ve never been super into the whole dressing up thing. I was Hermione up until 7th grade and then I just stopped. My parents didn’t want to buy me a new costume. So, I got very into Halloween movies. I should be clear; I’m not a huge horror movie fan. But, I love the fun Halloween classics – BeetleJuice, Halloweentown, Hocus Pocus, Poltergeist…that kind of stuff.

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Debbie Reynolds taught me: WITCHES ARE COOL.

If you’ve been following my movie musings, then you know that I’m also a huge screwball comedy fan. So, to kick off October, I thought I’d discuss one of my recent discoveries: Rene Clair’s I Married A Witch. I found it a few months ago when I raided my dad’s DVD collection and found a Criterion copy of the film. The cover intrigued me so I gave it a shot and let me tell you, it is a TREAT!

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Beautiful Artwork, AMIRIGHT?

Here’s a quick synopsis: I Married A Witch, made in 1942, follows Jennifer (Veronica Lake), a witch and her father Daniel (Cecil Kellaway), burned at the stake in the 1600’s and buried underneath a tree. Jennifer places a curse on the man who turned them in: all the generations to follow shall have unhappy marriages. Jennifer and Daniel are revived in the early 1940’s, just wisps of smoke before they find bodies to hop into. They decide to wreak more havoc by torturing Wallace Wooley (Fredric March) and making him fall in love with Jennifer. As always drama and LOTS OF COMEDY ensues!

Here are just a few reasons you should add I Married A Witch to your Halloween movie-binge!

The Cast

After I finished watching the movie, I called my dad and told him how much I loved the chemistry between March and Lake. My dad laughed, telling me, “Yeah, too bad they hated each other.” And indeed, they did hate each other…a LOT. According to Jeff Stafford of TCM, “…prior to meeting his co-star, Fredric March had reportedly said Lake was ‘a brainless little blonde sexpot, void of any acting ability,’ a comment that made its way back to her. In retaliation, Lake called March a ‘pompous poseur’ and their adversarial working relationship proceeded from there (Stafford, TCM Article).”The shoot was apparently very contentious and included Lake regularly pranking March and some very nasty shouting matches.

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In LOVE?

Lake was just coming off of her starring role in Sullivan’s Travels, another great screwball comedy. She has the very famous peek-a-boo haircut in this film and is charming beyond belief. Fredric March was a few years away from his most famous role in The Best Years of Our Lives. His befuddlement in this film is pure joy. He doesn’t know what’s going on half the time. Whatever their drama was IRL, it didn’t hurt the film. Their chemistry is palpable and IMHO, is what makes the film work.

In addition to its fabulous leads, the film also boasted great character actors such as Cecil Kellaway and Robert Benchley. Many of the supporting characters are Preston Sturges regulars and they add fun and whimsy to the film.

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Jennifer’s dad is seriously CRAY. #RealTalk

The Producer

Unofficially, Preston Sturges agreed to produce this film with Clair and you can definitely tell he had a hand in it. Like his greatest films, I Married A Witch is funny, farcical, and romantic. If you like this film, you should binge all the Sturges films – Christmas In July, The Lady Eve, The Miracle of Morgan’s Creek, Sullivan’s Travels…the list goes on. He’s wonderful.

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Shown: Screenwriter and director Preston Sturges, circa 1947

The Director

French director Rene Clair had only just made his first American film, The Flame of New Orleans, and it apparently hadn’t gone very well box-office wise. His agent sent a copy of a book called The Passionate Witch by Norman Matson and Thorne Smith. It was really because of Veronica Lake’s involvement that the film actually got made.

Clair’s name isn’t one that is remembered often enough. He was one of France’s first great comedy directors and his cache really became films that somehow mixed fantasy elements with humor and romance. AKA everything I LOVE. Some of his other great films to check out: Beauties of the Night, A Nous a Liberte and The Grand Maneuver.

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Rene in the 1920’s…NEED THAT CAMERA

The Script

This is my favorite era precisely because screwball comedies were in vogue. Though I know no one talks that fast IRL, I don’t care! It’s fun, witty, and FAST FAST FAST. Funnily though, this film had many cooks (writers) in the mix. Five writers are credited on IMDB for having some hand in the script. Rene Clair and Andre Rigaud apparently just helped in punching up the dialogue, which is ON POINT.

Even with all the cooks, the film turned out to be HILARIOUS.

Some of my favorite lines in this film:

“Ever hear of the decline and fall of the Roman Empire? That was our crowd.”

“Pistol, pistol, let there be/Murder in the first degree.”

Wallace Wooley: “I’m afraid you’ve got a hangover.” Daniel: “Don’t tell me what I’ve got! I invented the hangover. It was in 1892… B.C.”

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She looks sincerely in love, right?? #GoodActing

The Incredible Effects

One of my major problems with film today is that they over-indulge in special effects. I have no issue with trying to make a film’s fantastical elements come to life. But, many times, today, things look so perfect they actually look less real. While some might say these 1940’s effects are a bit hokey, I can’t help but be wowed by them.

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Just some wisps of smoke taking a broom ride…

The Cinematography

Going along with the effects is the beautiful black and white cinematography! Ted Tetzlaff was the cinematographer and with films like Notorious, My Man Godfrey and The Talk of The Town on his resume, I can’t say I’m surprised at the atmosphere and beauty. He was nominated for an Academy Award for his work on The Talk of The Town.

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Romance + Black and White = PERFECTION

Veronica Lake’s Dresses

Famous costume designer Edith Head was behind Lake’s gorgeous ensembles in this film and I want them ALL…👗

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That 40’s Style!

It’s a whimsical, charming, fun, fantastical comedy delight.

This movie is everything you want it to be. It’s funny, romantic, and beautiful. But most importantly, it’s FUN. At just 77 mins long, I Married A Witch takes you on a fast, crazy, ridiculous ride and lets you enjoy its fantastical premise. Veronica Lake didn’t have a great reputation in Hollywood, but as an actress, her appeal cannot be denied! And of course, the film inspired the very popular 60’s sitcom, Bewitched.

Drinking game idea: Drink every time Jennifer pouts. You’ll end up drinking A LOT.

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I wanna be a witch too!

Trailer below. And if you have Hulu, you can watch the full film RIGHT NOW. And if that’s the case, seriously, what are you waiting for? An engraved invitation? Go watch it NOW.

Halloweentown Gif is property of Disney.

I Married A Witch Gifs Property of Paramount Pictures.

 

 

The Film that won Olivia De Havilland her first Academy Award

A few weeks back, I saw a new film in theaters which is surprising considering this has been such a bad year for movies. That film was called A Light Between Oceans. The film was not bad nor was it very good. But, it did make me think about a movie I saw a while back called To Each His Own, mostly because the plot was, like, ninety percent the same.

I’ve spoken about Olivia De Havilland twice before on this blog when I wrote about Gone With the Wind and The Heiress, which makes me laugh because I’ve only recently started watching the bulk of her films. I came across To Each His Own when TCM was honoring De Havilland for her 100th birthday. It’s not remembered as a standout classic film, but more just remembered as the film which won Olivia her first Oscar.

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Wasn’t she gorgeous? #FASHIONGOALS // Courtesy of Culturalist.com

I, however, really enjoyed it. If you’re not familiar, To Each His Own is a small character drama about a middle-aged woman named Jody Norris (De Havilland), who’s looking back on her youth when she lived in a small town and had a baby out of wedlock. Because the town is so small, she concocts a plan to keep the baby without anyone knowing it’s hers.

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The foolproof plan…#UMMM

However, the plan goes awry. The baby is adopted by a friend of hers (whose own baby just died). Jody plans to tell them everything and take her baby back, but her father stops her, telling her she’d ruin her baby’s life (really meaning his reputation). Later, after her father passes, she tries to get her baby back and does but the child doesn’t want her. He wants his “real parents.” Dejected, she sends the child back to live with the adoptive parents. DRAMMMMMMA.

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Some baby MAMA drama. #ImSoFunny

Here are just a few reasons you should check out To Each His Own:

The Cast

Obviously, this was the role than won Olivia De Havilland her first Oscar and her performance is certainly worthy. Not only does she convincingly play her character as a middle-aged woman and a young ingenue, but she also gives us the big emotional moments in a quiet, understated, authentic way. Director Mitchell Leisen was so convinced De Havilland would win an Oscar for her performance that at the end of shooting, he gave her a charm bracelet with a mini Oscar on it.

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If Oscars could be won for BEST HAIR…

Broadway actor John Lund had his theatrical debut with this film. He played Captain Bart Cosgrove, Olivia’s love interest, and also played their son whom she meets in her middle age. He’s quite remarkable because even though you can tell it’s the same actor playing both roles, his mannerisms are completely different.

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He’s singing to her here by the way…

The Direction

The script was by Olivia’s own admission, a “conventional soap opera (TCM Article).” She believed the only person who could make it more than that would be Director Mitchell Leisen, whom she had been directed by in the film which won her her first Oscar nom, Hold Back the Dawn. He was unenthusiastic about directing this particular film, but Olivia insisted and so, he worked to improve the script as much as possible and went all in.

As production went on, he apparently did become more enthusiastic and Olivia credits Leisen’s direction with her Oscar win. In reading about the film, what stands out about his direction is how detail-oriented he was. Whether it was about something out of place for the time period or a slight tweak to Olivia’s performance, he was a perfectionist. He didn’t want to be a hired hand; he was more than that.

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An example of the small moments Leisen captured…

The Story

This is really what it’s all about. Now, it’s true that this story has some soap-operatic elements. However, what I love is that the film is rich in character development and emotional moments. It’s not an original story – there are several variations on this concept including two of my favorite films, The Torch Singer and Bachelor Mother. 

Much of this film surrounds the drama between Jody and the family that is raising her child. It’s a contentious situation. The other family is not willing to give him up and Jody eventually blackmails them into getting him back only to come to the realization that her son doesn’t want to be with her.

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Her eyes are crazy THOUGH…#Amiright?

This is a theme which is shown again in the film I mentioned at the beginning of this article, The Light Between Oceans. That film is dramatically much darker, but it does also cover the heartbreak that occurs when the parent is reunited with their child, only to be ultimately rejected.

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Having to watch your child grow up without you…

To me, this story is really pondering the question, “What makes someone a parent?” Is it simply the biological component or is it being there for the child, as a parent would be? Obviously, in ideal situations it’s both. But, many aren’t that lucky. As a child, having a present adult in your life who loves you and cares about your well-being means more than what it biologically means to be a parent.

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HEART BREAKING…

That’s really what makes the tale so heartbreaking. In both films, it’s not the biological parent’s fault that their child grew up with another family. But, that doesn’t change the reality that the child doesn’t see their biological parent as their “real” one.

It’s a sincere and moving melodrama

In the hands of less talented people, this film could have been a sappy, annoying soap opera. But because of Leisen and De Havilland’s brilliant performance, the material is lifted into being a emotional and earnest story about the love between a mother and her child. I don’t want to ruin the film’s ending, but I will say it’s a beautiful one. Any mothers out there will probably tear up. Who am I kidding? I’m not a mother and I teared up. All of you will be tearing up…or maybe I’ll say, you should be.

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Olivia De Havilland is EVERYTHING. 

Below is a link to the full movie, on Youtube. Enjoy the feels. 😭

Main Photo and Gifs – Copyright of Paramount Pictures

 

Why I now appreciate John Badham’s WarGames

I remember being terrified the first time I saw WarGames. Mind you, I’m pretty sure I was under the age of ten, but still, this light thriller gave me nightmares. Once I got a little older, I saw the film again and began to see it in a different light. I could finally appreciate the film, although I will say parts of it still make me feel uneasy.

Recently, I watched a special feature about the making of the film which turned everything I thought I knew on its head. I love hearing behind-the-scenes stories which make you feel awe that the film got finished, was successful, and was actually a good movie. WarGames is one such case of this.

But before we get to all that, here’s a little synopsis for those of you who are WarGames virgins. Made in 1983, the film follows David (Matthew Broderick), a teenager too smart for his own good. Obsessed with computers (which now look positively ANCIENT), he accidentally hacks into the military’s central computer and realizes the computer cannot tell the difference between game-playing and reality. There is, of course, a girl played by a young Ally Sheedy who goes on the roller coaster journey with David while also falling in love with him. Let’s just say…DRAMA ENSUES.

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The computers seriously look ANCIENT. #DidIMentionImAMillennial?

Here are just a few reasons you should check out WarGames:

The Cast

This is the type of film that relies heavily upon the charm of its actors. If its leads were boring and/or annoying, I think we would have more trouble buying into its fantastical story.

Matthew Broderick had only done one film before this, a Neil Simon comedy, Max Dugan Returns. Unable to come in for a callback for WarGames, he suggested that then-director, Martin Brest, watch his dailies from the film. At only twenty years old, he had a charisma that was undeniable. He was likable and effortlessly funny. He carried the film with his convincing technological know-how and charm.

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Look how young! #ALittleFerrisBuellerNo?

Ally Sheedy was about the same age as Matthew and was completely green, having only been in one film before WarGames. She was playing the “girl next door.” I’m sure her natural and appealing performance in this played a part in getting her the The Breakfast Club a few years later.

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SASS #ThatEyeRoll

John Wood is also wonderful as Professor Falken. Apparently, the character was originally based on scientist Stephen Hawking. Barry Corbin and Dabney Coleman also have standout roles as McKittrick and General Berringer, respectively.

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Aw, John Wood…#WordsToLiveBy

The Script

This is really one of the most interesting pieces. The story was conceived and written by Lawrence Lasker and Walter F. Parkes. They were very involved in early development and did a lot of research. This script was their baby. When Martin Brest came on to direct, he decided to tonally go in a different direction and the writing team was essentially fired from the film.

A little while later, Martin Brest was fired from the film and John Badham was brought on to direct. The writers were then hired back and became apart of the process again. Their script, in addition to being fun and super entertaining, posed questions that were ahead of their time. Computers were not in wide use when the film was released and so, the idea of hacking, wasn’t as widespread and commonplace as it is today. When they were shopping the script around, apparently studio execs were confused by it.

The thing Lasker and Parkes understood so well was that the characters come first. So, even though there were these underlying science fiction themes and big questions that were being posed, the film was also accessible on a pure entertainment level.

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Great concept. #TheKidsAreAlwaysSmarter

The Direction

I was surprised to learn that the film originally was going to be directed by Martin Brest. Brest, in his own right, made some great films including The Scent of a Woman and Meet Joe Black. The studio, however, felt that the film Brest was making was not the film they wanted. They sought out someone new to direct even though they were a few weeks already into filming.

They decided to approach John Badham (brother to Mary Badham, aka Scout from To Kill a Mockingbird) who had already directed Saturday Night Fever and Dracula. He brought out the lighter side of the script, helping to develop the chemistry between Ally Sheedy and Matthew Broderick. According to Sheedy, she thinks the film Brest was trying to make had validity as well, but that it wasn’t going to be a popcorn flick the same way it turned out to be in Badham’s hands.

The movie was really a crowd pleaser and that’s because Badham knew the film needed balance. It had adventure, romance, and fun. He even had a writer come in to add a scene between David and Jennifer and I daresay, it’s one of the best scenes in the film.

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#RealTalk 

The Music

Music, for me, is a key reason to like any movie. WarGames is very much of the time period containing a lot of synthesizer and “techy” sounds. But, there’s one piece of music that this film is famous for. Arthur Rubinstein composed it and it’s called “Edge of the World.” Rubinstein, in the special feature included with the Blu-Ray, said that whenever he tells people he composed the film, they always bring up the harmonica. Although he gets kind of annoyed with it since he composed several other pieces of music for the film, this is what stuck and it’s for good reason. It is brilliant and gives you all the #feels.

The Romance

The film cannot be categorized as a romance as really it only has a few scenes that are really about that. However, I remember totally having a crush on Matthew Broderick after this film. He was adorkable long before Zooey Deschanel made that a thing. There is something about Jennifer and David’s relationship that just seems so sincere. Possibly because they were both so green, they seemed to have a natural and easy chemistry.

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Changing a girl’s grade is the secret way to her heart. #OBVI
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Almost seems like too personal a moment to watch…or is that just me? #BUELLER?

Because it’s smart, thought-provoking, and SO MUCH FUN. 

Hitchcock always said the audience comes first. Films should be life with all the boring parts cut out. This film was way ahead of its time. Technology was not a way of life the way it is now. The film actually inspired real changes in the world beyond my dad telling me he bought a computer because of it.

As I’ve mentioned many times before, I love films that make you think and I believe it is possible to produce a film that is both entertaining and about something. The film has a message that is important and still relevant today. Badham summed it up quite nicely, saying, “…The more powerful and the more authority we delegate to computers, the more things we are abdicating. And that’s where it gets to be dangerous. Suddenly the roles are reversed and then, in a true Harold Pinter situation, we don’t know who’s the servant and who’s the master”(Badham, TCM Article).

More than anything, I came out of watching the film’s special feature admiring both the writers of this film and the film’s producer, Leonard Goldberg. It was through his bits that I understood that the real job of a producer is to have enough passion for a project to handle all the bumps that come with getting it made and this film had its bumps for sure.

All in all, it’s a very entertaining film that makes you laugh, cry, and cheer. And really, what else can you ask for?

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For the record, this is where you’re CHEERING…

Vintage trailer below: